Thank you Markus, I stand corrected indeed!
I do have the original, as it happens, but it was incorrectly
labelled, and I played from Satoh's edition, anyway. Glad to see this
cleared up. And a great thank you to you and Peter Steur for your
invaluable index at http://mss.slweiss.de.
David
> T
Sorry, David, for the sentence that I didn't conclude. I wanted to look
up a word in the dictionary and then I forgot to finish it.
But now here is, what I wanted to write first:
It is very unusual for me, if I want to follow the playing of someone
who plays left-handed. I don't know, what's t
David,
Thank you very much for sharing these videos. You claim to be a
beginner on baroque lute, but you sound very stylish and
mature. Your rhythm, phrasing, and style are absolutely beautiful!
Congratulations.
I must also say, that my favorite model for a baroque lute is
Burkholtzer, and
I feel (perhaps wrongly), Conradi and
Weichenberger could be an excellent introduction both to earlier French
music and to Weiss.
Anthony
Message d'origine
>De : "Daniel Shoskes"
>A : "BAROQUE-LUTE"
>Objet : [BAROQUE-LUTE] Re
On Sun, Jan 10, 2010 at 2:26 PM, Daniel Shoskes wrote:
> Ichi Ban! Apart from the chaconne, I've been intimidated by the
> interpretive challenges of Weichenberger
Arigatou!
Actually, I started with Weichenberger on my new lute, as I found it
to be not too challenging technically.
David
Ichi Ban! Apart from the chaconne, I've been intimidated by the
interpretive challenges of Weichenberger, especially as Anthony
suggested, with holding the structure together rhythmically on the
repeats. There really is a fascinating and under recorded literature
that sits between th
Very nice David! Two of the pieces, the Allemande in d-moll, and the=
Courante in d-moll
are pieces I am actually working on at the moment; so I am very happy
to h= ave your interpretation.
Of course I do have the recording by Satoh, whi= ch I have listened to
at various speeds to
