Re: PKI: Only Mostly Dead

2002-05-29 Thread R. A. Hettinga


--- begin forwarded text


Status:  U
Date: Wed, 29 May 2002 00:57:06 -0700
To: R. A. Hettinga [EMAIL PROTECTED]
From: Carl Ellison [EMAIL PROTECTED]
Subject: Re: PKI: Only Mostly Dead
Cc: [EMAIL PROTECTED]

Here's my message to the author of that article..

 - Carl

===

Scott,

as far as I'm concerned PKI is not only dying, it deserves to die
much more quickly.  That's because when it works, it still doesn't
work.

See the two papers to which I contributed at last month's PKI
Research Workshop http://www.cs.dartmouth.edu/~pki02/

Look especially at what we call the John Wilson problem.  In a
nutshell, if you bind a name to a key, even if you do that always
accurately and even if your certificates interoperate with my
software, you have done nothing for me if there are more than about
1000 certified people in the world.  That's because there are too
many John Wilsons.  I can't tell them apart by name, when you lump
them all together into one big pool (the pool of all people the CA
certifies -- e.g., a big one like VeriSign -- or a little one like
Intel Corporation with only 70,000 and 8 John Wilsons).  If I can't
tell them apart (and people can't -- for which we have definite
proof), then I am forced to make a guess as to which one is the right
one -- if the right one is represented at all -- and when I'm handed
a certificate saying that this S/MIME message or HTTPS page came from
John Wilson, I'm not given the list of all John Wilsons, so I don't
even get to compare them to see which one looks like the closest
match.

PKI deserves to die not because of vendor greed, although there is
plenty of that, but because the original idea was wrong.  When you
bind a person's name to a public key you have not identified the key
in a way that is useful to me.  That's because if I know the name of
the keyholder, I still don't know who the keyholder is.

 - Carl

P.S.  I strongly recommend your reading those papers in the preprints
available at the PKI Workshop web site.


+--+
|Carl M. Ellison [EMAIL PROTECTED] http://world.std.com/~cme |
|PGP: 08FF BA05 599B 49D2  23C6 6FFD 36BA D342 |
+--Officer, officer, arrest that man. He's whistling a dirty song.-+





--- end forwarded text


-- 
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R. A. Hettinga mailto: [EMAIL PROTECTED]
The Internet Bearer Underwriting Corporation http://www.ibuc.com/
44 Farquhar Street, Boston, MA 02131 USA
... however it may deserve respect for its usefulness and antiquity,
[predicting the end of the world] has not been found agreeable to
experience. -- Edward Gibbon, 'Decline and Fall of the Roman Empire'

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Re: FC: Hollywood wants to plug analog hole, regulate A-D converters

2002-05-29 Thread Jim Hughes

I will add one more gallon of fuel to this fire and then sit by and
watch it burn... 

Imagine *if* there is a mandated change that there be some kind of
digital content filter in all D-A and *if* there is *any* probability at
all (no matter how small) that non-copyrighted material will trigger
this, would you put your life into the hands of a machine that will kill
you if all of the redundant D-A converters fail at exactly the same time
because of this feature?! Who should your children sue, Sony? Who pays
for all the design, development and testing to prove that this event
will not occur? Will this cause these machines to be developed in India
instead?

I honestly feel for the entertainment businesses and their losses, but
trying to keep honest people honest, while crippling US competitiveness,
seems to be a waste of their silver bullets, IMHO




On Wed, 2002-05-29 at 16:04, Adam Fields wrote:
 
 Hughes, James P says:
  Change the billboard for elevator music (which will be protected). Will you
  be able to play back your digital dictations *if* they were recorded in an
  environment that included background music.
  
  IMHO, Silly does not mean they will not be successful. Look at DMCA.  
  
 
 I'm curious - I've never seen any discussion of this, but it hit home
 quite forcefully when I was ejected from my battery park apartment on
 9/11 and needed to temporarily install some software on a new computer
 - has anyone made the point that enforced technological copyright
 protections are detrimental to security because they eliminate the
 possibility of using that technology in an emergency?
 
 More than not being able to take a picture of your kid's birthday -
 what if all of those cameras refused to take pictures of the WTC
 burning?  What if my computer was wiped out, and I needed to use a
 copy of some software to tell people I was still alive? Even if I was
 authorized to do so, the technological protections would prevent me
 from doing it, because I wouldn't be able to prove it to them (and
 this is a relatively minor inconvenience compared to the possibility
 that the key grantor is destroyed). It seems like these are more
 pervasive arguments that would appeal to more of a universal public
 good (individual safety and public record) than mere I want to watch
 TV when I want to. Granted, I agree with that argument too, but
 then, I'm one of the converted.
 
 Given that we seem to be rapidly moving towards a future where
 emergency situations are only going to become more prevalent, it seems
 strangely like a serious (physical, societal, etc...) security risk to
 lock down all this technology.
 
 
  
  
  -Original Message-
  From: Trei, Peter [EMAIL PROTECTED]
  To: '[EMAIL PROTECTED]' [EMAIL PROTECTED];
  '[EMAIL PROTECTED]' [EMAIL PROTECTED]
  Sent: Wed May 29 12:29:39 2002
  Subject: RE: FC: Hollywood wants to plug analog hole, regulate A-D conve
  rters
  
  Actually, it's unlikely that anyone would embed watermarks in billboard
  ads, or in ads in general. Copying an ad is usually a Good Thing from
  the advertiser's point of view - more exposure. It's only the program
  material which needs protection.
  
  To get back to security; could I use this to defeat video surrveilliance
  cameras, by wearing a copyrighted teeshirt??
  
  This thread on this very silly idea from the MPAA has gone far 
  enough, IMHO. 
  
  Peter Trei
  
   --
   From: [EMAIL PROTECTED][SMTP:[EMAIL PROTECTED]]
   Sent: Wednesday, May 29, 2002 2:14 PM
   To:   [EMAIL PROTECTED]
   Subject:  RE: FC: Hollywood wants to plug analog hole, regulate A-D
   conve rters
   
From: Pete Chown [mailto:[EMAIL PROTECTED]]
Sent: Sunday, May 26, 2002 8:05 AM

David G. Koontz wrote:

 Can you imagine watermarks on billboard advertisements?  How
 subliminal.

Actually this would be weird.  Suppose digital cameras had to
be fitted with a watermark detection system.  Suddenly, we 
have lost a much more fundamental fair use right -- the right 
to include copyright material as an incidental part of a photograph.
[SNIP]
   
   I would like to buy some watermarked cloths please. Then I could be
   invisible :-)
   
   -Michael Heyman
   
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Re: FC: Hollywood wants to plug analog hole, regulate A-D converters

2002-05-29 Thread Harry Hawk

   From: Trei, Peter [EMAIL PROTECTED]
   Actually, it's unlikely that anyone would embed watermarks in billboard
   ads, or in ads in general. Copying an ad is usually a Good Thing from...
   It's only the program  material which needs protection.

Well the talent (models, etc.) in the ads need protection... they are paid based on
usage and coping is unauthorized use.. Witness the issue over ads contained within
streaming audio. They need to be removed from the stream or extra royalties need to
be paid...




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the anvil problem

2002-05-29 Thread Carl Ellison

At 05:04 PM 5/29/2002 -0400, Adam Fields wrote:

Hughes, James P says:
 Change the billboard for elevator music (which will be protected).
 Will you be able to play back your digital dictations *if* they
 were recorded in an environment that included background music.
 
 IMHO, Silly does not mean they will not be successful. Look at
 DMCA.
 

I'm curious - I've never seen any discussion of this, but it hit
home quite forcefully when I was ejected from my battery park
apartment on 9/11 and needed to temporarily install some software on
a new computer - has anyone made the point that enforced
technological copyright
protections are detrimental to security because they eliminate the
possibility of using that technology in an emergency?

We call this the anvil problem.  Your copy protections must not
prevent you from moving all your soft assets over to another computer
when your first computer had an anvil dropped on it (or when it fell
under the roller of a steam roller).




+--+
|Carl M. Ellison [EMAIL PROTECTED] http://world.std.com/~cme |
|PGP: 08FF BA05 599B 49D2  23C6 6FFD 36BA D342 |
+--Officer, officer, arrest that man. He's whistling a dirty song.-+

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RE: FC: Hollywood wants to plug analog hole, regulate A-D converters

2002-05-29 Thread Carl Ellison

At 01:14 PM 5/29/2002 -0500, [EMAIL PROTECTED] wrote:
 From: Pete Chown [mailto:[EMAIL PROTECTED]]
 Sent: Sunday, May 26, 2002 8:05 AM
 
 David G. Koontz wrote:
 
  Can you imagine watermarks on billboard advertisements?  How
  subliminal.
 
 Actually this would be weird.  Suppose digital cameras had to
 be fitted with a watermark detection system.  Suddenly, we 
 have lost a much more fundamental fair use right -- the right 
 to include copyright material as an incidental part of a
 photograph. [SNIP]

I would like to buy some watermarked cloths please. Then I could be
invisible :-)

Cover your car with them, for running red lights that are monitored
by cameras!




+--+
|Carl M. Ellison [EMAIL PROTECTED] http://world.std.com/~cme |
|PGP: 08FF BA05 599B 49D2  23C6 6FFD 36BA D342 |
+--Officer, officer, arrest that man. He's whistling a dirty song.-+

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