manuscript. It's true, many concordances bear the title, but some
don't, and
some have a different label, e. g. Label Homoise (Stockholm MAB
No. 3) or La
bella haut musie. (Erik. Ark. 52c).
those these look very much like the common misspellings ..
And the
Dear Arto,
The Courante d:g: L'Homocide is also included in the Vienna manuscript MS
17706. I attach the PDF copy.
From the piece exist so many copies in manuscripts all over the world: La
Belle Homicide (#15) (Contrepartie: D-B4230 / 48v - GB-Ob617 / 28 (Mouton)
or D-B4230 / 49v (Bentle) 1.
From the booklet of Lislevand's CD La belle homicide:
The homicide in question is indeed a very sweet one. We recall the
words from a Dowland song: to see/to touch/to kiss/to die.
This Grace procures the metaphorical death of the late Renaissance:
the sublime ecstasy of physical love. In
Dear Edgar,
A very important fact for the interpretation of the Rhétorique des Dieux is:
Indeed Denis Gaultier is the target of the foreword, but nothing speaks for his
contribution at least for the first steps in the execution of the manuscript's
plan and in the entries of Notator A. I'm
Dear Andreas et al.,
Oh I don't feel like I'm in a position to interpret or assume anything
about Rhetorique, La Belle Homicide, or other aspects of the subject;
When Artos Mail came in and then a day later I read Bills question I
simply remembered I had tried to play it myself before and had
From the booklet of Lislevand's CD La belle homicide:
The homicide in question is indeed a very sweet one. We recall the words
from a
Dowland song: to see/to touch/to kiss/to die.
This Grace procures the metaphorical death of the late Renaissance:
the sublime ecstasy of physical love. In
