Answer to Isobel Griffin, message 3:
3. archival ink (Griffin, Isobel)
I have been using the Actinic Ink: you can do a Google search and you will find
several suppliers in Europe. It is available in two versions, one for stamping
and one for writing (for ex. inventory numbers); each one has its own small
kit, like a stamp pad and a pen: don't try to use it with normal stamp pads.
It is not much easier to use than LOC one, but if you are looking for an
alternative I think it is worth trying.
Best regards
Maria Luisa Russo
________________________________
Da: consdistlist-boun...@cool.conservation-us.org
<consdistlist-boun...@cool.conservation-us.org> per conto di
consdistlist-requ...@cool.conservation-us.org
<consdistlist-requ...@cool.conservation-us.org>
Inviato: venerdì 7 ottobre 2016 13.00.01
A: consdistlist@cool.conservation-us.org
Oggetto: consdistlist Digest, Vol 3, Issue 2
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The Conservation DistList (ConsDistList) is a project of the Foundation of the
American Institute for Conservation of Historic & Artistic Works (FAIC).
Today's Topics:
1. The ConsDistList's new format (Bonnie Naugle)
2. Anna Plowden Trust: grants for continuing professional
development (David Saunders)
3. archival ink (Griffin, Isobel)
4. Position at ArtScience Museum Singapore (Lim, Della Wann Yng)
5. Paper Conservation Course: Inpainting and Loss Compensation
on Paper (Rita Udina)
6. Soluble nylon (Museum Conservation Services Ltd)
7. registration open: SYMPOSIUM _Paintings on copper (and other
metal plates) (Laura FUSTER L?PEZ)
8. Job Posting: Head of Conservation Department/MMK Museum f?r
Moderne Kunst Frankfurt am Main/Germany
(peter.gorschlue...@stadt-frankfurt.de)
9. Exhibition, conference and digital resources on manuscript
illumination (Paola Ricciardi)
10. Removing thick brown sludge from the bottom of a 1900 beer
bottle (Wendy Jessup)
11. Project conservator (paper) vacancy - the Whitworth,
Manchester (Sarah Potter)
12. consdistlist Digest, Vol 2, Issue 3: Subject: Effects of
soluble nylon on 18th century paper (Elwing & Gurney Archival)
13. Job Posting - Architecture and Sculpture Conservator -
Philadelphia area, PA, USA (Robin Gerstad)
14. FW: Paper conservator position, ICA-Art Conservation,
Cleveland, Ohio, USA (Andrea Chevalier)
15. reply to A. Bjornson nr 17 in vol 2, issue 2 (IR camera)
(Speleers, LBJ)
16. TIME SENSITIVE Job Posting: Collections Management Assistant
(Intern) (ICC services / CCI Services (PCH))
17. Courses in conservation techniques, West Dean College,
England, Feb and Mar 2017 (Liz Campbell)
18. Job Opening - Manager of Audio Preservation Services at NEDCC
(Julie Martin)
19. Faculty Position at New York University Tisch School of the
Arts (Elba Alvarenga)
20. TIME SENSITIVE Job Posting: Conservator (Intern) -
Preservation Services (ICC services / CCI Services (PCH))
----------------------------------------------------------------------
Message: 1
Date: Tue, 4 Oct 2016 16:39:12 +0000
From: Bonnie Naugle <bnau...@conservation-us.org>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] The ConsDistList's new format
Message-ID: <e371a028-c601-4d1c-bd8f-6a7c29c2e...@conservation-us.org>
Content-Type: text/plain; charset="utf-8"
Dear Subscribers,
Now that we have returned, you will notice the ConsDistList temporarily has a
different look and organization:
- Posts are now numbered by order of receipt.
- Posts are no longer organized by topic; to skip to a particular message, you
can use CTRL plus F to find the message by its number (for example, to find
message 5, press Control and F, then type Message: 5).
AIC and its Foundation are entering a period of technical change, and are
focusing on performing ongoing strategic upgrades to our systems. This change
has reduced the daily workload required to administer the ConsDistList and will
result in it reliably being delivered on a weekly (or twice weekly!) basis.
Future steps will see upgrades that bring new capabilities, taking advantage of
the support of the Foundation ? and your recent donations. We hope you also
visit the new ConsDistList archives page, linked at the bottom of each digest
(searchable and immediately updated).
A good list still takes work by actual people, on both the submission and
moderator sides. We really appreciate your efforts to shape your posts for
general consumption before sending to the list. We hope you continue to value
your subscription to the ConsDistList.
Bonnie Naugle, Communications & Membership Director
bnau...@conservation-us.org
AMERICAN INSTITUTE FOR CONSERVATION
1156 15th St., NW, Suite 320, Washington, DC, 20005
www.conservation-us.org<http://www.conservation-us.org>
[http://www.conservation-us.org/images/default-source/about/conservator_sculpture.jpg?sfvrsn=0]<http://www.conservation-us.org/>
American Institute for Conservation of Historic and
...<http://www.conservation-us.org/>
www.conservation-us.org
National membership organization of conservation professionals dedicated to
preserving the art and historic artifacts of America's cultural heritage for
future ...
------------------------------
Message: 2
Date: Tue, 4 Oct 2016 10:17:34 +0100
From: David Saunders <d...@saunders-online.net>
To: consdistlist@cool.conservation-us.org
Subject: [Consdistlist] Anna Plowden Trust: grants for continuing
professional development
Message-ID: <a10c48b4-d25b-4cc7-bb57-e09916dbd...@saunders-online.net>
Content-Type: text/plain; charset=utf-8
Anna Plowden Trust: grants for continuing professional development
In addition to offering bursaries for conservation students, The Anna Plowden
Trust (http://www.annaplowdentrust.org.uk
<http://www.annaplowdentrust.org.uk/>) awards grants to conservators ? from
both private practice and institutions ? to help support their continuing
professional development (CPD). This can include the acquisition of new skills
or expertise through short courses and conferences. Grants are normally awarded
to cover a proportion of the course fees or conference registration. Recipients
are expected to make a short report to the Trust on completion of their CPD.
As our funds are heavily over-subscribed, we do not award CPD grants to
students or interns and we normally give preference to applicants who are
making ? or intend to make ? their careers in the UK.
Grant applications are considered four times a year: the deadlines for
applications in 2017 are 12 January, 22 March, 5 June and 14 September. Full
details, including application forms, can be found on the Anna Plowden Trust
website (<http://>www.annaplowdentrust.org.uk/applying-to-us/cpd-grants
<http://www.annaplowdentrust.org.uk/applying-to-us/cpd-grants>).
David Saunders: Chairman, Anna Plowden Trust
------------------------------
Message: 3
Date: Wed, 5 Oct 2016 07:15:35 +0000
From: "Griffin, Isobel" <i.grif...@nls.uk>
To: "'consdistlist@cool.conservation-us.org'"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] archival ink
Message-ID:
<e2576fa2aee32544bf5311206610ec582fd1c...@w2k8-mailbox.natlibofscot.nls.uk>
Content-Type: text/plain; charset="us-ascii"
We would like to know about any work other people have done to test inks for
making an ownership mark on Library collections. Ideally ink should be stable
in water and organic solvents, difficult to remove by abrasion, not subject to
colour change over time and easy to apply, even on glossy paper. We are aware
that the Library of Congress produce an archival ink, but we are looking for
alternatives because our staff find it very difficult to use.
Dr Isobel Griffin ACR
Collections Care Manager
National Library of Scotland
Dr Isobel Griffin ACR
Collections Care Manager | Collections Care
National Library of Scotland
George IV Bridge, Edinburgh EH1 1EW
Tel: +44 (0) 131 623 3858
Mobile: 07983 432624
Email: i.grif...@nls.uk
Website: www.nls.uk<http://www.nls.uk/>
Twitter: https://twitter.com/nlscoll_care
Facebook: https://www.facebook.com/NationalLibraryOfScotland
National Library of Scotland, Scottish Charity, No: SCO11086
This communication is intended for the addressee(s) only. If you are not the
addressee please inform the sender and delete the email from your system. The
statements and opinions expressed in this message are those of the author and
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------------------------------
Message: 4
Date: Wed, 5 Oct 2016 03:08:38 +0000
From: "Lim, Della Wann Yng" <della....@marinabaysands.com>
To: "CONSDISTLIST@COOL.CONSERVATION-US.ORG"
<CONSDISTLIST@COOL.CONSERVATION-US.ORG>
Subject: [Consdistlist] Position at ArtScience Museum Singapore
Message-ID:
<100fe918a2e9fe43ad22820a8baf9df968cd2...@mbsmbx03.marinabaysands.com>
Content-Type: text/plain; charset="utf-8"
ArtScience Museum is a major cultural institution in Singapore that explores
the intersection between art, science, technology and culture. It is the
cultural component of Marina Bay Sands.
We are seeking a new Collections Manager, Registrar. The Collections Manager,
Registrar of ArtScience Museum plays a key role within the museum?s exhibition
department. The post-holder will be part of the smooth running of the museum,
managing all duties associated with the artifact collection care: either on
loan from museums, collections, artists, galleries, institutes etc. or
commissioned by ArtScience Museum. The Collections Manager, Registrar will need
to work closely with all different departments of ArtScience Museum - mainly
the exhibition, technical and visitor service teams- as well as different
departments of Marina Bay Sands and all external parties, such as Museums,
loaning institutions or individual artists. The Collections Manager, Registrar
will be responsible for all the coordination work around the collections on
loan at the Museum, mainly: transport to/from ArtScience Museum of exhibits,
handling of artefacts, appointment, coordination and supervision of art
handlers, set ups and tear downs of collections, condition reporting, insurance
and any other items relevant to collections management. The post-holder will
work with many of the ArtScience Museum?s team, and as such, must be a good
team-worker, able to communicate, bond, compromise and work under pressure. The
post-holder will be the gatekeeper of proper handling, adequate security and
protection of collections at ArtScience Museum and therefore must be focused,
detail-orientated, and organized. The duties performed shall be at
international museum?s standards.
Development:
Follows-up on tender and develop the collections data management system (Museum
database). Updates collections management policies. Manages improvements to
collections housing and storage areas. Develops preventative conservation
strategies.
Competencies:
Able to initiate and maintain excellent external relationships linking the
Museum with the community it serves. Strong team-work and team-leadership
skills. Excellent problem-solving and analytical skills behaviour. Can work
independently. Strong organizational skills. Meticulous and attention to
detail. Usage of Windows. Proficient in spoken and written English, other
spoken language an asset.
Qualifications and Experience:
At least four years working experience within a Museum environment in relation
to collection management. Experience of wider museum collections management
practice i.e :storage, conservation, packing, transportation / customs
documentation etc. A degree or post-graduate degree, preferably in collections
management, registration, or museum studies. Additional formal qualifications
in management or a field relevant to the Museum?s areas of endeavor an advantage
The complete job description, qualifications, and application are available at:
http://www.jobstreet.com.sg/en/job/5483553/sources/1/origin/sg
Della Lim
Officer, Talent Resourcing
Talent Acquisition, Human Resources
Marina Bay Sands Pte Ltd
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------------------------------
Message: 5
Date: Wed, 5 Oct 2016 10:00:22 +0200
From: Rita Udina <i...@ritaudina.com>
To: consdistlist@cool.conservation-us.org
Subject: [Consdistlist] Paper Conservation Course: Inpainting and Loss
Compensation on Paper
Message-ID:
<CALXb=EvYZP7PCzSA9pgDtG=p_nd1+7198qbhsqoeb-fymdt...@mail.gmail.com>
Content-Type: text/plain; charset=UTF-8
Dear colleagues,
I send you the information about the next scheduled international
course ?Inpainting
and Loss Compensation on Paper
<http://ritaudina.com/en/conservation-courses/inpainting-loss-compensation-paper-conservation/>?,
which will be held next December in Spain. Application deadline is October
30th.
Many of us fear the moment we have to face a loss inpainting and infilling
on paper, and I hope this course will help professionals to deal with it
with more confidence. Please share this information with other paper
conservators.
Thank you!
Course website:
http://ritaudina.com/en/conservation-courses/inpainting-loss-compensation-paper-conservation/
Course leaflet:
http://ritaudina.com/pdf/InpaintingLossCompensationPaperConservationCourse-16-12.pdf
Rita Udina
*Restauraci? d'obra gr?fica*
C/ Sant Pere, 24
Premi? de Mar ? 08330
Barcelona, SPAIN
Tlf.: +34 937 544 880
Mobile: +34 649 694 899
*http://ritaudina.com <http://www.ritaudina.com/>*
i...@ritaudina.com
------------------------------
Message: 6
Date: Tue, 4 Oct 2016 13:58:15 +0100
From: "Museum Conservation Services Ltd" <m...@paperconservation.co.uk>
To: <consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Soluble nylon
Message-ID: <4CB64B09D6464F12B0E70EB2BE071AC6@Office>
Content-Type: text/plain; format=flowed; charset="utf-8";
reply-type=original
In response to Melanie Sorenson?s posting on the effects of soluble nylon on
18th century paper, the article by Catherine Sease, "The case against using
soluble nylon in conservation work", Studies in Conservation, vol. 26, no.
3, pp. 102-110, 1981, would be a good starting point.
Regarding anecdotal experience, I have never used this material so can only
provide hear-say information. Apparently it was sometimes applied in
solution and sometimes as a gel (when applying a facing paper for example).
Nicholas Burnett
Director
Museum Conservation Services Ltd.
------------------------------
Message: 7
Date: Tue, 4 Oct 2016 13:08:31 +0200
From: Laura FUSTER L?PEZ <laufu...@crbc.upv.es>
To: <consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] registration open: SYMPOSIUM _Paintings on
copper (and other metal plates)
Message-ID:
<!&!AAAAAAAAAAAuAAAAAAAAAC39jcaeI2NNmx/I81UpvZABAMO2jhD3dRHOtM0AqgC7tuYAAAAAAA4AABAAAACs6o92QZ8KQJqUBefByRMcAQAAAAA=@crbc.upv.es>
Content-Type: text/plain; charset="UTF-8"
SYMPOSIUM
PAINTINGS ON COPPER (AND OTHER METAL PLATES): PRODUCTION, DEGRADATION AND
CONSERVATION ISSUES
The international symposium, 'Paintings on copper (and other metal plates).
Production, degradation and conservation issues? will be held at the UPV on
27th-28th January 2017 and will provide a forum to conservators-restorers,
conservation scientists, art historians and related professionals to discuss
issues such as:
?Historical and artistic aspects of the production of paintings on metal plate.
?Characterization of materials present in paintings on copper and other metal
plates.
?Interaction between paint films and metal substrates. Influence on the
stability of paintings.
?Degradation of paintings on metal plate. Common alterations and degradation
mechanisms.
?Conservation treatment of paintings on metal plates. Ethical and aesthetic
dilemmas.
?Limitations of common conservation treatments traditionally used in easel
paintings. Latest research.
?Display, handling, transport and storage of paintings on metal plate.
Guidelines for their preservation to minimize degradation.
?Case studies related to the theme of the symposium
VENUE
Alfons Roig Auditorium - Faculty of Fine Arts
Polytechnic University of Valencia
Valencia, Spain
DATES
27th and 28th January 2017
REGISTRATION
Website: goo.gl/1GbXhf
FEES
Early bird (Until November 30th, 2016):
* Students: 100 ?
* Professionals: 170 ?
Standard (From December 1st, 2016)
* Students: 125 ?
* Professionals: 195 ?
FEES INCLUDE:
* Attendance to all sessions
* Certificate of attendance
* Proceedings Book
* Simultaneous translation English > Spanish and Spanish>English
* Coffee breaks
* Evening reception on the 27th
MORE INFORMATION AT:
conservacion <mailto:conservacion&restaurac...@upv.es> &restaurac...@upv.es
PROGRAM
Friday 27th, January 2017
8.30-9.00 REGISTRATION
9.00-9.20 INSTITUTIONAL OPENING
9.20-10.00 Keynote speech: ?Paintings on copper supports: an
overview of their conception, creation and conservation" Isabel HOROVITZ, The
Painting Conservation Studio (London , UK)
10.00-10.30 ?The Spanish connection. The making and trade of Antwerp
paintings on copper in the 17th century? J?rgen WADUM, Centre for Art
Technologial Studies and Conservation CATS (Copenhaguen, Denmark)
10.30-11.00 COFFEE BREAK
11.00-11.30 "Reconstruction of a late sixteenth century painting on a
copper support: Hendrick van Balen's 'Adoration of the Shepherds' from the
Fitzwilliam Museum" Alison STOCK, City & Guilds of London Art School
(London, UK)
11.30-12.00 ?Preparation techniques and their impact on the
conservation of copper paintings? Nico BROERS, ?cole Saint Luc (Li?ge, Belgium)
12.30-13.00 ?Chemical, physical and mechanical decay procedures in oil
painted copper objects? Lydia C. PAVLOPOLOU, Freelance conservator (Athens,
Greece)
13.00-14.30 LUNCH
14.30-15.00 ?Silvered? copper plates: A study of material, technique
and function of a rare metal support for paintings? Anne SCHMID, Fondation
Beyeler (Basel, Switzerland)
15.00-15.30 "Painting on metal plate in the 19th century: P?rez
Villaamil and his ?Vistas Monumentales? (Dyptic, oil on tinplate)?. Luc?a
MARTINEZ, Museo del Prado (Madrid, Spain)
15.30-16.00 ?Explorations for consolidants and infill materials for oil
paintings on copper: a summary of Master?s Thesis work by Leonora Oliveira and
Daniel Vega at Universidade Nova de Lisboa? Leslie CARLYLE, Universidad
Nova Lisboa (Lisbon, Portugal)
16.00-16.45 COFFEE BREAK
POSTER SESSION-1
16.45-17.00 ?An insight into the film forming properties of oil paint
films in copper paintings and their response to environmental oscillations?
Laura FUSTER-L?PEZ, Universitat Polit?cnica de Val?ncia (Valencia, Spain)
17.00-17.15 ?A Saint Jerome after Palma il Giovane: artistic invention
and the practice of painting on copper in the age of printmaking? Roxane
SPERBER (Andrew Mellon Fellow in Painting Conservation at the Worcester Art
Museum, USA), Anna KOOPSTRA (Simon Sainsbury Curatorial Assistant, Paintings
before 1500 at the National Gallery London, UK)
17.15-17.30 ?Creating An Enduring Image: An investigation into the
materials and techniques of Scipione Pulzone's Portrait of Cardinal Antoine
Perrenot de Granvelle (1576, oil on copper, 81.7cm x 61.6cm, Courtauld
Gallery)? Sally HIGGS, Alexander J. NOELLE, Courtauld Institute of Art
(London, United Kingdom)
17.30-17.45 ?The collection of copper paintings at the Museo de Bellas
Artes de Santa Cruz de Tenerife? Antonio MARRERO ALBERTO, Freelance
conservator (Tenerife, Spain)
17.45-18.00 ?Conservation project of a collection of Flemish copper
paintings? Roc?o MAGDALENO GRANJA, M? Auxiliadora G?MEZ MOR?N, Instituto
Andaluz de Patrimonio Hist?rico (Sevilla,
Spain)
18.00?18.15 ?Gerard ter Borch: copper versus canvas ? a comparison?
Susanne STANGIER, Freelance conservator (Guttecoven, The Netherlands)
18.15-18.30 ?Three-dimensional modelling of a backboard to support and
frame a painting on copper by Carlo Maratti (1625-Rome 1713)? Adelaide IZAT,
Jon Allison BREWER, Carlos BAYOD LUCINI, Royal Collection (Windsor, United
Kingdom)
18.30-20.00 EVENING RECEPTION
Saturday 28th, January 2017
9.00-9.15 ?Metal supports receptors of color, magic incantations
and images in the Greco-Roman magic? M. Luisa V?ZQUEZ DE ?GREDOS-PASCUAL , M.
Julia MART?NEZ GARC?A , Universitat de Val?ncia (Valencia, Spain)
9.15-9.30 "Scientific and technical analysis of copper paintings:
some case studies" M? Francisca SARRI? MART?N, Inmaculada CHULI? BLANCO,
Livio FERRAZZA (Subdirecci?n de Conservaci?n, Restauraci?n e Investigaci?n
IVC+R de Culturarts-GVA), Jos? Antonio MADRID GARC?A (Universitat Polit?cnica
de Valencia), Juan P?REZ MIRALLES (Servicio de Conserva ci?n y Restauraci?n
de Bienes Culturales de la Diputaci?n de Castell?n) (Valencia, Spain)
9.30-9.45 ?Theoretical and practical considerations on the presence of lead
soaps in the degradation of an 18th century oil painting on copperplate?
Filip Adrian PETCU, West University of Timi?oara (Timi?oara, Romania)
9.45-10.00 ?Technical and scientific analysis of 18th century copper
paintings: ?Immaculate conception? and ?Madonna with the child Guillermo
MART?N QUESADA, Nuria GARC?A-VALENZUELA PARERA, Luis RODR?GUEZ-SIM?N,
Universidad de Granada (Granada, Spain) 10.00-10.15 ?Conservation project of
two 18th century copper paintings from the collection at the Diputaci?n de
Valencia? Cristina V?ZQUEZ ALBALADEJO, Adela MURGUI CERVERA, Aida RODA
Ciudad, Diputaci?n de Valencia (Valencia, Spain)
10.15-10.30 ?Restoration of double-sided painting on copper plate in
Lithuanian Art Museum? Ruta KASIULYTE, Lithuanian Art Museum Pranas, Gudynas
Restoration Centre (Vilnius, Lituania)
10.30-10.45 ?Reassessment of a consolidation treatment: Investigation
and conservation of a persistent paint layer delamination on a 19th century
tin-plated iron support painting? Christina KAPEUNDL, Anke SCH?NING,
Wolfgang BAATZ, Institute of Conservation-Restoration, Academy of Fine Arts
Vienna (Vienna, Austria)
10.45-11.30 COFFEE BREAK
11.30-11.45 ?Signposts from the collection of the Auschwitz-Museum?
Gunn P?LLNITZ, Manfred SCHREINER, Institute of Science and Technology in Art,
Academy of Fine Arts (Vienna, Austria)
11.45-12.00 ?Conserving large scale painted metal sculpture? Helen
INGALLS, Ariel O?CONNOR, Susan EDWARDS, Tiarna DOHERTY, Smithsonian American
Art Museum, (Washington DC, USA)
12.00-12.15 ?African American Folk and Self-taught artists painting on
metal: David Butler and Sam Doyle? Amber KERR, Helen INGALLS, Tiarna DOHERTY,
Smithsonian American Art Museum, (Washington DC, USA)
12.15-13.00 Panel discussion and closing remarks
13.00-15.00 LUNCH (ticket required)
17.00-18.30 VISIT TO SANTOS JUANES CHURCH (ticket required)
---------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Laura FUSTER L?PEZ, PhD
Profesora Titular de Universidad
UNIVERSIDAD POLIT?CNICA DE VALENCIA | Dept. Conservaci?n y Restauraci?n de
Bienes Culturales | Camino de Vera s/n | 46022 Valencia (Spain) | Phone:
+34 963 877 310 (ext. 73106) | E-mail: laufu...@crbc.upv.es
------------------------------------------------------------------------------------------------------------------------------------------
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------------------------------
Message: 8
Date: Tue, 4 Oct 2016 14:35:39 +0000
From: "peter.gorschlue...@stadt-frankfurt.de"
<peter.gorschlue...@stadt-frankfurt.de>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Job Posting: Head of Conservation
Department/MMK Museum f?r Moderne Kunst Frankfurt am Main/Germany
Message-ID: <d4198ad8.24061%peter.gorschlue...@stadt-frankfurt.de>
Content-Type: text/plain; charset="iso-8859-1"
The MMK Museum f?r Moderne Kunst Frankfurt am Main/Germany is looking for a
Head of Conservation Department
Application Deadline: 28 October 2016
Very good knowledge of German language required.
For further information and how to apply, please check:
http://mmk-frankfurt.de/de/ueber-uns/stellen-im-mmk/
--
Peter Gorschl?ter
Stellvertretender Direktor / Deputy Director
MMK Museum f?r Moderne Kunst
Domstr. 10
60311 Frankfurt am Main
T +49 (0)69 212 34729
F +49 (0)69 212 37882
Email: peter.gorschlue...@stadt-frankfurt.de
www.mmk-frankfurt.de<http://www.mmk-frankfurt.de>
------------------------------
Message: 9
Date: Wed, 5 Oct 2016 16:22:32 +0100
From: Paola Ricciardi <pr...@cam.ac.uk>
To: consdistlist@cool.conservation-us.org
Subject: [Consdistlist] Exhibition, conference and digital resources
on manuscript illumination
Message-ID: <57f51ab8.4070...@cam.ac.uk>
Content-Type: text/plain; charset=utf-8; format=flowed
The Fitzwilliam Museum is happy to announce that its bicentenary
exhibition, COLOUR: The Art and Science of Illuminated Manuscripts, is
now open and runs until 30 December 2016. It will be accompanied by an
international conference (8-10 December).
Details about the exhibition, catalogue and conference are available at
www.fitzmuseum.cam.ac.uk/colour<http://www.fitzmuseum.cam.ac.uk/colour>
The website also has links to two new electronic resources which we
created to support teaching and inspire further research in
conservation, heritage science, and manuscript studies:
1. ILLUMINATED: Manuscripts in the Making -
www.fitzmuseum.cam.ac.uk/illuminated<http://www.fitzmuseum.cam.ac.uk/illuminated>
2. Under the Covers -
www.fitzmuseum.cam.ac.uk/gallery/utc<http://www.fitzmuseum.cam.ac.uk/gallery/utc>
Feedback, including constructive criticism, on both electronic resources
is particularly welcome. Please provide feedback using the contact form
on the ILLUMINATED website
(http://www.fitzmuseum.cam.ac.uk/illuminated/about/contact).
-----------------------------------
Paola Ricciardi, PhD
Research Scientist, The Fitzwilliam Museum
Cambridge (UK)
------------------------------
Message: 10
Date: Wed, 5 Oct 2016 16:31:24 +0000
From: Wendy Jessup <prev...@collectioncare.com>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Removing thick brown sludge from the bottom of
a 1900 beer bottle
Message-ID:
<mwhpr02mb2752c758bff7c999464dafdfc5...@mwhpr02mb2752.namprd02.prod.outlook.com>
Content-Type: text/plain; charset="us-ascii"
During construction at a client site to install environmental management and
fire protection improvements, a trench was opened on the grounds in which
several objects were found including a c. 1900 glass beer bottle with thick
brown sludge at the bottom.
My client thinks that the sludge is tobacco spit (molasses looking, though
tobacco smelling) and would like to remove it. (BTW: I have not seen the item
nor have I been involved in the discussions about cleaning - although in my
initial email yesterday I did mention that the sludge may have some
significance and in some collections wouldn't be removed.)
They have already tried to remove the sludge: first by soaking with just warm
water and light swishing which removed some, and have tried warm water and a
few drops of Dawn dish soap, which reportedly didn't do much at all. They are
worried that aggressive scrubbing might break the glass and have asked that I
send this query to the DistList for additional suggestions.
Many thanks.
Wendy Claire Jessup
Conservator
Wendy Jessup and Associates, Inc.
Care of Cultural Property
933 N. Kenmore Street, Suite 323
Arlington, VA 22201
(703) 522-2801
www.collectioncare.com<http://www.collectioncare.com>
------------------------------
Message: 11
Date: Wed, 5 Oct 2016 08:36:17 +0000
From: Sarah Potter <sarah.pot...@manchester.ac.uk>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Project conservator (paper) vacancy - the
Whitworth, Manchester
Message-ID: <d41a7a10.283a%sarah.pot...@manchester.ac.uk>
Content-Type: text/plain; charset="iso-8859-1"
Project Conservator (Paper - Musgrave Kinley Outsider Art Collection )
the Whitworth, University of Manchester
Closing Date : 09/10/2016
Employment Type : Full Time Fixed Term
Duration : As soon as possible until 1 October 2017
Salary : ?22,249 to ?25,023 per annum
Job Reference : L&CI-008851
Want to join the 2015 UK Museum of the Year?
We are hiring:
A paper conservator to work together with the project team to survey, stabilize
and make accessible the Musgrave Kinley Outsider Art Collection at the
Whitworth. Now with an award winning new building, with exemplary exhibition
spaces, study spaces and collection stores, there could not be a better time to
join. The Musgrave Kinley Outsider Art collection of over 800 works entered
the Whitworth 5 years ago and now with funding from Esm?e Fairbairn we need an
open-minded, passionate conservator to work with this incredible collection.
We are looking for a dynamic, collaboratively-minded conservator who is
prepared to deal with challenging and unconventional works of art with a
flexible and innovative approach to problem-solving.
Interviews are expected to take place 19-21 October 2016.
As an equal opportunities employer, we welcome applications from all suitably
qualified persons. As we are committed to the principles of the Race Equality
Charter Mark, we would particularly welcome applications from the black and
minority ethnic (BME) community who are currently under-represented at this
level in this area. All appointments will be made on merit.
Please note that we are unable to respond to enquiries, accept CV's or
applications from Recruitment Agencies.
Enquiries about the vacancy:
Name: Ann French
Email: ann.fre...@manchester.ac.uk<mailto:ann.fre...@manchester.ac.uk>
This vacancy will close for applications at midnight on the closing date.
Further Particulars:
https://www.jobs.manchester.ac.uk/displayjob.aspx?jobid=12175
------------------------------
Message: 12
Date: Wed, 5 Oct 2016 23:48:45 +1100
From: "Elwing & Gurney Archival" <eg.archi...@gmail.com>
To: "Conservation DistList" <consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] consdistlist Digest, Vol 2, Issue 3: Subject:
Effects of soluble nylon on 18th century paper
Message-ID: <C26F9D77AEF7471BAF4F7C7228641B33@elwingdesktop>
Content-Type: text/plain; charset="iso-8859-1"
(Reply to consdistlist Digest, Vol 2, Issue 3, Message: 7
From: James Elwing <eg.archi...@gmail.com>
To: ConsDistList <consdistlist@cool.conservation-us.org>
Subject: Re: [Consdistlist] Effects of soluble nylon on 18th century
paper
In reply to Melanie Sorensens enquiry, I can supply a quantity of unused white
soluble nylon Calaton CB powder that has been dry/dark stored since the late
1970's. It no longer shows any sign of solubility in ethanol, or even swelling.
This might be a useful material for the NLA research team to test solvency.
I will be in Canberra next week (10th-14th October) to attend the Book and
Paper Symposium, where I am giving a paper. If you contact me there, I will
have a jar of the powder for you
James Elwing
Subject: [Consdistlist] Effects of soluble nylon on 18th century paper
Date: Tue, 27 Sep 2016 06:23:39 +0000
From: Melanie Sorenson <msoren...@nla.gov.au>
'The National Library of Australia is undertaking research into the treatment
history of an iconic 18th century bound manuscript. Historical treatment
documentation indicates that the pages of the volume were treated with soluble
nylon in the 1970's. The research team would be interested in anecdotal
experience from other conservators regarding known methods of application,
notable deterioration characteristics, reversible treatments, or any other
observations such as ageing properties, effect on iron gall inks, and
deteriorative effects attributed to soluble nylon on historic papers, etc.'
(James Elwing
Elwing and Gurney Archival, Book and Paper Conservation
1 Henry St, Lawson,
NSW 2783, Australia, eg.archival @gmail.com)
------------------------------
Message: 13
Date: Wed, 5 Oct 2016 14:24:40 -0400
From: "Robin Gerstad" <rgers...@kreilickconservation.com>
To: <consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Job Posting - Architecture and Sculpture
Conservator - Philadelphia area, PA, USA
Message-ID: <006401d21f35$bd2bae90$37830bb0$@kreilickconservation.com>
Content-Type: text/plain; charset="us-ascii"
Kreilick Conservation, LLC, is a private firm specializing in the
conservation of architecture, sculpture, monuments, industrial artifacts,
and objects. We are seeking a qualified candidate with 3-5 years of
experience to fill one full time position with our Philadelphia-area based
firm.
Responsibilities may include conducting condition assessments, research,
field investigation and testing, treatment design and implementation, and
report writing, as well as project management.
Qualifications for this position include a Master of Science degree in
Historic Preservation from an accredited graduate program. Strong
analytical skills, flexibility and resourcefulness are necessary, as is
proficiency in standard software including Microsoft Office Suite. Strong
graphic skills also preferred, including proficiency in design software such
as Adobe Photoshop, Sketchup and AutoCAD, or equivalent. Ability to work at
heights (i.e. scaffolding and high-reach) is required. The Conservator is
expected to work independently and as a team member; and must display both
excellent hand skills and strong communication skills. Travel is required.
Kreilick Conservation, LLC offers a salary/benefits package commensurate
with experience and skill level. Kreilick Conservation, LLC is an Equal
Opportunity Employer.
Interested candidates should submit a cover letter, resume, writing sample,
and contact information for three professional references to Scott Kreilick
at skreil...@kreilickconservation.com.
Robin Gerstad
Business Manager & Senior Conservator
Kreilick Conservation, LLC
Cell 917-273-6612
Fax 801-659-2785
www.kreilickconservation.com<http://www.kreilickconservation.com>
------------------------------
Message: 14
Date: Wed, 5 Oct 2016 14:51:15 -0400
From: Andrea Chevalier <and...@ica-artconservation.org>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] FW: Paper conservator position, ICA-Art
Conservation, Cleveland, Ohio, USA
Message-ID:
<47da1c02fe569f40a023d42a34c413eb3f57a7d...@sbs2008.ica.local>
Content-Type: text/plain; charset="iso-8859-1"
Paper Conservator - ICA Art Conservation Full time, Exempt Position (Benefits
Eligible)
Position Summary
The Paper Conservator has responsibilities which involve the examination and
treatment of artwork at the ICA facility and on site. S/he will participate as
necessary in the implementation and oversight of conservation projects which
involve coordinating staff and subcontractors. S/he interacts professionally
with board and committee members, clients and the general public. S/he agrees
to abide by the AIC (American Institute for Conservation of Historic and
Artistic Works) Code of Ethics and Guidelines for Practice.
This position reports to the Executive Director of the ICA.
Principal Duties and Responsibilities
Conservation:
? Carry out examinations and conservation treatments on artwork from the
collections of private and public institutions, corporations, government
agencies and private collectors.
? Conduct research to determine appropriate interpretation of the object
and to support the recommended treatment.
? Prepare cost and time estimates for conservation projects and
preservation assessments. Assemble bids for Request for Proposals (RFPs).
Coordinate with Registrar to communicate with clients.
? Perform on site field work which may involve collections surveys,
examination, and treatment.
? Participate in interdepartmental projects as needed. Act as lead
conservator for such projects when appropriate.
? Supervise conservation support staff (assistants, preparators, interns,
volunteers). Manage and oversee subcontractors for commercial and industrial
processes involved in treatments, shipping, and installations.
? Monitor condition of objects in storage and perform appropriate
housekeeping of the area.
? Stay current with theoretical discourse and best practices in the field
through literature review and attending presentations, conferences and
mid-career training.
Public Outreach:
? Interact professionally with a broad range of clients concerning
conservation and preservation projects, both in person and over the phone/email.
? Prepare documentation for grant applications in which the ICA is
included, and review grant applications if requested by the client.
? Actively participate in the ICA's educational programs, including
teaching classes, giving lectures and leading tours.
? Participate in board and staff committee work.
? Assist in interviewing and hiring new staff.
? Represent the ICA in meetings with potential clients, donors and other
professionals.
Qualifications:
? Masters degree from a recognized training program in conservation or
equivalent experience. Experience in treating Asian Art would be desirable.
? Experience working in the field of conservation either in an
institutional or private practice setting. Title and salary will be
commensurate with experience.
? Proficiency in Microsoft Office Suite (Word, Excel, Powerpoint), Adobe
Photoshop desirable.
? Travel to onsite projects in surrounding region required.
Position open until filled.
Please send letter of interest and CV to:
Andrea Chevalier
Senior Conservator
ICA Art Conservation
2915 Detroit Ave
Cleveland, OH 44113
acheval...@ica-artconservation.org
www.ica-artconservation.org<http://www.ica-artconservation.org>
------------------------------
Message: 15
Date: Wed, 5 Oct 2016 18:38:31 +0000
From: "Speleers, LBJ" <lbj.spele...@dordrecht.nl>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] reply to A. Bjornson nr 17 in vol 2, issue 2
(IR camera)
Message-ID: <1475692711543.17...@dordrecht.nl>
Content-Type: text/plain; charset="iso-8859-1"
a reply to Alicia Bjornson nr 17 in Vol. 2, issue 2:
Dear Alicia,
I have just ordered an IR camera myself, but have not yet received it, so I
cannot share my experience yet. I ordered a new camera that was converted for
IR by taking out the built-in IR filters. I chose for full spectrum and ordered
IR filters to block out the visible light. There is also the option to build in
an IR filter. These conversions can be done by:
http://www.spencerscamera.com<http://www.spencerscamera.com/>
http://www.maxmax.com<http://www.maxmax.com/>
https://www.lifepixel.com<https://www.lifepixel.com/>
I also learned a lot from: http://chsopensource.org<http://chsopensource.org/>
and looked at these websites to see if the lens I have is okay (no hotspots):
http://dpanswers.com/content/irphoto_lenses.php
http://kolarivision.com/articles/lens-hotspot-list/
If you don't like the idea of converting a camera, you can also buy a
purpose-built product by Fujifilm: the X-T1 IR
http://www.fujifilmusa.com/products/digital_cameras/x/fujifilm_x_t1_ir/
I hope this helps you further,
Lidwien Speleers
Dordrechts Museum, the Netherlands?
------------------------------
Message: 16
Date: Wed, 5 Oct 2016 20:32:01 +0000
From: "ICC services / CCI Services (PCH)"
<pch.iccservices-cciservices....@canada.ca>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] TIME SENSITIVE Job Posting: Collections
Management Assistant (Intern)
Message-ID:
<mailman.11293.1475700856.17703.consdistl...@cool.conservation-us.org>
Content-Type: text/plain; charset="iso-8859-1"
TIME SENSITIVE
-----Beginning of announcement-------
Job Posting
Title: Collections Management Assistant (Intern)
Organization: Canadian Heritage Information Network (CHIN)
Location: Ottawa, Canada
Description:
As part of an internship program at the Canadian Heritage Information Network,
the position is responsible for assisting in compiling information on
Collections Management Systems used in Canadian museums and in developing
resources to assist museums in selecting collections management software.
The applicant must have recently completed a university degree or a minimum two
(2) year college degree from a recognized post-secondary museum studies,
library science or information management program. The applicant must have
specialized training in practices of collection documentation.
The position will be staffed for a term of one year.
Who can apply: persons residing in Canada and Canadian citizens residing abroad.
Applications should be made directly online:
https://emploisfp-psjobs.cfp-psc.gc.ca/psrs-srfp/applicant/page1800?poster=965496&toggleLanguage=en
Deadline to apply: October 14, 2016
-------End of Announcement-------
Lisa Whittaker
Heritage Information Officer | Knowledge Sharing
Canadian Conservation Institute, Department of Canadian Heritage / Government
of Canada
lisa.whitta...@canada.ca / Tel: 613-998-3721 ext 175 / Fax: 613-998-4721 /
(Toll free in Canada) 1-866-998-3721 / TTY (toll-free) 1-888-997-3123
1030 Innes Road, Ottawa ON K1B 4S7
Agente d'information sur le patrimoine | Partage du savoir
Institut canadien de conservation, minist?re du Patrimoine canadien /
Gouvernement du Canada
lisa.whitta...@canada.ca / T?l.: 613-998-3721 poste 175 / T?l?copieur :
613-998-4721 / (Sans frais au Canada) 1-866-998-3721 / ATS (sans frais)
1-888-997-3123
1030, chemin Innes, Ottawa (ON), K1B 4S7
------------------------------
Message: 17
Date: Thu, 6 Oct 2016 13:51:48 +0000
From: Liz Campbell <liz.campb...@westdean.org.uk>
To: "'consdistlist@cool.conservation-us.org'"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Courses in conservation techniques, West Dean
College, England, Feb and Mar 2017
Message-ID:
<4b9661e5ab0ed5418a87f441f845d4baf18bf...@wdmail01.college.westdean.org.uk>
Content-Type: text/plain; charset="iso-8859-1"
Course in Transport and Industrial Collections Conservation, West Dean College,
England, February 2017
>From Monday 20.2.17 at 6.00 pm to Thursday 23.2.17 at 4.00 pm
Conservation of Transport and Industrial Collections
Location: West Dean College
This course delivers the fundamental information needed to understand the role
and approach of the conservator involved in the care of a transport collection
and to extend their knowledge of conservation principles. The programme
consists of demonstrations, lectures and handling sessions, concentrating on
conserving the many different materials encountered in transport collections.
It also looks at preventive conservation, handling, storage and display and
environmental monitoring and control.
Fully-inclusive residential course fee from ?607
For more information please go to
www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC>>
Course in Conservation of Plastics, West Dean College, England, February-March
2017
>From Monday 27.2.17 at 6.00 pm to Thursday 2.3.17 at 4.00 pm
Conservation of Plastics
Location: West Dean College
This course is designed to offer participants guidance and practice in
state-of-the-art techniques for the handling, packing, storage and display of
plastics. It consists of theory and practical sessions, concentrating on
recognising the many different materials encountered in collections, and their
preventive and active conservation. As well as conservation issues, topics
will include history and development of plastics, production technology and use
in industry and everyday culture.
Fully-inclusive residential course fee from ?607
For more information please go to
www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC>>
Course in Filling and Re-touching of Three-dimensional Objects, West Dean
College, England, March 2017
>From Monday 6.3.17 at 6.00 pm to Thursday 9.3.17 at 4.00 pm
Filling and Re-touching of Three-dimensional Objects
This course is intended primarily as a review of current conservation practices
related to filling and retouching of three-dimensional objects, such as
sculpture and architectural elements.
It comprises lectures, demonstrations, practical sessions and relevant case
studies, concentrating on traditional materials such as stone, wood, plaster,
terracotta, lime and sand-based techniques, and a wide range of polychrome. It
does not cover metals, ceramics, glass and some modern materials, such as
plastics.
Fully-inclusive residential course fee from ?607
For more information please go to
www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC<http://www.westdean.org.uk/OMC>>
Course Organiser
Edward James Foundation Ltd
Edward James Foundation Ltd | West Dean
Chichester | West Sussex | PO18 0QZ
Ext 219 | DDI 01243 818 219
www.westdean.org.uk<http://www.westdean.org.uk/>
The contents of this message are for the attention and use of the intended
addressee only. If you receive it in error, please inform the sender by return
email.
------------------------------
Message: 18
Date: Thu, 6 Oct 2016 18:51:52 +0000
From: Julie Martin <jmar...@nedcc.org>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Job Opening - Manager of Audio Preservation
Services at NEDCC
Message-ID:
<0FDFE2805DFBE2488C179AF8947DCEF9E6132F9F@NEDCC-Ex2010.NEDCC.local>
Content-Type: text/plain; charset="us-ascii"
Employment Opportunity:
NEDCC SEEKS MANAGER OF AUDIO PRESERVATION SERVICES
********************************************************
The Northeast Document Conservation Center (NEDCC) seeks an experienced audio
preservation professional to lead its expanded Audio Preservation Services
program. The new Manager of Audio Preservation Services will manage the
day-to-day operations of the Audio Preservation Services department, which will
use both the IRENE technology and traditional methods for digitally
reformatting obsolete audio carriers, such as discs, cylinders, analog tapes,
digital audio tapes, and unusual formats (e.g., tin foils, Dictabelts, etc.).
EXPANDING AUDIO SERVICES:
NEDCC is in the process of expanding its digital audio preservation service for
libraries, archives, and museums. This service will build upon NEDCC's
successful implementation of "IRENE," the IMLS-funded optical scanning
technology developed by the Lawrence Berkeley National Laboratory and the
Library of Congress for digitizing grooved audio carriers.
NEDCC is now investing in the additional facilities, equipment, and staffing to
offer reformatting of audio content on magnetic and other obsolete media using
more traditional approaches. NEDCC acknowledges the generous support of The
Andrew W. Mellon Foundation for underwriting both the business planning for,
and the implementation of, its full audio preservation service.
QUALIFICATIONS:
Applicants should have: 1) detailed knowledge of, and hands-on experience in,
all aspects of digitally preserving audio collections; 2) strong communication
skills in listening to clients' needs and clearly articulating proposed
specifications; 3) excellent relationship-building skills; 4) strong
production, management and supervisory skills to lead the staff in achieving
the highest quality results in strict accordance with the best practices for
digital audio preservation; and 5) a solid educational and/or experiential
foundation related to digital reformatting in general and audio preservation in
specific.
FOR COMPLETE JOB DESCRIPTION and Application Instructions, visit:
https://www.nedcc.org/about/employment-opportunities
********************************************************
Northeast Document Conservation Center, Andover, MA
Preserving Cultural Heritage Collections Since 1973
www.nedcc.org<http://www.nedcc.org>
------------------------------
Message: 19
Date: Thu, 6 Oct 2016 19:09:41 +0000
From: Elba Alvarenga <ealvare...@generatormedia.com>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] Faculty Position at New York University Tisch
School of the Arts
Message-ID:
<bn6pr06mb2788b1ea357ead1ea89ec508a2...@bn6pr06mb2788.namprd06.prod.outlook.com>
Content-Type: text/plain; charset="us-ascii"
Associate Arts Professor; Director, Moving Image Archiving and Preservation
(MIAP) Program
Department of Cinema Studies
Tisch School of the Arts
New York University
New York, USA
The Department of Cinema Studies seeks a director for its high-profile,
two-year Master of Arts degree program in Moving Image Archiving and
Preservation, position to begin Fall 2017. MIAP educates and trains future
professionals to manage and curate archival collections of video, film, and
digital media. (See tisch.nyu.edu/cinema-studies/miap). With a graduate degree
and extensive professional practice, the MIAP director will be appointed as an
Associate Arts Professor.
As a full-time, non-tenure track member of the Department of Cinema Studies
faculty, the MIAP director will have responsibilities that include teaching,
research, and administration. The director also serves on select departmental
committees and attends department meetings and functions.
The director will: oversee and evaluate the program; develop curriculum and
internship opportunities; hire adjunct faculty; plan resources; lead
fund-raising initiatives, including grant-writing and donor cultivation;
recruit applicants; and advise students. The director must bring vision to the
role and implement new directions to maintain MIAP's international status as a
leading center of research and education in the field.
Qualifications: strong teaching record; in-depth knowledge of, and experience
in, the preservation and management of audiovisual collections (including film,
video, audio, born-digital, and multimedia items); active engagement with
innovations in the field; capacity to oversee and manage a complex educational
training program; and the ability to work with diverse teams and supervise
staff.
To apply, please complete the online application on
https://apply.interfolio.com/36953, attaching a copy of your curriculum vitae,
letter of application, contact information for three referees, and supporting
materials (e.g., publications and/or documentation of professional activities).
Please contact tisch.preservat...@nyu.edu with any questions.
Application deadline is October 14, 2016. Review of applications will begin
immediately. Applications may be considered beyond October 14 in order to
identify an appropriate pool of finalists.
New York University is an Equal Opportunity Employer. NYU does not discriminate
due to race, color, creed, religion, sex, sexual orientation, gender and/or
gender identity or expression, marital or parental status, national origin,
ethnicity, citizenship status, veteran or military status, age, disability,
unemployment status or any other legally protected basis, and to the extent
permitted by law. Qualified candidates of diverse ethnic and racial backgrounds
are encouraged to apply for vacant positions at all levels.
To apply for this position, please visit https://apply.interfolio.com/36953
Carrie A Meconis
Associate Director, Office of Faculty
New York University
Tisch School of the Arts
New York, NY 10003
212-998-1810
------------------------------
Message: 20
Date: Thu, 6 Oct 2016 18:52:36 +0000
From: "ICC services / CCI Services (PCH)"
<pch.iccservices-cciservices....@canada.ca>
To: "consdistlist@cool.conservation-us.org"
<consdistlist@cool.conservation-us.org>
Subject: [Consdistlist] TIME SENSITIVE Job Posting: Conservator
(Intern) - Preservation Services
Message-ID:
<mailman.11343.1475782472.17703.consdistl...@cool.conservation-us.org>
Content-Type: text/plain; charset="iso-8859-1"
TIME SENSITIVE
-----Beginning of announcement-------
Job Posting
Title: Conservator (Intern) - Preservation Services
Organization: Canadian Conservation Institute
Location: Ottawa, Canada
Description:
Duties: participate in facility inspections and assessments; assist with the
analysis of problems in collection management facilities and the design of
creative solutions; respond to basic client requests related to preventive
conservation; participate in the preparation and delivery of material for
seminars, workshops and conferences; draft written reports and publications;
assist with the technical review of applications for heritage funding; and
review relevant literature.
The applicant must have recently completed a university degree or a minimum
two-year college diploma from a recognized post-secondary institution in a
conservation, collections management, museum management or cultural resources
management program.
The position will be staffed for a term of one year.
Who can apply: persons residing in Canada and Canadian citizens residing abroad.
Applications should be made directly online:
https://emploisfp-psjobs.cfp-psc.gc.ca/psrs-srfp/applicant/page1800?poster=967393&toggleLanguage=en
Deadline to apply: October 19, 2016
-------End of Announcement-------
Lisa Whittaker
Heritage Information Officer | Knowledge Sharing
Canadian Conservation Institute, Department of Canadian Heritage / Government
of Canada
lisa.whitta...@canada.ca / Tel: 613-998-3721 ext 175 / Fax: 613-998-4721 /
(Toll free in Canada) 1-866-998-3721 / TTY (toll-free) 1-888-997-3123
1030 Innes Road, Ottawa ON K1B 4S7
Agente d'information sur le patrimoine | Partage du savoir
Institut canadien de conservation, minist?re du Patrimoine canadien /
Gouvernement du Canada
lisa.whitta...@canada.ca / T?l.: 613-998-3721 poste 175 / T?l?copieur :
613-998-4721 / (Sans frais au Canada) 1-866-998-3721 / ATS (sans frais)
1-888-997-3123
1030, chemin Innes, Ottawa (ON), K1B 4S7
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