In my oppinion they are misinterpreted alternative double-parts for flute
or violin and cello. The information is added by a later hand to the MS,
very pale for SC 54 and 59, almost invisible for SC 56, at least in my
copy of Dresden (Erbe deutscher Musik). You find that also in
its not the first time luca plays fake music. in a concert here in krems some
years ago he played music by composer witch I think maybe roman knows, called
sautchek.in the programm you could read, he lived at the same time as c. ph.
e. bach.
peter
Am 22.11.2010 um 20:59 schrieb Roman
I am adamantly opposed to the term fake music as applied here.
The Barchi prelude is real music, as is my own.
Misattribution is a legitimate marketing tool with a long history.
Fake music would rather describe Stockhausen, Cage, Furrer, Sciarrino et al.
RT
- Original Message -
From:
sorry, my english isnt good, I didnt want to hurt you, fake is maybe not the
right word. I know its a play and I enjoyed your piece and the weyrauch piece
too!
peter
Am 23.11.2010 um 01:21 schrieb Roman Turovsky:
I am adamantly opposed to the term fake music as applied here.
The Barchi
On 23 November 2010 07:57, Hilbert Jörg hilbert.jo...@t-online.de wrote:
Dear list,
a friend of mine is about to learn b-lute. I told him to order
Sedura-Yisraels method, but it hasn’t arrived yet, so I am now looking for
some other basic studies or easy pieces for the very first steps.
