I often introduce the concept of progression with Sanita Hill Circle
(sicilian) by Ed Durlocher, where they don't change partners, but get the
idea of moving on in the big circle with no end effects to worry about.
Super-easy contras:
Saturday Night Stroll by Mavis McGaugh
Family Contra by
The closest I usually get to a contra-style is *DoSiThree*. Everybody gets
the progression. The hardest part about that dance is getting them into a
3 face 3 position -- more particularly, a set of 3 people can be a
challenging concept for some (you need lines of 3 people, you and two
partners,
At one nighters I start with non-contra dances and if there is time work up to
Family Contra which is a good one for easy progression, and then to this one:
Ellen’s Green Jig by Roy Dommett (doesn’t matter if it’s proper or improper)
A1 Do-si-do neighbor
Ones do-si-do
A2 Ones balance
~Erik
510-410-0456 Mobile
510-444-4397 Land-Line
On 3/5/2016 4:03 PM, Kalia Kliban via Callers wrote:
On 3/5/2016 1:27 PM, Erik Hoffman via Callers wrote:
As written, it's proper (or, for a non-dancer crowd, "it doesn't
matter which side you're on as long as you're across from your
On 3/5/2016 1:27 PM, Erik Hoffman via Callers wrote:
In looking at Kalia's suggestions, I've put the Itchinton dance in what
is more readable to me. Kalia, do I have it correct?
As written, it's proper (or, for a non-dancer crowd, "it doesn't matter
which side you're on as long as you're
In looking at Kalia's suggestions, I've put the Itchinton dance in what
is more readable to me. Kalia, do I have it correct?
Itchington Long Dance
Hugh Rippon, 1990
(pretending it's) Improper
A1: Star L/R;
A2:Wm DSD; Mn DSD
B1: Ones down center, turn alone, return, cast
B2:1s swing and look
On 3/5/2016 1:01 PM, Rich Sbardella wrote:
Kalia,
You make a good point. My most successful contra for such applications
has been Haste to the Wedding in a proper line.
I have had trouble with the cast at Party Dances. Do you demonstrate
it? How do you describe it?
A demonstration is the
Kalia,
You make a good point. My most successful contra for such applications has
been Haste to the Wedding in a proper line.
I have had trouble with the cast at Party Dances. Do you demonstrate it?
How do you describe it?
I like your suggestion of Washington Quickstep. I might try it with 1.s
On 3/5/2016 10:44 AM, Rich Sbardella via Callers wrote:
I rarely call a contra at a One Night Party Dance, but occasionally I am
asked to. I have a few in my cards, but can anyone make some sure fire
recommendations.
Assume 95%-100% non dancers.
Just getting to the duple minor progression
Add the Clap and Rich's House Dance Special turns into the simple
version of Haste to the Wedding (for which that tune works great:
A1 Circle left, then right
A2 Star right, then left
B1 Partner DSD; Clap, Partner two hand turn once
B2 Neighbor DSD; Clap, Neighbor two hand turn one-and-a-half
Hi Rich,
On such occasions, I use what I think of as my House Dance Special, which
is just a Sicilian Circle straightened out.
Duple, and don't say a word about who is supposed to be on which side of
the set
Circle left, circle right
Right hand star, left hand star
Dosido partner, two hand turn
I rarely call a contra at a One Night Party Dance, but occasionally I am
asked to. I have a few in my cards, but can anyone make some sure fire
recommendations.
Assume 95%-100% non dancers.
Thanks, Rich
Stafford, CT
12 matches
Mail list logo
