[Cameramakers] coatings test

2002-11-04 Thread Robert Monaghan
check reflection of white light in the lens elements and coatings, you can usually count reflections and see different coating colorations: From Shutterbug Lens Flare Definitions and Solutions by Don Garbera, p. 38, March 1989 - The color of multicoating on your lenses indicates the

Re: [Cameramakers] 120 film holder for an old Zeiss

2002-11-04 Thread DaiNaka
Hi Gui, Although is is not difficult to build a 120 back (I built a 120 6X12 panoramic pinhole camera from scratch), why not get one of these 120 backs that are fairly common on eBay? Here is one right now: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1394656270 You may also consider

[Cameramakers] Camera Restoration

2002-11-04 Thread Marv Soloff
This may be old hat to some on the NG, but I am going to pass it along. I had been restoring a Gundlatch-Manhattan 4x5 view camera. The leather was a total loss so I carefully removed it with a sparse wet-down of hot water. Unfortunately, some of the water leaked into the camera interior and

[Cameramakers] aerial vs film resolution

2002-11-04 Thread Robert Monaghan
a lot of the time, high resolution values for lenses are quoting aerial resolution, of the lens alone based on imaging a test chart and looking at the film plane with a modest power microscope. This is very different from on-film resolution using standard films etc. so a 200-250 lpmm aerial

Re: [Cameramakers] coatings test

2002-11-04 Thread Gene Johnson
This seems to hold up. My Grandagon N MC produces a rainbow of green ,yellow, and blue. My Single coated Ronar is a consistent blue-green. May 3 inch aero lens has yellow, blue and green. My 6 inch lens has blue and purple. The aero lenses son't have as many different colors or as vivid as

Re: [Cameramakers] aerial vs film resolution

2002-11-04 Thread John Cremati
This is very interesting. You should post this thread to the Altternative photo list ( [EMAIL PROTECTED] ) as well as the Carbon list(carbon( [EMAIL PROTECTED] )... They would all have a intrest in this information.. John Cremati. John Cremati - Original Message -

Re: [Cameramakers] Camera Restoration

2002-11-04 Thread John Cremati
In old painting restoration the art conservators remove old varnish I believeby rubbing alcohol with cotton Q tips first and if that does not work they will try denatured alcohol second which is a little stronger and if that does not work they will use acetone as a last resort ..

Re: [Cameramakers] Camera Restoration

2002-11-04 Thread Marv Soloff
John Cremati wrote: In old painting restoration the art conservators remove old varnish I believeby rubbing alcohol with cotton Q tips first and if that does not work they will try denatured alcohol second which is a little stronger and if that does not work they will use

Re: [Cameramakers] Camera Restoration

2002-11-04 Thread Robert Stoddard
The reason the brake fluid works is that these old finishes were shellac, not varnish. The brake fluid softens the shellac which then rehardens. This is exactly what went through my mind when I read about the whitening effect of the water-- shellac was famous for the ease with which it could be