In my minimal exposure, hearing impaired relied solely on dancer input.
Fortunately they felt the beat and that wasn’t ever an issue. Once they
successfully went through the dance (unless complicated) a couple times, they
were fine. It’s the changes that will go off kilter. However, they
Here’s one I wrote in back in 1993 (I was ahead of my time?)
Harvesting the Hey
Becket
A1 Left diagonal, right and left thru
Straight across, right and left thru
A2 Star left once around
With the NEXT (shadow - leave partners), star right once around
B1 With the previous (the same four as
Here's one I'm familiar with off the top of my head featuring that
transition (called it at NEFFA this year):
*Belmont Romp - Becket - Dan Pearl (var DonV)*
A1 Circle Left 3/4x, Neighbor Swing
A2 Long Lines Fwd/Back (note next N)
Star Left 1x to Gents face out, Ladies in
B1 NEXT Ns Full Hey
On 2018-06-25 04:03 PM, Luke Donforth via Callers wrote:
Hi folks,
I ran this at a monthly dance, and it was well received; so I figured I'd
share it around. To my knowledge it's new. Please correct me if you know of
a prior.
If you replace the "gyre + swing" with "balance + swing", you get
Hi folks,
I ran this at a monthly dance, and it was well received; so I figured I'd
share it around. To my knowledge it's new. Please correct me if you know of
a prior.
The interesting/odd bit is the transition from B2 to A1, where the ladies
role comes out of a left hand star with old neighbors
Hi all,
Karen and I like to get some winter sunshine (temperature
averaging at least mid-sixties) with lots of dancing (ECD, contra, square,
etc.) on our USA vacations in January or February, taking in a dance
festival if we can.
Any recommendations as to the best
