I'm experimenting with teaching this move as a right shoulder 'round, but
describing it as friendly/playful. I will try subbing one of those words
for RSR. I think it gets the idea of a face-to-face move without the
flirty/slur. I know, I know, there are tons of suggestions out there. None
of them
I enjoy this process, too. I like to toss in an opposite one. For example,
I called a first day of spring dance once and had a few spring-themed
dances, but I added in a winter-themed one, too, just for the laughs.
-Amy
On Tue, Sep 10, 2019, 7:01 PM Martha Wild via Callers <
Hi Lenore,
I've heard the phrase, "Gents cross, ladies loop; ladies cross, gents
loop," during the dance. I'll let someone else talk through the teaching
part.
-Amy
On Mon, Jan 7, 2019, 12:46 AM Lenore Frigo via Callers <
callers@lists.sharedweight.net wrote:
> I'm planning to call a dance
Karen Marshall has been the keeper of the notebook in recent years. She may
know. I can send her contact info to you off list.
-Amy
On Mon, Nov 5, 2018, 5:35 PM Michael Dyck via Callers <
callers@lists.sharedweight.net wrote:
> In Warren's Roadhouse at Seattle's Northwest Folklife Festival,
It was a fun dance, and Doug did a great job with the video, as always.
On Thu, Aug 16, 2018 at 1:49 PM, Andy Shore via Callers <
callers@lists.sharedweight.net> wrote:
> Both of these have been road tested on tour with Polaris.
>
>
> *Serving REELness*
>
> Andy Shore
>
> Type: Contra
>
>
Hey All,
Can someone identify this dance I got from someone who got it from someone
else, neither of whom knows the name or author of it?
A1 Rings of 4 balance, Nbr SW
A2 Whole set "oval" L, oval R
B1 Gents allemande L 1.5, Ptr SW
B2 Cir L 3 places, rings bal.
Ptr Cal. twirl (to face
Well, I've danced to a caller who decided that the exact same program, with
the exact same memorized patter, would work in the same city if separated
by a week and in a different venue. Not so much.
-Amy
On Wed, Mar 7, 2018, 11:15 PM Yoyo Zhou via Callers <
callers@lists.sharedweight.net> wrote:
Huh! I never thought of that for the dance we run. I keep a file of each
gig and the dances I called at each. I also write on each dance card the
date and location of each time I've called it, so I don't repeat myself too
often.
There's a record of contra dances called at Northwest Folklife
I heartily second Maia's opinion. I know someone who tries that move on
women every time there's a LLFB and it really rankles me. It's intrusive,
and some people bump too hard, causing bruising. Not fun.
-Amy
On Jan 31, 2018 12:31 PM, "Maia McCormick via Callers" <
Greetings All,
I really like JD's methods. When teaching I do an abbreviated version of
that, but I think I'll expand it to include a _kind_ refusal, and universal
participation during the lesson.
My husband and I are dance organizers, and for several years have been
working hard to make the
In my experience the momentum of an allemande right automatically takes one
either to the right or forward. Same goes for an allemande left: momentum
takes you to the left or forward. A balance left just doesn't flow after am
AR, because if you have a good connection with your allemande you're
Nathaniel Jack also wrote "Walk the Plank."
On Sep 16, 2017 9:17 AM, "Angela DeCarlis via Callers" <
callers@lists.sharedweight.net> wrote:
> These are all great suggestions, thanks all! Keep em coming!
>
> After gong through my dances, I've also pulled out Bob Isaacs's "Double
> Trouble," my*
Hi All,
I recently had the opportunity to call a contra to a group of rank
beginners in a difficult situation: outdoors, on sloping concrete, without
amplification for either myself or the band, to people not expecting a
dance, with a band mostly unfamiliar with either contra or fiddle tunes,
who
Donna,
I can imagine a scenario in which organizers would be shy to share this
information for fear of retaliation or pressure from those who want them to
change their practices. Having received such pressure, personally, I am
sure it will happen to others. I'm not saying all pressure to change is
My husband keeps attendance records for our weekly dance in Seattle, and
has done so for ~16 years. What sort of info do you seek? Just an overall
trend, or numbers, or something else?
-Amy
On Jan 30, 2017 10:07 AM, "Linda Leslie via Callers" <
callers@lists.sharedweight.net> wrote:
> It may be
The wrist lock is the common star formation in the Northwest, with a hands
across being the exception.
-Amy
Seattle
On Oct 10, 2016 5:37 AM, "Dave Casserly via Callers" <
callers@lists.sharedweight.net> wrote:
> Jeff Kaufman wrote a paper on regional variations in contra dance. Here's
> what
>
I've had this dance for years and don't know who wrote it or what it's
called. Anyone know?
Duple, improper
A1 ladies chain up/down set to neighbor
Partner swing
A2 circle L 3 places
Neighbor swing
B1 long lines F & B
Ladies chain
B2 circle L 1 1/4
Rings of 4 balance,
Yeah, I don't understand the whole "must have a neighbor swing!" thing.
Half the dances in my collection don't have one and they're some of my
favorite dances. I can remember ONE complaint about calling two no-NS
dances back-to-back once. A dancer told me that was a horrible no-no. I try
not to
Hi All,
I collected a dance from Lisa Greenleaf. Neither she nor the person
from whom she collected it knows the author. I'm hoping you can help
me. Here it is:
Holiday Daze
Becket
A1 Cir L 3/4, pass through
New neighbor swing
A2 Long lines F
Ladies chain
B1 Left diag. hey for 4
B2 (original)
Hi All,
Remember that I posted a dance I wrote, which I finished at the WA
State caucus (called "Feelin' the Bern")? I called it at Northwest
Folklife Festival and it went well. There's a 16-count swing at the
end. I got several comments here that that was too long and I should
shorten it and add
I'm one third of a dance organizing team. The person who does our
bookings of bands and callers has frequent brain farts. My husband
(3rd part of team) and I have had to make hasty repairs many times. I
try to stay in the loop of email transactions, but that isn't always
possible, depending on how
Tom and Erik are quite right about that swing. It lasts FOREVER, which
is a little too long. I took Michael's suggestion and started at A2.
I also took Michael's suggestion of turning the allemande into a
two-eyed turn (an "eye-lemande" as my friend Matthew coined). Thank
you for the suggestions
While preparing to teach the beginners' session for tonight's dance in
Olympia, WA, I jotted down several figures I could teach that would be
simple enough, flow reasonably well and get them dancing. I looked at
my list and said, "Huh! This looks like an actual dance." I was
missing one figure to
Hi All,
I finally composed a response to the original complainant. Here it is,
followed by an almost instant reply from him (yes, it is a male):
Hello Mr.__,
Thank you for letting us know about your experience at our dance. I am glad
our community was so welcoming and friendly to you. I
I LOVE that word as a replacement for "gypsy." It makes absolute sense and
conveys the idea of the move perfectly.
-Amy
On Oct 29, 2015, at 9:23 AM, bill fischer via Callers <
callers@lists.sharedweight.net> wrote:
blessings linda
having read volumes of only occasionally interesting thoughts
To clarify, when I taught the gypsy I said something very close to:
"this is a flirty move." I said nothing about sex, or that the move
was imitating or representative of anyone or anything. I regret using
that short sentence more than you can imagine. That the writer thought
"it became clear
I'm not fond of "eddy," "vortex," or "swirl" because they all imply
twirling, which is not what the gypsy move wants. That defeats the purpose,
in my mind. "Facing" seems most appropriate, useful and descriptive of the
terms suggested.
-Amy
On Oct 25, 2015, at 11:53 AM, Andrea Nettleton via
Thank you, everyone, for your thoughtful replies. I have a much better
idea how to respond to this person now. I also have some changes to
make in my calling. I appreciate the education and elucidation.
Ignorance is not bliss.
I think that, for now, I will do my best to eliminate the word "gypsy"
Hello All,
I taught a dance this evening that included a ladies' gypsy. I received the
email below a few minutes ago. In teaching it I wanted to convey that it is
a flirty, eye contact sort of move. This person was obviously offended. I
am at a loss for how to respond, except to apologize for
Is there ever a designation for doing something alone?
-Amy
On Sep 23, 2015, at 10:18 PM, Don Veino via Callers <
callers@lists.sharedweight.net> wrote:
Back in 2008 I wrote a dance to celebrate my first year of contra dancing
and Chris Weiler was kind enough to go through it with me. In doing
As a caller I try to include something in my beginners' sessions that tells
people how to quickly refuse a dance without giving a reason.
Seattle-area caller, LauraMé Smith often demonstrates how NOT to gypsy (so
that the other person is always trying to get away from you), and she does
it early
Well, this is fun! I've been collecting these, myself. Maybe some day
there'll be one written for me that I can add to the list.
-Amy Wimmer
> On Sep 8, 2015, at 10:43 PM, James Saxe via Callers
> wrote:
>
> Michael Dyck's contra dance index
>
>
Hi Claire,
A list of what has helped me:
I have learned lots just by closely listening to callers I like as they call.
Take notes.
Ask if you may record them.
A very valuable tool is house dances, where a small, supportive group
gathers for the purpose of learning together. (We're doing this
I concur: a demonstration is usually very helpful for my learning
something. I am very visual, and the use of too many words confuses
me. I have many "Ah HA!" moments while seeing a demonstration. Phooey
on those who poo-poo them.
-Amy in Seattle
> On Jun 19, 2015, at 4:04 AM, Tom Hinds via
I kinda like suns and moons better than lots of the other alternatives, for
the same reasons Susan lists. Also, there's Sun Dance and Moon Dance, by
Robert Cromartie: gents swing in Sun Dance and ladies swing in Moon Dance.
A precedence, perhaps?
-Amy
On May 29, 2015, at 8:00 AM, susanelberger
ame up with the
variation, but she was the first caller I heard call it this way. The
original dance is below for you.
Linda
On May 5, 2015, at 8:12 PM, Amy Wimmer via Callers <
callers@lists.sharedweight.net> wrote:
Hive mind,
I've been calling this dance but don't know its name or au
Hive mind,
I've been calling this dance but don't know its name or author. Do
you? The link is to the YouTube video where I found it.
Improper contra
A1 Ring of 4 balance, gents roll away
Ladies chain
A2 Ladies gypsy once
Partner swing
B1 Circle left 3/4
Balance, Petronella
B2
Thanks JD, et al, for your replies. I now know what to do!
-Amy
> On May 2, 2015, at 10:11 PM, JD Erskine via Callers
> <callers@lists.sharedweight.net> wrote:
>
>> On 02/May/15 17:47, Amy Wimmer via Callers wrote:
>> I collected a dance recommended by someone
I collected a dance recommended by someone and do not quite understand
part of it. I need a description of what the gents are doing in B2
when they "loop over their left shoulder." Can you 'splain me?
Catch a Falling Star, by Melanie Axel-Lute
A1 Nbr B
A2 Cir L 3/4
Ptr sw
B1 LLF
Star
of not working with this band in the future?
>
> Kalia
>
>> On 4/27/2015 1:58 PM, Donald Perley via Callers wrote:
>> Just a guess.. they have arrangements for each set and feel miffed if
>> they get cut short without getting through each variation.
>>
>>
My mileage varies considerably in numbers of dances I get through in
an evening. The biggest factors are 1) number of beginners, 2)
chattiness/inattention of dancers, 3) flexibility of band, 4) length
of break.
I have tried to pay attention to specific couples and track them in a
dance, but
I called a dance last night in the town where I grew up (Bellingham, WA).
It's always great to go back and see people with whom I learned to dance.
Calling there makes me a little nervous, though, because I didn't start
calling until I left there about 11 years ago.
Anyway, keeping in mind the
Mve over, boys!
> On Jun 2, 2014, at 8:35 AM, Aahz Maruch via Callers
> wrote:
>
>> On Sun, Jun 01, 2014, Maia McCormick via Callers wrote:
>>
>> A2: ladies bull by right to allemande partner L 3/4; shadow allemande 1 1/2
>
> Just wanna say that I'd love
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