Wonderful stuff, Bernhard. His is a new name to me, and I like what I hear. The 
whole Accords Nouveaux is an interesting area, with some good, and some not so 
good pieces. I think Lawrence wrote some fine music, so thank you for bringing 
it to our attention. And well played too!

Rob


> On 5 Jan 2017, at 12:48, Fischer BE (Aon) <fischer...@aon.at> wrote:
> 
> Dear lute friends,
> 
> I have completed my home amateur recordings of a suite in g minor composed
> by Mr. John Lawrence. The four pieces are written in the lute tablature
> manuscript MS Egerton 2046 (British Library, London). All pieces are in the
> Accords Nouveaux ’Tuning Lawrence’ (g’,d’,b,g,d,A,G,F,Es,D,C) as it is named
> in the manuscript (the manuscript dates from 1615 to 1635 and is known for
> its famous renaissance lute pieces).
> The four pieces are: A Ballat (https://youtu.be/L9aYxKsh9GU), a Coranto
> (https://youtu.be/0r917fCRjaI), a Sarabande (https://youtu.be/HqJVrMH4mQo),
> and a Pavane (https://youtu.be/iXbCMmhuv-E).
> Between 1625 and 1634, John Lawrence has been a musician for the lutes and
> voices at the English court of King Charles I in London. It is known that
> Lawrence’s position in the ’Symphony’ at the court of King Charles I was the
> treble lute, and his salary was £10.
> I look forward to your comment and suggestions.
> 
> Happy New Year from Vienna,
> Bernhard.
> 
> 
> 
> 
> 
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