A friend of mine who works in the recording business once said that the
important part is to get 24 bits, sampling freq is not that critical...
/Per
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peber
peber's Profile:
On the basis of various Sound on Sound articles and from using my modest
home studio this is my current understanding:
24 bit is worthwhile for the improved dynamic range, especially when
recording. Digital overload needs to be avoided at all costs as it
sounds nasty and unnatural. 24 bit makes
I have an SB3. AFAIK, the DAC processes at 24/96? However, I feed the
data via TOSLINK cable into my AVI ADM 9.1's, whose DAC can go to
24/192. As I am bypassing the SB DAC by connecting this way, does this
mean that I can play 24/192 tracks through my AVI via my SB and get the
benefit? Or
You won't get more than 24/48 from an SB3, even with an external DAC.
Anything more gets re-sampled server-side before sending to the SB3. You
need a Transporter (or Touch...) to get 24/96 on the digital-out.
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amcluesent
Squeezemeister;455295 Wrote:
I have an SB3. AFAIK, the DAC processes at 24/96? However, I feed the
data via TOSLINK cable into my AVI ADM 9.1's, whose DAC can go to
24/192. As I am bypassing the SB DAC by connecting this way, does this
mean that I can play 24/192 tracks through my AVI via
