Not "strictly" a Lilypond bug, but I thought it was worth mentioning anyway.
I consider as a "bug" when you use SmallCaps in a markup, you can notice an
ungly gap in the series of some sloped characters (as "WA" "VA"...).
My eyes suggest the space should be reduced cause it looks a bit awkward
Simon Albrecht-2 wrote
> Yes, it does. Looks like
> https://sourceforge.net/p/testlilyissues/issues/612/;.
Thanks Simon, I should have checked on this page first!
Btw, in the issue thread, it is mentioned: "A work-around is to temporarily
shift to accidental style 'no-reset."
I can't find any
Simon Albrecht-2 wrote
> It’s very easy to find in the manuals. I searched for ‘lilypond
> accidentalstyle’ on the web and the first result is this page:
> http://lilypond.org/doc/v2.19/Documentation/notation/displaying-pitches;
> Now you hit the node for ‘Automatic accidentals’ and there you
Hi everyone,
This seems like a bug to me, no?
\version "2.19.81"
\relative c'' {
\key c \minor
\override Staff.TextScript.self-alignment-X = #0
<< { b1 c-"OK" \bar "||"
b b-"OK" \bar "||"
b ~ b-"WRONG" \bar "|." } \\
{ s
s
s } >>
}
When an
Torsten Hämmerle wrote
> Off Topic:Small caps in bold used for headings are quite problematic,
> anyway.
Indeed, it is not very conventional... But I tried different titles and I
was wondering if for film music, it wouldn't look better in small caps:
Torsten Hämmerle wrote
> This feature is rather new (doesn't work in 2.18.2 yet).
> If you look a bit further down, in "Fonts explained"
> http://lilypond.org/doc/v2.19/Documentation/notation/fonts.html#fonts-explained;
>
> , you'll find a few examples demonstrating how to use OTF old style
>
sn'ttoo good, either, but that's the price you pay for
> using non-professional(and free-of-charge) fonts, I'm afraid.There's an
> improvement in Av/Aw, though.All the best,Torsten
Hi Torsten, could you please give me an exemple of how this works? I can't
find an explanation of this in the manual.
Okay, I found how to trick this bug and move the TimeSignature with
\override Score.TimeSignature.extra-offset = #'(1 . 0)
but it still isn't very convenient!
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Hi everyone,
I found a strange bug when using the magnifyStaff tool. In this example, you
can see a collusion between the clef and the time signature occurs when the
lowest staff is smaller (and not otherwise).
Sounds like a bug to me, what do you think? Is there a way to avoid this?
\version
As a new LilyPond user, I never opened an issue for signaling a bug. Could
someone please do it, or explain me how to proceed? Thx
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Malte Meyn-3 wrote
> I just realized that this use was not intended: The scaling of bar lines
> is explicitely intended, as one can see by looking at the regtest
> magnifyStaff-bar-lines.ly.
Thanks for your comments on this issue.
Concerning the barlines, I think it is really a mistake in this
Hi all,
I found a small bug while using the automatic beaming function.
http://lilypond.org/doc/v2.19/Documentation/notation/beams.html#setting-automatic-beam-behavior
See:
\relative c'' {
\set subdivideBeams = ##t
% Set beam sub-group length to an eighth note
\set baseMoment =
Malte Meyn-3 wrote
> The result (using LilyPond 2.19.82) is exactly what I would’ve expected.
> I suppose your expectation is different so what did you expect?
The automatic subdivised beam is 16th instead of 8th. Here is the problem
and what I would have expected:
\relative c'' {
\set
Urs Liska-3 wrote
> TL;DR: it's a known issue, and there's no reasonable hope to have it
> fixed soon.
Thank you Urs for all the explanations. I feel sorry I don't have the
knowledges myself to help with the code... But LP is now my main engraving
software which I start to use intensively.
My
Malte Meyn-3 wrote
> Of course you could use \override instead of \once \override but of
> course that’s not optimal, therefore I’m forwarding this to the bug
> list. The following code shows in which cases also a neighbouring ledger
> line should be shortened and where there are ledger lines
Hi! Is this still the method for making changes in specific scripts or does
the situation has evolved since?
Thanks!
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Sorry I thought I posted this one in the bug report subforum...
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Quote from Gould's book: The outer stave-lines must be clearly visible; tails
closer to noteheades will obscure ledger lines
\version "2.19.80"
\relative c' {
\cadenzaOn
\omit Score.TimeSignature
\autoBeamOff
e''8 e16 e32 a64
}
You can see Lilypond does this for 8th and 16th notes,
Torsten Hämmerle wrote
> This is sheer coincidence - LilyPond always (!) extends the stems to the
> middle stave-line.
> As soon as there are more than two flags, they obscure the ledger lines.
>
> Moreover, cue size note stems should not even extend to the middle
> stave-line but be a
Hi everyone,Just noticed a bug in the default placement of the naturals when
key is changed.As you can see, the naturals aren't spaced correctly when
using the bass clef.I tried \Staff.override KeyCancellation.padding = #0.2,
but even with a larger padding, naturals aren't spaced
Code:
\version "2.19.81"
\new Staff {
\override KeyCancellation.extra-spacing-width = #'(6.0 . -5.0)
\key cis\major
s1
\key ces\major
s
\clef bass
\key ces\major
s^"problem"
\key cis\major
s \bar "|."
}
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*edit: don't mind the first line of the code, it was test purpose.
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Thomas Morley-2 wrote
> For flat-cancellation:The result is an even spacing of every natural. I'd
> call it a slightimprovement, but far from optimal.The gap between
> first/second natural feels too wide and betweensecond/third too
> tight.Sharp-cancellation is unchanged.
Not perfect, but already
Torsten Hämmerle wrote
> Hi Fox,
>
> This has nothing to do with the bass clef, as far as I can see (by
> exchanging clefs, not changing clefs at all, or using alto clefs etc.),
> but
> it definitively has to do with the cancelled key signature: when
> cancelling
> flats, the naturals stick
Hi all,
For info, I'm using Archlinux and after making a maintenance update via
pacman, I had a similar problem.
LilyPond became almost unusable with pango 1.44.1-1 and I was forced to
downgrade to 1.43.0.-2. Everything worked normally again after that. I'll
stick with that for now but I hope a
Werner LEMBERG wrote
> Can you please tell me the librarie's .so numbers of 1.43.0 and 1.44.1
> (or 1.44.2)?
>
>
> Werner
Yes sure, but I don't know how to find that...
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Werner LEMBERG wrote
> The question is now what exactly causes this:
>
> error: invalid conversion from 'gpointer' {aka 'void*'}
> to 'FT_Face' {aka 'FT_FaceRec_*'}
>
> during the lilypond compilation? Is this really caused by pango? Or
> is this a glib issue? Could you
I don't know if this has been reported, but I just updated pango on Arch, and
the version 1:1.44.5-1 is working fine now !
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Schneidy wrote
> Anything wrong with this suggestion?
I confess I never noticed that before! But your regular output is way much
better than the default one.
I'll save your little script! Thanks Schneidy!
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Malte Meyn-3 wrote
> I think that it depends on context: In a full score where only one
> instrument has a clef change, it would look weird if all the other
> instruments have the rest not centered. But in solo music, I’m not so
> sure which one I would prefer.
>
> According to Gould
Malte Meyn-3 wrote
> That example is the same in the german translation. But at p. 172
> (“Horizontale Ausrichtung von Pausen → Ganztaktige Pausen”, i. e.
> “Horizontal positioning of rests → full measure rests”) she writes
> something like “If the rest measure contains a clef, key signature or
Hi all,
I think this is a bug: when a clef change appears after a full measure rest,
the rest is no longer centered properly in the measure. The result looks
weird. See that example:
\version "2.19.82"
\new Staff
\relative c' {
c1
R-"default"
\bar "||"
R_"not centered"
\clef bass
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