The Preservation Research and Testing Division at the Library of Congress
announces the Topics in Preservation Series Lecture:
>From Words to Diagrams: An Automated Visualization of Historical Bookbinding
>Structures
Wednesday, April 12, 2017
11:00 am -12:00 pm EST
Library of Congress James
For posting:
POSITION AVAILABLE:
ASSISTANT CONSERVATOR
Peabody Museum of Archaeology and Ethnology, Harvard University.
Full-time/Monday-Friday 9-5
This position is responsible for care and conservation of fragile
three-dimensional objects that are part of the Museum's collection. As a member
Kreilick Conservation, LLC, is a private firm specializing in the
conservation of architecture, sculpture, monuments, industrial artifacts,
and objects. We are seeking a qualified candidate with 3-5 years of
experience to fill one full time position with our Philadelphia-area based
firm.
Managing Indoor Climate Risks two-day Workshop
Date: Monday 15 & Tuesday 16 May 2017
Venue: The Fitzwilliam Museum, Cambridge, United Kingdom
Price: 244 GBP
Places: 14
Please visit our webpage for more information and to book:
Hi Everyone,
Here is the schedule for the upcoming online courses I teach to museum and
conservation professionals for April.
All the courses are designed for busy working professionals. You do the
courses entirely on your own time and schedule. No tests - No Quizzes.
There is a written
Call for Papers Conservation of Ceramics, Glass and Enamels Conference,
Oxford
The Icon Ceramic and Glass Group Conference 2017 will be held at Oxford, on
Friday the 8th September. The conference theme is intentionally broad to
encourage papers on the widest possible range of materials and
The University of Amsterdam organizes in October 2017 the course The structure
and mechanics of canvas paintings.
This course provides a basic understanding of structural and mechanical
properties of materials that are relevant for paintings and how these
properties change with different
Please can anyone advise on a reliable precision engineer to service/re-set
a blade in a free-standing Schimanek guillotine used for cutting paper and
board - located in Oxford, England.
Many thanks,
Celia Withycombe
--
Celia Withycombe ACR ICON
Senior Conservator, Oxford Conservation
I am currently writing an article on the history of the exhibition of paper
negatives, to present in a conference late this year. One of my goals is to
evaluate which light sources conservators are using, especially when the
negatives are backlit.
Although it can be relatively easy to find