Re: [Callers] New Dance to Share

2017-06-08 Thread DAVID HARDING via Callers
I've danced "The weevil" three times in very different settings: once at a guinea pig dance, once at a weekend workshop, and once at our regular  barn dance on a nasty weather night when the caller ran out of triplets after two+ hours.  The dance is sufficiently different from  contra or square

Re: [Callers] New Dance to Share

2017-06-08 Thread Kalia Kliban via Callers
On 6/8/2017 6:35 PM, Mac Mckeever via Callers wrote: I have a dance called The Weevil by Richard Mason It is a 7 person set (3 face 4) It looks like it would be fun - but I have never had the opportunity to try it out. Anyone had any experience with this one? The Weevil

Re: [Callers] New Dance to Share

2017-06-08 Thread Mac Mckeever via Callers
I have a dance called The Weevil by Richard Mason It is a 7 person set (3 face 4) It looks like it would be fun - but I have never had the opportunity to try it out.  Anyone had any experience with this one? The Weevil | | | | || | | | || The Weevil A gender

Re: [Callers] New Dance to Share

2017-06-08 Thread Isaac Banner via Callers
You might have seen it already, but I'm a fan of Sherry Nevin's "Monkey in the Middle." She technically calls it a square, but I think of it as a 9 person circle mixer. Monkey in the Middle, by Sherry Nevins 9-person set: circle of 8, plus 1 in the middle A1 Circle left (8)

Re: [Callers] New Dance to Share

2017-06-08 Thread Richard Fischer via Callers
I recently called Pat Shaw’s K & E for the first time. I think of it as a contra dance, in its own unusual formation, though I guess one is more likely to encounter it in an English dance setting. The dance has some challenges, and might be suitable for an advanced session, but I’m happy to say

Re: [Callers] New Dance to Share

2017-06-08 Thread Frederick Park via Callers
Howdy Folks! Interested to know of dances you’ve found that are NOT contra or square dances. Catagorically fun dances, dances for irregular numbers of couples, circles of any sort, odd formations, etc. Matters not what tradition they may come from or if you think of the dance as strictly for