On Jul 23, 2014, at 4:23 PM, Michael Dyck via Callers
wrote:
> On 14-07-23 03:53 PM, James Saxe via Callers wrote:
>> ... the 2007 Ralph Page Dance Legacy Weekend syllabus contains a dance
>> titled "Jane's Contra" by Ken Bonner with a Dixie Twirl. The syllabus
On 14-07-23 03:53 PM, James Saxe via Callers wrote:
... the 2007 Ralph Page Dance Legacy Weekend syllabus contains a dance
titled "Jane's Contra" by Ken Bonner with a Dixie Twirl. The syllabus
lists the source as _Ken's Contras_ (published in the late 1980s, I
think)
Yup, 1988.
... The note
Linda Leslie wrote:
> ...
>
> And I believe that some of the confusion might be caused by interchanging the
> phrase “Dixie Twirl” with a different move: right hand high/left hand low. …
Like Linda, I would reserve the name "Dixie Twirl" for an action
that reverses the order of a line of four
Melanie Axel-Lute's "Pam's Four" does use the sequence (Lady 2 does a RH
high LH low WHILE Lady 1 simply turns in place).
Pam's Four
Melanie Axel-Lute
A1 Down hall, 2s in cntr, Lady 2 RH hi LH lo – Lady 1 trn alone – up the
hall
A2 Partner is with you B/S long swing, end face across
The Dixie Gal by Robert Cromartie (verified in Give & Take), is quite a
different dance from that shared by Vicki Herndon. Here it is:
The Dixie Gal
by Robert Cromartie
A1 ---
(8) Long lines, forward and back
(8) Men allemande Left 1-1/2
A2 ---
(16) Partner balance and swing
B1
smartphone
Original message From: Keith Tuxhorn via
Callers <callers@lists.sharedweight.net> Date:07/23/2014 2:06 PM
(GMT-05:00) To: Dave Casserly <david.j.casse...@gmail.com>
Cc: Callers@lists.sharedweight.net Subject: Re: [Callers]
Name this Robert Cromertie dance!
First of all
Oops. I should have read my own card more carefully. The dance titled “Dixie
Gal” starts with:
A: Long lines F & B, gents allemande left 1-1/2; Bal & Swing *partner*
Different dance. Sorry. Back to work.
-Eric
Eric Black
e...@mirador.com
http://eric-black.com
On Jul 23, 2014, at 1:21
Ok, sounds like I was wrong. If the line gets inverted entirely, then
Keith is correct that this dance doesn't work. Neighbors are on the same
side of the set to start the lines down, so they'll be on the same side
coming back up, which won't work with a partner swing next.
I'm pretty sure I've
Sorry, I forgot that I have scanned images of my cards so I can check before I
go home.
I misremembered, the dance as I have it from Robert Cromartie is called “Dixie
Gal”.
The note about the Dixie Twirl move is:
Dixit Twirl: don’t let go! Left-most leads under arch made by right-most
Yes, that's my interpretation as well (or, in Keith's words, "W2 Dixie
twirls the two M, while W1 lets go and turns alone").
On Wed, Jul 23, 2014 at 1:52 PM, Kalia Kliban via Callers <
callers@lists.sharedweight.net> wrote:
> So while the rest of the line is turning itself inside out, W1 is not
So while the rest of the line is turning itself inside out, W1 is not
involved at all? I thought W1 was part of the inversion, thus ending up
on the R end of the line once it was facing up. I was having the same
confusion Keith was. So to clarify, lines of 4 down the hall after the
N swing.
I believe it’s called “Dixie Twirl”, and the confusing move is also called a
Dixie Twirl. Kind of a cousin to “Right hand high, left hand low”. The end
result is that the line is inverted and facing up, the same people on each end,
no hand changes.
-Eric
Eric Black
e...@mirador.com
First of all, do you know the name of this dance? That's what the original
Q was. I researched the R Cromartie dances I could find, and this is none
of them.
And I've now figured out the bad wording in A2 and understand the dance.
A2 Down the hall; W2 Dixie twirls the two M, while W1 lets go and
Ahh, I see: it's the A1/A2 where there's confusion. It's the second *lady*
who does the right hand high, left hand low. So, after that move, she is
facing up the set, with her neighbor in her left hand, and her partner in
her right hand. The first lady is on the left end of the set, facing up.
A1/A2... I'm on the outside, holding my N's R hand... With the Dixie twirl,
I'm still in that spot. When we bend the line, my P and I are above the 2s,
in reversed position.
B1: All are swinging in the center of the set. When the swing finishes, all
are back to IMP position where they started.
B2:
Hi Keith,
The dance works fine-- I'm not sure where the confusion is. Partner swing
is on the side of the set, so one petronella means you're facing up and
down the set, next to your partner. A CA twirl then makes you progress.
1s and 2s are indeed across from each other when they swing, which
This dance doesn't work the way I read it. 1s and 2s are across from each
other to swing, and when they finish. A petronella would put your partner
on the same side; a CA twirl would then send you and your P in opposite
directions.
Keith Tuxhorn
Austin TX
On Wed, Jul 23, 2014 at 9:47 AM, Chip
This dance seems to be another quantum level up from David Smukler's Nova
Nova Scotian and Supernova Scotian (both at
http://davidsmukler.syracusecountrydancers.org/dances-i-have-created/#nova),
which derive in turn from Maurice Hennigar's Nova Scotian. All feature a
RH-high-LH-low move. Call it
Improper
A1: circle L 1.0; N swing
A2: DTH, #2 lady right hand high, left hand low, so #1 man ducks under arch and
men swap sides and lady twists around; return
B1: P B
B2: Bal ring, pet; Bal ring, CA twrill.
It's an easy dance but with a twist, literally! Thanks, Vicki Herndon, for
sharing.
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