A dolphin hey is used in English dances and, like the Mad Robin and pousette,
is creeping into contra repertoire.
It's a hey for THREE rather than for four, with one couple acting as a unit.
The initiating couple in this case are the ones. With Gent 1 in the lead, BOTH
1s pass Lady 1 by the
April,
When you danced it, did any lady 2 begin the hey with a (quick!) turn
single R (to keep the flow going)?
Ken
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That works a lot of the time, but it really doesn’t work in dances like Ken
is talking about. Dance like song in the night (gene Hubert), or for other
dances where you go out and then in and then out, not necessarily with your
partner.
On Thu, Apr 5, 2018 at 5:42 AM Colin Hume via Callers <
April,
Am I correct to attribute choreography to you?
Cheers,
Ken Panton
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I'm not sure that dancing with ghosts is the best way to deal with end-effects
- I prefer "treat your partner as a neighbour".
I have a whole section of notes on End-effects at
https://colinhume.com/dtende
I am trying to collect the series of square breaks based on various letters of
the alphabet - I believe there are a bunch oft them.
I can only remember allemand X and allemand R
Who has others?
Mac Mckeever
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That works a lot of the time, but it really doesn’t work in dances like Ken
is talking about. Dan
Wow - that is impressive!
Thanks
On Thursday, April 5, 2018, 10:16:24 PM CDT, Chris Page
wrote:
Searching
https://squaredancehistory.org/items/search/
for "allemande alphabet"
gives the appropriate links.
-Chris Page
San Diego
On Thu, Apr 5, 2018 at 8:08
Thanks, Mark.
Yes, Lisa's Contra would do the trick with a simple out and back.
"Happy as a Cold Pig in Warm Mud" would be another where a star with ghosts
would be on offer. One notch up in complexity.
https://www.cambridgefolk.org.uk/contra/dances/midwest_folklore/happy_as_a_cold_pig.html
Searching
https://squaredancehistory.org/items/search/
for "allemande alphabet"
gives the appropriate links.
-Chris Page
San Diego
On Thu, Apr 5, 2018 at 8:08 PM, Mac Mckeever via Callers
wrote:
> I am trying to collect the series of square breaks based on
I'm not sure that dancing with ghosts is the best way to deal with end-effects
- I prefer "treat your partner as a neighbour".
I have a whole section of notes on End-effects at
https://colinhume.com/dtendeffects.htm
Colin Hume
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This looks lovely. Both a dolphin and swing-to-swing transition. Woo hoo!
Thanks, April.
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