Dear Robert,
thanks for your answer!
That solves my metronome problem ;-)
(and makes some parts easier to play, so back now to
practice ...)
Saludos cordiales,
Ralf
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Hello Bob and Ralf,
I also had suggested this to Ralf in a mail, as 9/8 clearly has 3 strong
beats and can be understood as triplets.
BTW - there is another piece with the same time signs (S-C 51,6 Presto),
where IMHO it couldn´t at all be interpreted in another way. Also it
flows musically much
Ralf,
It seems clear to me that
the 8ths don't stay the same. The 9/8 sections should just be thought of as
triplets with the pulse (quarters) staying the same. (I would guess that
Weiss writes 9/8 so that he doesn't have to indicate triplets the whole
time.)
Robert
To get on or off this l
Hello,
I am currently working on the the SLWeiss Sonata 24 in
C major.
The Gigue has an unusual progression of sections in
9/8 and 3/4 rhythm throughout the entire piece.
(I am aware of counting
9/8 = one two three, one two three, one two three
3/4 = one two, one two, one two,
with the same ti
