Re: Cryptography Expert Paul Kocher Warns: Future DVDs Prime Target for Piracy, Pay TV Foreshadows Challenges

2004-04-22 Thread Bill Frantz
At 10:40 AM -0700 4/20/04, R. A. Hettinga wrote:
>"While it's unfortunate that security on the current DVD format is broken
>and can't be reprogrammed, HD is what really matters. Once studios release
>high-definition content, there will be little or no distinction between
>studio-quality and consumer-quality," said Kocher. "This means that HD is
>probably Hollywood's one and only chance to get security right."
>
>According to Kocher, Hollywood is following a path common to other
>industries facing similar problems. "Typically, first-generation security
>systems fail irrecoverably, but later generations are designed to recover
>from failures," Kocher said. As an example, he cites K-band ("big dish")
>satellite TV systems, which suffered from devastating piracy because
>security flaws could not be corrected. Having learned this lesson, modern
>pay TV systems place critical security components in smart cards or
>security modules that can be replaced. While this approach is not optimal
>because hardware upgrades are expensive, it has enabled the industry to
>keep piracy at survivable levels.

Continuously changing the protection on permanent storage media is a much
more difficult problem than changing broadcast protection.  With broadcast,
you give current subscribers the new smart card, change what's broadcast,
and away you go.  With permanent storage media, once the protection is
broken, the content is still available to pirate.  Only new releases can be
protected with new protection schemes.

These technical considerations would seem to lead to a marketing strategy
of short product cycles driven by big advertising campaigns, to reap as
much profit as possible while piracy is still difficult.  This approach is
not new to the movie industry.  In recent years, the number of theaters
opening a big movie release has increased greatly, and the time it runs in
theaters has become shorter.

It is ironic to compare the marketing strategy of reaping most of the
profit quickly, with the public policy stance that long copyright terms are
necessary to provide incentive for production.

Cheers - Bill


-
Bill Frantz| "There's nothing so clear as a | Periwinkle
(408)356-8506  | vague idea you haven't written | 16345 Englewood Ave
www.pwpconsult.com | down yet." -- Dean Tribble | Los Gatos, CA 95032


-
The Cryptography Mailing List
Unsubscribe by sending "unsubscribe cryptography" to [EMAIL PROTECTED]


Re: Cryptography Expert Paul Kocher Warns: Future DVDs Prime Target for Piracy, Pay TV Foreshadows Challenges

2004-04-22 Thread Steve Schear
At 10:40 AM 4/20/2004, R. A. Hettinga wrote:
"While it's unfortunate that security on the current DVD format is broken
and can't be reprogrammed, HD is what really matters. Once studios release
high-definition content, there will be little or no distinction between
studio-quality and consumer-quality," said Kocher. "This means that HD is
probably Hollywood's one and only chance to get security right."
The major problem facing Hollywood in protecting their HD content is that 
it runs smack up against an installed base of millions of HDTVs with only 
ACV (analog component video), including mine.  These consumers were 
promised by the FCC that they would not be left to twist in the wind when 
newer set-top-box to TV connections evolved and it does not appear 
technically practical to retrofit these sets to accommodate encrypted DVI 
or Firewire inputs.  The FCC has already stated they do not support 
broadcast flags for pay content and unless they back-peddle on this 
Hollywood appears to have only three other options: restrict the 
availability of HD content to cable broadcasters, prevent the sale of 
devices that can capture HD quality content from ACV, or insist that the 
resolution of ACV signals be degraded when "copy restricted" content is 
being broadcast.

The first will bring great howls from existing HDTV owners with only 
ACV.  The second is probably impractical since illegal devices (little more 
than 3-channel A-D converters on a PCI card) are sure to be produced and 
only a small number in the hands of skilled movie releasing groups are 
required to widely disseminate their content via the Internet.  The third 
option is also sure to bring major complaints from existing set owners.

steve  

-
The Cryptography Mailing List
Unsubscribe by sending "unsubscribe cryptography" to [EMAIL PROTECTED]


Cryptography Expert Paul Kocher Warns: Future DVDs Prime Target for Piracy, Pay TV Foreshadows Challenges

2004-04-20 Thread R. A. Hettinga
<http://biz.yahoo.com/prnews/040420/sftu117_1.html>

Yahoo!




Press Release
Source: Cryptography Research, Inc.

Cryptography Expert Paul Kocher Warns: Future DVDs Prime Target for Piracy,
Pay TV Foreshadows Challenges
Tuesday April 20, 12:07 pm ET

LAS VEGAS, NAB 2004, April 20 /PRNewswire/ -- Movie piracy today is still
immature in the United States, but as available storage space and bandwidth
increase, so will the motivation and sophistication of movie pirates, warns
security expert Paul Kocher, president and chief scientist of Cryptography
Research, Inc. Kocher believes that future optical media formats -- the
successors to today's DVD -- will require dramatically advanced content
protection technology and enforcement measures just to keep up with the
better-funded and more-determined adversary of tomorrow.

ADVERTISEMENT

Kocher believes the current pay television piracy can be seen as a
harbinger of things to come for optical media. "Movies are still difficult
enough to copy, so that for most people, it isn't worth the hassle," he
said. In the United States today, the movie industry is primarily chasing
mischievous college students, internal leakage and low-quality analog
recordings as the sources of piracy, according to Kocher. "By contrast, in
the pay television industry, we routinely face well-funded, technically
sophisticated pirates, many of whom are closely connected with organized
crime networks. It's ultimately a question of whether people perceive
piracy to be worthwhile," he said.

Kocher believes the very thing that makes successors to DVD more attractive
to consumers -- high-definition content -- will also make them more
attractive to pirates. Although the larger file size of new high-quality
optical media formats like Blu-ray or HD-DVD movies will slow many pirate
efforts by perhaps two years, high-definition content is a much more
attractive target for attackers because, in many cases, it represents the
best quality studios have to offer.

"While it's unfortunate that security on the current DVD format is broken
and can't be reprogrammed, HD is what really matters. Once studios release
high-definition content, there will be little or no distinction between
studio-quality and consumer-quality," said Kocher. "This means that HD is
probably Hollywood's one and only chance to get security right."

According to Kocher, Hollywood is following a path common to other
industries facing similar problems. "Typically, first-generation security
systems fail irrecoverably, but later generations are designed to recover
from failures," Kocher said. As an example, he cites K-band ("big dish")
satellite TV systems, which suffered from devastating piracy because
security flaws could not be corrected. Having learned this lesson, modern
pay TV systems place critical security components in smart cards or
security modules that can be replaced. While this approach is not optimal
because hardware upgrades are expensive, it has enabled the industry to
keep piracy at survivable levels.

For movie studios, optical media has so far followed a parallel path. The
content protection system for DVDs was designed without renewable security,
and has now been broken irrecoverably. "Just as the transition to digital
broadcasts provided satellite providers with the opportunity to change to a
better approach for security, new format initiatives such as Blu-ray and
HD-DVD present an opportunity for the optical media industry to correct its
dysfunctional security architecture," Kocher said.

"The problem is urgent because it takes several years for security efforts
to pay off. Everybody's worst fear is that Hollywood will follow in the
music industry's steps and fail to make progress due to political
maneuvering and a lack of technical leadership," said Kocher. "On the other
hand, if security decisions reflect a disciplined analysis of the long-term
business requirements, I still think it is possible to keep piracy at a
manageable level. Even in the best case, though, things are going to get
much worse before they get better."

About Paul Kocher

Paul Kocher has gained an international reputation for his work in the
field of cryptography. Kocher has designed and co-authored many
cryptographic applications and protocols, including SSL v3.0. At
Cryptography Research, he leads a team of scientists and engineers who
specialize in developing technology to help solve real-world data security
problems. Research efforts he directed include successfully building the
record-breaking DES Key Search machine, discovering Differential Power
Analysis, and developing technologies that are used widely to secure pay
television systems and smart cards against attack.

About Cryptography Research, Inc.

Cryptography Research, Inc. provides technology and services to solve
complex security problems. I