Here Chris, you might find this helpful:
https://www.copyright.gov/circs/circ52.pdf
We are mostly on an honor system here anyway. Since social dances
themselves are not covered by copy right, there is nor a huge point to
doing it.
You can protect your specific written notes, like any written
*Mad about You * improper by Jim Hemphill
A1 Mad robin (clockwise)
Ladies pass left 1/2 hey, gents ricochet
A2 Partner Gypsy and swing
B1 Gents Pass left, 1/2 hey, Ladies ricochet
Neighbor swing
B2Right Left thru
Mad robin (counterclockwise)
The progression occurs at the end of
I like this double partner swing dance!
Double Play by John Coffman7/11
Duple, Becket
A1 Circle Left 3/4 (8)
Neighbor Swing (8)
A2 Men Allemande Left 1 1/2 (8)
Partner Swing {end in short lines of four facing down the hall}
(8)
B1 Down the Hall in
Rachel's Refulgent Rumination by John Coffman is a nerdy sounding
title and a pretty fun dance
Jim
On Wed, Feb 7, 2018 at 11:45 AM, Kalia Kliban via Callers <
callers@lists.sharedweight.net> wrote:
> On 2/7/2018 6:58 AM, Ron Blechner via Callers wrote:
>
>> Hey callers,
>>
>> I'm looking
*Mark,*
This contra has a miniaturized grand square for 4.
*Mini Grand Swing *improper by Jim Hemphill
To start, face your neighbor, 2's step apart, 1's step forward between
A1 Handy Hand allemande 1 1/2
2's swing*
A2 Neighbor balance and swing
B1 Long lines
1's swing, end with all
You can teach and call contra dances positionally without hurting anyones
feelings. We are all human beings, I find it objectionable to be referred
to as some form of rock or bird or whatever.
The role a dancer chooses is really defined by which side of their
partnership they choose to start the
This one has the gents chaining and leading right shoulder heys.
*Hey Man, Chain* by Jim Hemphill improper
A1 Long lines forward and back
Men chain (Pull by right, give left to partner, ladies give your
partner a courtesy turn)
A2 Gents pass right start half a hey
Partner
Here are a couple of easy dances with unusual moves used in different
ways. The 1st uses an invert the line as an entry into a swing that works
very nicely, the 2nd uses pousettes sort of like an extended give and take.
*Invertro Flirtilization * by Jim Hemphill improper
A1 Neighbor balance
Here are a couple of mine with more than 2 swings.
*Swingin and Slingin* by Jim Hemphill
A1 Neighbor balance and swing
A2 Ladies allemande right 1 1/2
Partner swing
B1 Circle left 3 places
1's swing in the center
B2 Down the hall in lines of 4 (1's in center)
Without turning
does someone do a 1/2
> figure 8 at the end?
>
> J
>
>
> On Fri, Feb 5, 2016 at 8:50 AM Jim Hemphill via Callers <
> callers@lists.sharedweight.net> wrote:
>
>> I love proper dances with zest. Here are a few of my favorites.
>>
>> Jim
>>
>
I love proper dances with zest. Here are a few of my favorites.
Jim
*Pecan Pie *Proper By Jim Hemphill
A1 Neighbor do si do to a short wave
Balance right and left, Neighbor allemande right 3/4 to a long wave
A2 Balance right and back, box circulate
Partner swing
B1 Circle left 3
aware of the structure of dances. Only
> the most
> >>>> unusual figures/sequences would be unable to be called. The addition
> of
> >>>> first and second corner positions to the arsenal makes it possible
> for same
> >>>> role dancers to
er free by
> the terminology you used (jets or whatever) but by the kinds of dances you
> chose. I'd love to read more details about what this entailed.
>
> Please share more!
>
> Amy
> 206 330 7408
> a...@calleramy.com
>
> On Jun 1, 2015, at 5:37 AM, Jim Hemphill via Callers <
&g
The recent discussions on this topic inspired me to try an experiment in
gender free calling. Last night I called the contra dance in St. Louis
using gender free calling without telling anyone.The experiment was a
great success. I received lots of positive feedback on the evenings
dance.
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