I´ve found one piece:
http://www.icking-music-archive.org/scores/merula/canzonetta.pdf
greetings from austria
peter
- Original Message -
From: [EMAIL PROTECTED]
To: baroque-lute@cs.dartmouth.edu
Sent: Wednesday, March 05, 2008 9:39 AM
Subject: [BAROQUE-LUTE] Tarquinio Merula
Dear
Dear Lutelist,
After Mathias was so kind as to take the time to make a video and demonstrate
for me how to play the Allemande by Dubut that I had posted earlier, I tried to
record it again with a different interpretation of the rhythm. Unfortunately, I
recorded late last night, and somehow
The ones that got away are always better! (Not the most
grammatically-correct sentence I've ever written!).
You seemed to relax into it more before the end. It didn't sound like you
were on rhythmic autopilot, which it often does when one is experimenting
with inegales. Keep up the good work.
On Mar 5, 2008, at 3:09 AM, Thomas Tallant wrote:
Hor che Tempo is a lullaby, thus the droning quality of most of
continuo part. There is a shift in tonality and mood at the end
that is tricky. Overall, it's a deceptive piece: It's long and
difficult for the singer (technically and
Does anyone have any good advice for how to bring a large lute from Europe to
the United States? In this case the instrument would be a lute with a neck
extension (a theorbo). Someone will bring the instrument from Europe to the
U.S., checking it onboard an airplane. The instrument would be
Here is Lynda Sayce's essay on the subject of flying with a theorbo:
http://www.theorbo.com/Writings/Flying.htm
Rob
On 06/03/2008, Thomas Tallant [EMAIL PROTECTED] wrote:
Does anyone have any good advice for how to bring a large lute from Europe
to the United States? In this case the
