On Wed, May 18, 2016, Don Veino via Callers wrote:
>
> Mic technique is IMHO more important than mic type, I'd concentrate on
> being a consistent reasonable distance away from the mic with it pointing
> *at* your mouth. Vary pitch rather than volume with your voice to
> communicate excitement. I
Sorry, forgot a restriction I have on my server re: images loading. Try
this link, the photo is at the top of the content.
http://veino.com/caller/
On Wed, May 18, 2016 at 10:44 PM, Don Veino
wrote:
> Mic technique is IMHO more important than mic type, I'd
Mic technique is IMHO more important than mic type, I'd concentrate on
being a consistent reasonable distance away from the mic with it pointing
*at* your mouth. Vary pitch rather than volume with your voice to
communicate excitement. I have a naturally deeper voice myself and find
keeping my
* Lots of low frequency sound gets muddy and makes it hard to hear
what's happening.
* Typical dynamic microphones output extra bass when you're close to
them ("proximity effect")
The standard way to deal with this is to use the mixer's EQ to turn
down the lows. This is something most sound
I am a new caller, and I have called two dances. The first, I completely
blew the microphone part. Since then, I practiced holding the mic close to
my mouth like was suggested to me.
The second dnce, I was told that my voice was too deep for the microphone,
and I was overpowering it. It was