[BAROQUE-LUTE] Re: Minuet and Trio

2009-05-11 Thread chriswilke
howardpos...@ca.rr.com wrote: From: howard posner howardpos...@ca.rr.com Subject: [BAROQUE-LUTE] Re: Minuet and Trio To: baroque Lutelist baroque-lute@cs.dartmouth.edu Date: Sunday, May 10, 2009, 1:56 PM Nobody seems to have responded to this. On May 8, 2009, at 11:33 AM, David Rastall

[BAROQUE-LUTE] Re: Minuet and Trio

2009-05-08 Thread Mathias Rösel
Menuet - trio - menuet seems to be a galant-style thing. I for one would certainly play them at different tempo so as to emphasize their different moods. Mathias David Rastall dlu...@verizon.net schrieb: Dear Wisdom, In the mid-Baroque (specifically Lauffensteiner), when you're playing a

[BAROQUE-LUTE] Re: Minuet and Trio

2009-05-08 Thread howard posner
On May 8, 2009, at 9:24 AM, David Rastall wrote: In the mid-Baroque (specifically Lauffensteiner), when you're playing a minuet and trio, is it historically accurate to play them at slightly different tempi, or is that strictly a Classsical-period thing? Someone who actually danced the

[BAROQUE-LUTE] Re: Minuet and Trio

2009-05-08 Thread David Rastall
On May 8, 2009, at 1:24 PM, Mathias Rösel wrote: Menuet - trio - menuet seems to be a galant-style thing. Definitely 18th-century, though. Actually, I was mistaken when I said early 17th century. I meant to say late 17th century. I'm working on a suite in F Major by Lauffensteiner, and

[BAROQUE-LUTE] Re: Minuet and Trio

2009-05-08 Thread David Rastall
On May 8, 2009, at 1:42 PM, howard posner wrote: On May 8, 2009, at 9:24 AM, David Rastall wrote: In the mid-Baroque (specifically Lauffensteiner), when you're playing a minuet and trio, is it historically accurate to play them at slightly different tempi, or is that strictly a