I started contra dancing in 1980, so got in on the tail end of
the period when the "Chestnuts" were staples of the repertoire
and well known to many dancers.
The way I remember dancing the transition from the end of one
round of "Rory O'More" to the beginning of the next was for the
active
Here's a couple of 5-couple dances in Levi Jackson formation:
http://dancekaleidoscope.org.au/dance.html#Rubigold
http://dancekaleidoscope.org.au/dance.html#Sundowner
Click the Call Sheet button to see and print the instructions.
Cheers
Keith Wood
Over the past several years, we have had
Thanks. I'll attribute it to Mark Goodwin.
On Mon, Oct 17, 2016 at 11:03 PM, Michael Barraclough via Callers <
callers@lists.sharedweight.net> wrote:
> I have that exact dance as To Wedded Bliss by Mark Goodwin (2014). I use
> that in my Lesson and then, after teaching ladies chain and right &
One of the reasons I wrote “Hot Cross Bunny” was because I love the transition
of swinging, facing up, and going proper down the outside, but I don’t like the
wait to be active. So it’s a double-progression dance, and usually everyone
gets their chance to be active. In a crowd that won’t be
Hi Martha and all, guess we're diverging from the original subject here, but I
always had an interest in a contra corners dance that was useable for long
sets.. That, to me anyway, meant double progression and possibly a swing for
the inactives (just in case).. Here's the dance I wrote almost
As someone with an academic background in the field of Folklore, the way we
talk about attribution and authorship bothers me.
(NOTE: what I'm talking about here is distinct from trying to track down
the source of a dance you collected somewhere, or according respect to the
first person to dream
Regarding attribution, I like the way David Kaynor puts it on this website:
"Some of my dances are "compositions" only in the loosest sense of the
word; they fall into the category of "glossary" contras which basically
amount to minimally imaginative resequencing of ordinary contra dance
elements.
Recently it has pretty much been the custom to attribute dance authorship to
the first one who came up with the sequence. I agree that Luke came up with
this sequence independently but someone else did that before him. It's only
fair, since it's not unlikely that the second author (Luke, me,
On Tue, Oct 18, 2016 at 1:59 PM, Neal Schlein via Callers <
callers@lists.sharedweight.net> wrote:
> So please...if you came up with a dance put your name on it along with
> some of the details---and then tell me who else came up with it, too.
> Don't just stick their name on it.
>
> An
Yep, I agree..
bill
From: Callers on behalf of Dave
Casserly via Callers
Sent: Tuesday, October 18, 2016 7:25 PM
To: Neal Schlein
Cc: callers
Subject: Re: [Callers] Pre-existing dance?
Lots of interesting points, thanks for sharing!
>From my perspective, while I know that I lay in bed thinking about dance
moves and came up with the sequence; I can not say that in the last decade+
of dancing, I haven't already danced it. Did I write it then, yes. Under
the influence of some
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