I found this very interesting:
http://www.nme.com/awards/video/id/TmqhLIxNnp0/search/koopman
But I don't understand: with all the transposing going on between
465, and 415, what is the outcome pitched at? When TK says, put the
whole thing in Eb, and the thing is ready, my question is: Eb
On Sep 5, 2009, at 6:07 AM, David Rastall wrote:
But I don't understand: with all the transposing going on between
465, and 415, what is the outcome pitched at? When TK says, put the
whole thing in Eb, and the thing is ready, my question is: Eb tuned
in what?...415 or 465?
They're playing
Dear Friends,
If somebody will be in Wroclaw on 5th-20th Sept., I would like to invite
to Wratislavia Cantans Festival under Paul McCreesh as artistic
director. I recommend especially few concerts:
on Monday (7.09.): The English Baroque Soloists, The Monteverdi Choir
and Sir John Eliot
Dear all
Earlier in the week some-one was asking about the way Claire Antonini
plays the VG Chaconne. Is the issue about the way she plays it in
relation to the text about her application of notes inegales? - the
pratice of playing quavers in 3 time unequally - slightly lengthening
On Sep 5, 2009, at 6:12 PM, howard posner wrote:
For anyone interested in the historical pitch question, let me again
recommend A History of Performing Pitch: The Story of 'A' by Bruce
Haynes,
Wasn't he the one who wrote The End Of Early Music? Good book.
which contains a wealth of detail,
