Brilliant idea; I plan to use it, too.
Bree Kalb
Carrboro. NC
> On Nov 6, 2017 7:19 PM, "Rich Sbardella via Callers" <
> callers@lists.sharedweight.net> wrote:
>
>> I had a Girl Scout Dance coming up Sunday and I was thinking how I would
>> get 150 six to nine year old girls to know which hand
I have my first public family dance Sundaystealing this idea
Thanks Rich
On Nov 6, 2017 7:19 PM, "Rich Sbardella via Callers" <
callers@lists.sharedweight.net> wrote:
> I had a Girl Scout Dance coming up Sunday and I was thinking how I would
> get 150 six to nine year old girls to
In my experience, on Beat 1 a dancer's weight is more likely to land on
their right foot. This is why balancing left is inherently a challenge
when it flows from other moves. So I also agree that Forward and Back is a
nice solution.
Erik Erhardt
(505)480-4462 StatAcumen.com/dance
On Wed, Nov
In my experience the momentum of an allemande right automatically takes one
either to the right or forward. Same goes for an allemande left: momentum
takes you to the left or forward. A balance left just doesn't flow after am
AR, because if you have a good connection with your allemande you're
Balancing F/B would be my approach in that scenario. Also a good opportunity to
reinforce giving weight, since that particular movement done repetitively could
irritate the shoulder joints if dancers are not keeping some tension in the
arms.
From: Callers
For flow, it depends what comes after the balance. If it's followed by an
allemande left, you'd be better balancing left. Allemande right: balance
right. Walk forward: balance forward and back. Box circulate: right and
back.
But getting dancers to balance left - except as the second half of a
Hi Maia,
A balance, ideally, is first toward, then away from, the dancer with whom one
is about to interact, and even better if it is in, then against, the flow of
movement. Even better if the choreography does the work for you by flowing
into the balance.
In this particular dance, you have
sorry - I missed that you said the alle L followed the balance - in that case -
I think the first bal should be left. To bal R & then L and then turn by the
left just sounds awkward.
Mac Mckeevr
On Wednesday, November 8, 2017, 2:09:46 PM CST, Mac Mckeever
wrote:
Accidentally sent only to Maia.
Sent from my iPad
Begin forwarded message:
> From: "Winston, Alan P."
> Date: November 8, 2017 at 11:30:06 AM PST
> To: Maia McCormick
> Subject: Re: [Callers] Balancing LEFT in a wave?
>
> I would say the
I've noticed that dancers' natural tendency is to balance towards the hand
that touches first in these situations, which is consistent with what you
report. Should the rest of the dance be truly worthwhile in fighting that
tendency, I would opt for doing a balance forward and back in this
Recently called a dance with an allemande R into long waves, balance wave,
allemande L. Because of personal preference, I taught the balance as
"balance left, then right", but cuz I didn't teach it all that clearly, the
dancers defaulted back into balancing right first, and enough tricky stuff
was
I don’t have any additional suggestions but want to thank Maia for the
original post and appreciate all the replies. I think many of us identify
and it reassures me that I’m not the only one who has had to figure out how
to forgive my errors. I’ve found it especially helpful to notice the
mistakes
First LET me say thanks to all who posted in this thread. There are many
useful tips here, some new and different things to look at, digest and try,
some are repeats of advice received over the years and good reminders.
I believe it was Lisa G. (or maybe it was David K. or both) who said get a
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