Hello Ron:
You wrote: "My post said I found 3 points "interesting", and listed the three
points. I didn't even link the article on Shared Weight in the first place."
Is it bizarre for readers of this thread to assume you listed the three points
because you approved or agreed with them?
Ron:
You wrote: "I don't want to cause anyone pain, intended or not." Do you see
anything bizarre in not wanting to cause anyone intended pain?
You wrote: "If you are a World War II survivor, please contact me privately
and I will apologize to you if I've caused you pain."One speculates
Hello Ron:
Your statement "we're comparing our having fun traveling to various dances to
the widespread persecution of an ethnicity (the worst being the Holocaust)."
was an intentional, malicious, misguided personal attack on every
contradancer who speaks the words "dance gypsy," who uses the
(Corrected)Hmmm... (a) Exactly what do you mean by "Petronella?"(b)
Exactly what do you mean by "Give and Take?" Michael Fuerst 802 N Broadway
Urbana IL 61801 217 239 5844
On Tuesday, March 29, 2016 1:38 AM, Michael Barraclough via Callers
Hmmm... (a) Exactly what do you mean by "Petronella?"(b) Exactly what hat
do you mean by "Give and Take?" Michael Fuerst 802 N Broadway Urbana
IL 61801 217 239 5844
On Tuesday, March 29, 2016 1:39 AM, Michael Barraclough via Callers
One could name a dance about whatever one wants
However, here's one from the book Midwest Folklore published by the Urbana
Country Dancers in 1995
https://store.cdss.org/product/178-midwest-folklore-and-other-dances
Colonel North's Contra Insurgencyby Erna-Lynne Bogue
A1 N's dsdStart grand R
The incident that actually ignited the French Revolution was a group of dancers
at a public dance in Paris who insisted on a left allemande, despite the
caller's pleas for a right allemande--much more mundane than the incident at
Fort Sumter which ignited the United States' Civil War, or the
May this be your biggest disappointment in life. :)
(Allemande left works much better, because it gives dancers a better direction
for starting the swing.When calling the dance on a Saturday I probably use
left shoulder gypsy instead of the allemande.) Michael Fuerst 802 N
Broadway
Central Illinois where I live? $35-50, although our local callers would
probably do such for free.NYC? $2000, but $3000 if on a weekend Michael
Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
On Saturday, March 26, 2016 1:13 PM, Maia McCormick via Callers
One Shy of Twenty Feb 1998 Becket
Counterclockwise Intermediate-Advanced
A1 Long lines forward and back, roll away on the way back
Circle right 3/4, pass neighbor by left shoulder
A2 Do-si-do a second neighbor 1 1/2 to
Or the men could allemande right in A1 followed by a partner gypsy and swing in
A2
Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
Links to photos of many of my drawings and paintings are at
www.ArtComesFuerst.com
Are you also contemplating to abandon the awkward to say "California Twirl"If
you use your gypsy alternative for new dancers, will you advise them of all the
synonyms being conjured ? Michael Fuerst 802 N Broadway Urbana IL
61801 217 239 5844
On Wednesday, January 27, 2016
More candidates exist to replace "gypsy" than the Republicans have to succeed
the current U.S. president.Although both the current president and "gypsy" are
performing quite well, "gypsy" is not constrained by term limits Michael
Fuerst 802 N Broadway Urbana IL 61801 217 239
During a contra dance, the eighth beat of music indicates to the participants
when to exit from the circular gypsy figure. The ongoing discussion lacks such
luxury Michael Fuerst 802 N Broadway Urbana IL 61801 217 239
5844
On Friday, January 22, 2016 11:50 AM, Seth Seeger
M, Alan Winston via Callers
<callers@lists.sharedweight.net> wrote:
I use "Mad Robin" because that's what people use around here, but I kinda
like "sliding doors" for the figure.
-- Alan
On 12/15/15 10:20 PM, Michael Fuerst via Callers wrote:
Movements are
Wednesday, December 16, 2015 1:57 AM, Colin Hume via Callers
<callers@lists.sharedweight.net> wrote:
On Wed, 16 Dec 2015 06:20:58 +0000 (UTC), Michael Fuerst via Callers
wrote:
> "Mad Robin" became part of contra in the last ten years or so.
> Unless someone comes up with mor
and avoid the unnecessary jargon
There is no compelling reason to stop using gypsy.
Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844Links
to photos of many of my drawings and paintings are at www.ArtComesFuerst.com
On Tuesday, December 15, 2015 8:54 PM, Aahz Maruch v
"Balance and spin" has the same number of syllables as "Petronella" and avoids
unnecessary jargon Michael Fuerst 802 N Broadway Urbana IL 61801
217 239 5844
On Tuesday, December 15, 2015 1:35 PM, Ron Blechner via Callers
wrote:
Many
Or maybe they were confusing Becket with gypsy Michael Fuerst 802 N
Broadway Urbana IL 61801 217 239 5844
On Thursday, December 10, 2015 2:20 PM, Bill Olson via Callers
wrote:
#yiv5709207139 #yiv5709207139 --.yiv5709207139hmmessage
Dont erase Woodrow Wilson. Expose him.
| |
| | | | | | | |
| Dont erase Woodrow Wilson. Expose him.Woodrow Wilson was a visionary
statesman and, at the same time, a racist with repugnant ideas. (Photo: Hulton
Archive/Getty Images) |
| |
| View on www.yahoo.com | Preview by Yahoo
Here are several of my dances that qualify.
George's Neat Reel Becket Counterclockwise August, 1999
Video link: https://www.facebook.com/photo.php?v=1564652206411
(One may have to be logged into Facebook to view the video)
A1 Promenade across
Hands across left
<callers@lists.sharedweight.net> wrote:
On Wed, Oct 28, 2015, Michael Fuerst via Callers wrote:
>
> I have been contra dancing for 30 years or so and this is the first
> time I've encountered a question about "gypsy" being controversial.
> The people who c
The use of gypsy as a contra dance term is almost as offensive as a contra
dance containing a shadow swing. (JUST KIDDING)
I would suggest a response of the following nature:
Hello ___
As you noted, (i) you were impressed by the friendliness of the dancers,
the quality of the
7 Of The Most Ridiculous Cries Of Racism Ever Made
| |
| | | | | | | |
| 7 Of The Most Ridiculous Cries Of Racism Ever MadeIf you just assume EVERY
cry of "racism" in politics is illegitimate, you'll only occasionally be wrong.
|
| |
| View on townhall.com | Preview by Yahoo |
Be wary of any motion that requires all dancers to be in the center at the same
time. Consider dances where first two persons swing in the center, and then
the other two swing in the center
A few of my dances that would work
E.J.M.J.F. in Cincinnati Improper
I would suggest teaching the end of A1 and the beginning of A2 by telling
dancers to hey, N's starting right shoulder until facing neighbor on other
side, having them pause at that point. Then ask dancers to pass N by right,
immediately turn right and step towards a next neighbor.
The dance
Concerning dances with shadow swings, Chris Page has noted, "I know Carol
Ormand writes and calls them."Because of her advanced scientific training,
Carol is undoubtedly certified to handle hazardous material.
For most of the day and evening I've been praying to the Dance Deity about the
One person suggested 2 and 5 (the medium fonts) were ok, another said only 3
and 6 (the large fonts)
A third person suggested I try plain text, rather than HTML.
This message is in plain text. How does it look and compare to the options
in my previous email?
Michael Fuerst 802 N
Two persons have lamented privately to me that my posts are reaching the group
with almost unreadably small text.No where else I send email or post has
reported this problem
Which, if any of these lines better?
1. Garamond small
2. Garamond medium3. Garamond large
4 Modern small5 Modern
The substitution examples you gave are rarely critical to a dance's flow.
Swings are more likely to be. If a dance written with a shadow swing flows
well with something else, the the dance should always be called with the
something else. Michael Fuerst 802 N Broadway Urbana
David: Really, would you ever call a dance with a shadow swing?
None of our most respected caller (those who are invited as the featured caller
at various weekends) never (or darned close to never).I don't ever recall
attending a weekend when the featured caller used a shadow swing.
Eric: Not all dancers enjoy dancing or skilled enough to dance both roles.
Dancers should not have to resort to such subterfuge to avoid unpleasantness
perpetrated by an insensitive caller. Michael Fuerst 802 N Broadway
Urbana IL 61801 217 239 5844
On Wednesday,
Richard: Your suggestion is subterfuge to rationalize the caller's doing
something (calling a shadow swing dance) that should never be done. Michael
Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
On Wednesday, September 9, 2015 3:45 PM, Richard Fischer via Callers
Aahz wrote: "Regardless of the seriousness with which you view "forcing" a
shadow swing, it is clear that many other people disagree, "A better assessment
is that a vocal and, in the opinion of many, insensitive minority disagree.
Shadow swings are insurmountably problemsome, because they can
dance and the author will often set thoughts to
dancing, along with our feet.
Karin
On 7/13/2015 12:30 AM, Michael Fuerst via Callers wrote:
Choosing dances with names matching a characteristic of the dance event or
venue may give the caller a intellectual satisfaction, but makes little
diff
Choosing dances with names matching a characteristic of the dance event or
venue may give the caller a intellectual satisfaction, but makes little
difference to the dancers. An exception would be a dance written for a
birthday or wedding or similar celebration. Michael Fuerst 802 N
I recently attended a dance weekend where the excellent callers, while teaching
dances, used the phrases ".. as in Rory O'More" and ".. as in Petronella"Many
of the dancers in attendance probably have never danced either Petronella or
Rory O'MoreThe movements implied by these terms can be
So, what do dancers need to know in order to progress through a duple contra
dance?
(1) At the end of a swing, who finishes on which side. Thus we need some words
and concept of these two roles, whether men and women, larks and ravens, or
P's and Q's. (This seems really important when
Aahz suggested Purrple and Green.
I think Aahz should be minding P's and Q's rather than P's and G's Michael
Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
"Whenever Dan Savage and Miss Manners agree, take their advice!"
--Sigrid Ellis
How can one simply, consistently and clearly designate two persons to
participate in an allemande ? Michael Fuerst 802 N Broadway Urbana IL
61801 217 239 5844
On Monday, June 1, 2015 5:41 PM, Ron Blechner via Callers
wrote:
RE:
If a our group of like minded people can't agree on terms to use when teaching
relatively straightforward dances, can we expect a nation to agree on such
trivial issues like use of force by police, national health insurance, income
distribution, and money's influence in elections ?? Michael
back at any point. Is your
partner in the opposite line from you or in the same line?
Sent from Outlook
_____________
From: Michael Fuerst via Callers <callers@lists.sharedweight.net>
Sent: Sunday, May 3, 2015 4:20 PM
Subject: Re: [Callers] Itty-bitty dances, triplets, odd numb
Also, Rick Mohr has two excellent triplets:
http://rickmohr.net/Contra/DancesByType.asp#Introduction Michael Fuerst
802 N Broadway Urbana IL 61801 217 239 5844
On Sunday, May 3, 2015 3:20 PM, Michael Fuerst via Callers
<callers@lists.sharedweight.net>
A four couple contra I call sometimes is "Vet's Revenge" by Colin Hume Duple
Improper
A1 Neighbor couples (1's with 2's, 3's with 4's) star left Middle
couples (2's with 3's) star rightA2 Neighbor couples allemande left 1 1/2
Women chain to partnerB1 All four couples
n 4/29/2015 9:53 PM, Winston, Alan P. via Callers wrote:
"Dancing Near Amy".
-- Alan
On 4/29/2015 5:34 PM, Erik Erhardt via Callers wrote:
Or "Dancing with Amy Olmos"
Erik
(505)480-4462 StatAcumen.com/dance
On Wed, Apr 29, 2015 at 6:32 PM, Michael Fu
Then it should be named "Almost Dancing With Amy" Michael Fuerst 802 N
Broadway Urbana IL 61801 217 239 5844
On Wednesday, April 29, 2015 7:29 PM, Linda Leslie via Callers
wrote:
Very close to Dancing with Amy, by Bill Olson.Linda
On
I would describe this dance as follows, and just emphasize to the dancers that
all of A2 must be done in the 16 counts of the second part of the dance, and
let them work out the precise timing.
A1 N's B
A2 Circle left 1/2 W lead partner to zig left, pass current Ns, and
slide right
I can't understand the dance as described. Michael Fuerst 802 N Broadway
Urbana IL 61801 217 239 5844
On Sunday, March 29, 2015 4:53 PM, Don Veino via Callers
wrote:
Another recent composition (thanks to Luke for getting me thinking
Actually all three dances from my previous message contain the 32 count
sequence
Circle left, neighbors swing; women chain over and back
and also
Partners swing in center, end facing new neighbors
and also the 16 count sequence
Do-si-do across once and a quarter to form one
Which of these improper dances are the "same" ?
All contain
the 32 count sequence: Circle left, neighbors swing; women chain over
and back
and also
Partners swing in center, end facing new neighbors
and also
Do-si-do across once and a quarter to form one long way
Actually a global contra dance database seems like a bad idea. Who will
decide what dances merit placement in the database?
A much better idea is for CDSS to maintain a web page with either copies of
web page(s) with authors' dances, somewhat like Cary Ravitz now does:
.. dancers the repeating sequence of a contra dance
https://www.youtube.com/watch?v=ABuKR0hUdu8
Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844___
Callers mailing list
Callers@lists.sharedweight.net
https://www.youtube.com/watch?v=DWK5bzWkiuE
Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
Links to photos of many of my drawings and paintings are at
www.ArtComesFuerst.com___
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