On 3/27/2015 12:34 PM, Brooks Hart via Callers wrote:
Thanks, Ben! I will hang in there.
Someone posted this video in our facebook group. It's cute and well
done. It has inspired me to see this other small dance, and the
statement, "Making mistakes is part of the fun," has really stuck with
While we're on the subject of Broken Sixpence variations:
Open Rehearsal
Duple Improper - Jacob Bloom
Ladies Dosido
All Dosido Partner
Gents Dosido
Swing Neighbor
Down four in line, turn as couples
Return, bend the line
Ladies chain over
and back
On Fri, Mar 27, 2015 at 4:39 PM, Don Veino
This was created mostly by mistake. While transcribing a capture from my
notes 5/10/2011, I patched the A1 LLFB onto Broken Sixpence. Figured out
what I'd done and then revised it to swap the remaining DSDs order. The
result seems to be a good fit for early on in a program with a
mixed-beginner
When the DC area started their contra sonic series, many callers started with
medleys but that actually was scrapped because not only for the issue that Aahz
mentioned (the hearing problem) but also the fact that we wanted people to be
able to dance with as many partners as possible and not
On Wed, Mar 25, 2015, Eric Black via Callers wrote:
>
> MEDLEYS: Medleys are becoming or have become mainstream at many contra
> dances. I often call a 3-dance no-walkthrough medley at a regular
> contra even with lots of beginners (in fact, I did so several times
> on my recent tour in NC), and
The singing call Oh Johnny has three swings.
Bob Livingston
From: Aahz Maruch via Callers
To: Caller's discussion list
Sent: Friday, March 27, 2015 3:57 PM
Subject: Re: [Callers] Triple dosado?
On Fri, Mar 27, 2015, Don
On Fri, Mar 27, 2015, Don Veino wrote:
>
> Broken Sixpence? I personally find the triple Dosi excessive and use my
> "accidental" creation Broken Transcription in place of it.
I'm sure there is general agreement that a triple dosado is excessive and
that's why I haven't seen it in a couple of
What's your Broken Transcription, Don?
On Fri, Mar 27, 2015 at 3:21 PM, Don Veino via Callers <
callers@lists.sharedweight.net> wrote:
> Broken Sixpence? I personally find the triple Dosi excessive and use my
> "accidental" creation Broken Transcription in place of it.
>
> Broken Sixpence – DI
Eric,
That sounds like a nice resource. In addition to one night stands - those type
dances can also be used (sometimes with minor modification) at family dances.
I plan to vacation out your way in September - I'll try to look you up and save
$3.
Mac McKeever
From: Cheryl Joyal via
Erik I will take you up on mailing me your book - how do
I get you a check?
I will try to post the program I did recently for about 10 dancers and 45
beginners - I had to abort a couple dances ( including ladies chain) but we did
manage to get to contras and progress.I use callers
Martha, that's a good idea. I think one of my problems was that the dance I
called had both a R Thru and Promenade Across, so that confused the issue.
Too much for beginners to keep track of.
Brooks
List-Post: callers@lists.sharedweight.net
Date: Fri, 27 Mar 2015 12:27:05 -0700
To:
Thanks, Ben! I will hang in there.
Someone posted this video in our facebook group. It's cute and well done. It
has inspired me to see this other small dance, and the statement, "Making
mistakes is part of the fun," has really stuck with me.
https://www.youtube.com/watch?v=Pj-nIMA_f5E=share
Also, you can just change many right and left throughs into promenade across if
you want to make a dance easier for beginners.
Martha
On Mar 27, 2015, at 8:54 AM, Cheryl Joyal via Callers wrote:
> The courtesy turn is the hard part. Sometimes Teaching hat first works as
> they practice the
Broken Sixpence? I personally find the triple Dosi excessive and use my
"accidental" creation Broken Transcription in place of it.
Broken Sixpence – DI – Don Armstrong
A1
(8) N Dosido
(8) L Dosido
A2
(8) G Dosido
(8) Ones Swing, *End facing down the hall*
*Twos tack on to outside ends*
The thread about dizziness reminded me of a dance I was in once or twice
in the late 80s or early 90s and have never seen since. It was unusual
in having a triple dosado -- yes, consecutive, I think neighbor, partner,
neighbor.
Anyone have a clue what I'm referring to?
--
Hugs and backrubs -- I
>From Ed Butenhoff's book, "Dance Parties for Beginners"
Question - "How do I get good judgement?" Answer "Experience."
Question - "How do I get experience?" Answer "BAD JUDGEMENT..."
We all take our lumps, and hopefully learn from it... hang in there, Brooks!
Ben Allbrandt
Jacob
Yes, the courtesy turn is a challenge. And, in a right & left thru,
finding your "turner" is a challenge for the women. This is because for
the person on the right, the natural way to turn is away from your
partner. And, for some reason, men often think they don't have to move...
But, for a
Ah! the trials and tribulations of what some of us call The One Night
Stand Dance. Many of us have learned that, when calling to a group of
beginners, hands-four dances come way late in the evening, if at all.
Right & left thru, women chain, progressing, are all big challenges for
beginners.
Bill wrote about dizziness:
To put this into "real life" perspective, I have only had dancers
complain about ONE DANCE in this regard and that's Carol Ormand's "You
Can't Get There From Here" which has a LOT of CCW motion.. I have to
also add that some dancers have actually REQUESTED this
The courtesy turn is the hard part. Sometimes Teaching hat first works as
they practice the movement prior to moving - then have them walk across and do
same turn. Similar for ladies chain although I think having a dance with R
b4 chain is my new approach. And sometimes it just doesn't
I would absolutely believe that the dancers were completely confounded by
"right and left through". I remember how surprised I was, when I called my
first dance, to discover how much more confusing it was than a Ladie's
Chain. If you are used to both of them, then you tend to think of them as
21 matches
Mail list logo