Kalia,
In my mind's eye, lines in B1 are facing the stage at beat 12, outsides
turn to face down, insides walk forward to meet partners in beats 13-16.
That's what I picture. Erik, is that correct?
--Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or
This conversation exhausts me, even though I know and accept it's all part
of the folk process.
So I will make my one contribution... two terms I thought of a couple weeks
ago.
Mun and Wem.
They sound enough like the current terms that the brains of both callers
and dancers can make an easy
Kalia,
In Erik's dance, it appears partners are in adjacent lines of four (whether
women or men are in front depends on which side of the set you're on, also
which way the lines are turned. It also appears that the first 12 beats of
the Dublin Bay figure are as usual, but the last 4 beats are
I can't figure out the transition from the Dublin Bay figure to the P
bal/sw. Can you elaborate?
K
On 1/19/2017 11:49 PM, Erik Hoffman via Callers wrote:
I find, when dancing the one or two dances I’ve danced that try to steal
the Dublin Bay figure, they have a line backing up bending into a
