[Consdistlist] Library of Congress Preservation Lecture, Washington, DC, USA, April 12

[PRTD Events]

The Preservation Research and Testing Division at the Library of Congress 
announces the Topics in Preservation Series Lecture:


>From Words to Diagrams: An Automated Visualization of Historical Bookbinding 
>Structures
Wednesday, April 12, 2017
11:00 am -12:00 pm EST
Library of Congress James Madison Memorial Building* Pickford Theater, Room LM 
312
101 Independence Ave SE
Washington, DC 20540
USA

* Register to view remotely at: 
http://www.loc.gov/preservation/outreach/tops/campagnolo/index.html

Speaker: Alberto Campagnolo, CLIR/DLF/Mellon Fellow for Data Curation in 
Medieval Studies at the Preservation Research and Testing Division of the 
Library of Congress, Washington, DC

In the last few decades, the recording and management of documentation data 
about material objects, including bookbindings, has switched from paper-based 
archives to databases, but sketches and diagrams are a form of documentation 
still carried out mostly by hand. Diagrams can present unique information, but 
often also serve as a visual representation of information recorded in the 
written documentation. This project proposes a methodology to harness verbal 
information stored within a database -- with a focus on bookbinding structures 
-- and automatically generate standardized and scholarly-sound visual 
representations.

Fenella G. France PhD, MBA, FAIC
Chief, Preservation Research and Testing Division Library of Congress

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[Consdistlist] Position Available: Assistant Conservator at Peabody Museum-Harvard University

[Holdcraft, T. Rose]

For posting:


POSITION AVAILABLE:

ASSISTANT CONSERVATOR
Peabody Museum of Archaeology and Ethnology, Harvard University.
Full-time/Monday-Friday 9-5
This position is responsible for care and conservation of fragile 
three-dimensional objects that are part of the Museum's collection. As a member 
of the Museum's Integrated Pest Management (IPM) team, the Assistant 
Conservator is responsible for completing detailed conservation condition 
assessments; cleaning and deinfesting objects as needed; undertaking object 
conservation stabilization and treatments; developing housing prototypes for 
complex composite objects; and working in collaboration with collections 
assistants in moving heavy large and/or very fragile objects.
This is a term position for two-years beginning July 1, 2017.
Applications are being received March 10 through April 15, 2017.
For detailed position description, requirements, and to apply for this 
position, see http://hr.harvard.edu/search-jobs.  Position number 41867BR


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[Consdistlist] Architectural and Sculpture Conservator Position Available

[Robin Gerstad]

Kreilick Conservation, LLC, is a private firm specializing in the
conservation of architecture, sculpture, monuments, industrial artifacts,
and objects.  We are seeking a qualified candidate with 3-5 years of
experience to fill one full time position with our Philadelphia-area based
firm.
 
Responsibilities may include conducting condition assessments, research,
field investigation and testing, treatment design and implementation, and
report writing, as well as project management.  
 
Qualifications for this position include a Master of Science degree in
Historic Preservation from an accredited graduate program, preferably with a
focus in conservation of metals and masonry.  Strong analytical skills,
flexibility and resourcefulness are necessary, as is proficiency in standard
software including Microsoft Office Suite. Strong graphic skills also
preferred, including proficiency in design software such as Adobe Photoshop,
Sketchup and AutoCAD, or equivalent. Ability to work at heights (i.e.
scaffolding and high-reach) is required. The Conservator is expected to work
independently and as a team member; and must display both excellent hand
skills and strong communication skills.  Travel is required.
   
Kreilick Conservation, LLC offers a salary/benefits package commensurate
with experience and skill level.  Kreilick Conservation, LLC is an Equal
Opportunity Employer.
 

Interested candidates should submit a cover letter, resume, writing sample,
and contact information for three professional references to:



T. Scott Kreilick

Kreilick Conservation, LLC

skreil...@kreilickconservation.com

 

 

 

Robin Gerstad
Business Manager & Senior Conservator
Kreilick Conservation, LLC
Cell 917-273-6612
Fax 801-659-2785

www.kreilickconservation.com

 

 

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[Consdistlist] Managing Indoor Climate Risks two-day workshop: 15 & 16 May 2017, The Fitzwilliam Museum, Cambridge, UK

[Collections Care]

Managing Indoor Climate Risks two-day Workshop

Date: Monday 15 & Tuesday 16 May 2017

Venue: The Fitzwilliam Museum, Cambridge, United Kingdom

Price: 244 GBP

Places: 14

Please visit our webpage for more information and to book: 
www.museums.cam.ac.uk/care-conservation/collections-care-conservation-professional-events


For any queries regarding courses, please email: 
collectionscarecour...@museums.cam.ac.uk


Course outline:

This two-day workshop focuses on the practice of risk-based decision 
making to optimize the management of indoor climate conditions for 
collections and buildings. During the two days, the participants will 
learn about the most current research in managing indoor climate risks 
and will be guided through the process of decision making, from 
identifying climate risks for collections to the development of climate 
control strategies.


During the workshop, real case studies from both environmentally 
controlled museums, galleries and archives and historic buildings 
without any control will be used. The workshop is suitable for 
conservators, collections managers, archivists, librarians, curators and 
building managers working in museums, archives, libraries and historic 
houses.


October 2016

"Fantastic speakers, highly knowledgeable and great communicators"

"Highly recommended!"

"I found the course very useful and would like to put the ideas into 
practice"










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[Consdistlist] Upcoming Online Courses for Museum and Conservation Professionals - April 2017

[topladave .]

Hi Everyone,

Here is the schedule for the upcoming online courses I teach to museum and
conservation professionals for April.

All the courses are designed for busy working professionals. You do the
courses entirely on your own time and schedule. No tests - No Quizzes.
There is a written assignment at the end to complete the course.




*March*
*Care and Conservation of Historic Silver - March 13th.*
*Three Week Course - $165*
Here is the link for payment:
*www.silvercareclass17.eventbrite.com*




*Copyright and Intellectual Property 101 for Museums - March 20th.*
*Four Week Course - $170*
Here is the link for payment:
*www.copyrightclass11.eventbrite.com*




*Care and Conservation of Archaeological Collections - March 27th.*
*Three Week Course - $170*
Here is the link for payment:
*www.archaeologicalcollectionsclass6.eventbrite.com*




*April*
*Care and Conservation of Historic Ceramics - April 10th.*
*Three Week Course - $165*
Here is the link for payment:
*www.ceramicscareclass10.eventbrite.com*




*Care and Conservation of Historic Firearms - April 17th.*
*Three Week Course - $165*
Here is the link for payment:



*www.firearmscareclass16.eventbrite.com*


*Care and Conservation of Historic Iron - April 24th.*
*Three Week Course - $165*
Here is the link for payment:
*www.ironcareclass16.eventbrite.com*




If you have any questions feel free to email me.

Cheers!
Dave

David Harvey
Senior Conservator & Museum Consultant
Los Angeles CA  USA
www.cityofangelsconservation.weebly.com
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[Consdistlist] Call for Papers Conservation of Ceramics, Glass and Enamels Conference, Oxford

[Jasmina Vuckovic]

Call for Papers Conservation of Ceramics, Glass and Enamels Conference,
Oxford



The Icon Ceramic and Glass Group Conference 2017 will be held at Oxford, on
Friday the 8th September. The conference theme is intentionally broad to
encourage papers on the widest possible range of materials and treatments
within the context of ceramics, glass and enamels.


We would like to see abstracts from conservators (and conservators to be)
who have come across challenging projects or those where you might have had
to take a different approach to a standard procedure. Interesting case
studies, which are useful to others, are strongly encouraged.


We are pleased to say that a small contribution to speakers’ expenses is
available.


This is also a *call for student posters* within the above theme and
suggestions.


The conference sits comfortably next to Oxford’s Open Doors weekend. This
may serve as an inspiration to speakers or an added feature to the overall
event.


*Deadlines:*

Please send abstracts by 7 April 2017 to the Ceramics and Glass Group
.

icon...@gmail.com


Abstracts for paper and posters should be 250-300 words and include title,
names, addresses and e-mail addresses of all authors and indicate author
for correspondence.


Jasmina Vuckovic ACR
Events Organiser
ICON Ceramics and Glass Group
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[Consdistlist] The structure and mechanics of canvas paintings / 25-27 October 2017 by by Laura Fuster-López and Cecil Krarup Andersen

[Goossens , Angèle]

The University of Amsterdam organizes in October 2017 the course The structure 
and mechanics of canvas paintings.

This course provides a basic understanding of structural and mechanical 
properties of materials that are relevant for paintings and how these 
properties change with different relative humidity and temperature. This 
enables improved risk assessment when deciding on climate and conservation 
methods for simple materials and composites. An overview of the relevant 
research is provided and the effects of conservation evaluated. The core of the 
course is based on Marion F. Mecklenburg's work as well as the lecturers' own 
research and both lecturers have extensive experience in teaching conservation 
students as well as post graduate conservators. They have both worked closely 
with Mecklenburg and have assisted him teaching his course on mechanics and 
structure in cultural heritage materials both at the Universidad Politécnica de 
Valencia (Spain) and the School of Conservation (Denmark) respectively.

This course is given by Laura Fuster-López and Cecil Krarup Andersen.

Dates: 3 fulltime days: 25, 26 and 27 October 2017.

Registration is open to restorers, conservation scientists and related 
professionals practicing within the field.

Venue: Ateliergebouw in Amsterdam.

Programme  (with reservation)

Day 1: Mechanical properties of paints, primers and carriers
Morning:

-Introduction

-Material science -and the three step approach to conservation.

-The response of the materials to change in T and RH (wood, linen, 
rabbit-skin glue, sturgeon glue and gelatin, oil, alkyd and acrylic paints).
Afternoon:

-  The three step approach in praxis. Discussions and presentations in 
groups.


Day 2: Structural properties of paints, primers and carriers
Morning:

-The stress-strain curve and the definition of the mechanical 
properties.

-Mechanical properties of: wood, linen, rabbit glue, sturgeon glue and 
gelatin, oil, alkyd and acrylic paints.

-The relationship between the mechanical properties and dimensional 
response of materials.

-The consequences if materials with different structural properties are 
combined in a legacy object.  What are the implications for changes in RH and 
T?.

-Other failure mechanisms: Causes for degradation far beyond RH and T.
Afternoon

-  The choice of materials. Discussions based on case studies

Day 3: Changing structure and mechanics of objects through conservation
Morning:

-Adding lining materials.

-The structural role of adhesives and the effects of solvents.

-The selection of filling materials.
Afternoon:

-The choice of methods. Discussions based on case studies.


For more information see the brochure and the registration form on: 
http://www.conservation-restoration-training.nl/structure-mechanics-canvas-paintings/



University of Amsterdam / Programme Conservation and Restoration of Cultural 
Heritage
Drs. Angèle Goossens / Coordinator Continuing Education
www.conservation-restoration-training.nl




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[Consdistlist] Board Chopper engineer

[Celia Bockmuehl]

Please can anyone advise on a reliable precision engineer to service/re-set
a blade in a free-standing Schimanek guillotine used for cutting paper and
board - located in Oxford, England.

Many thanks,
Celia Withycombe

-- 
Celia Withycombe ACR ICON
Senior Conservator, Oxford Conservation Consortium
Grove Cottage, St Cross Road
Oxford OX1 3TX
Tel : 01865 271520
Availability : Monday, Tuesday and Friday 7.30 to 3.30.
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[Consdistlist] Exhibition of paper negatives survey - response requested

[Lénia Fernandes]

I am currently writing an article on the history of the exhibition of paper
negatives, to present in a conference late this year. One of my goals is to
evaluate which light sources conservators are using, especially when the
negatives are backlit.
Although it can be relatively easy to find information on exhibitions
featuring paper negatives (in exhibition catalogs and/or in some online
collection websites), there is less information available out there about
how that was done. The published case studies are surely only a fraction of
what is done in practice to exhibit these objects. That is why I ask for
your contribution.
Please take a few minutes to answer ten questions about this theme, whether
you have worked or seen an exhibition featuring paper negatives. The survey
is available until April 30, 2017, on:

https://www.surveymonkey.com/r/75XPW7S

Feel free to share the link colleagues you think might be able to help as
well.
If you have any comments or questions, please send an email to
lenia...@gmail.com.
Thank you in advance for participating.

Lénia Fernandes
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