Erratum : Nous devons intervertir les séances de Maria-Filomena Molder (le mardi 25 mai) et François-René Martin (le mardi 1er juin).
Voici le programme modifié, et complet, jusqu'au 1er juin : Séminaire international : « POUR UNE ANTHROPOLOGIE CULTURELLE WARBURGIENNE » Coorganisé par l’UMR 8547 Pays Germaniques / Transferts Culturels) (ENS), l’UMR 7172 THALIM (CNRS/Paris 3/ENS), l’EUR Translitterae et l'Institut de philosophie de l'Académie des sciences de la République tchèque (FLÚ - AV ČR). prochaines séances, en ligne : MARDI 25 MAI 2021 de 10h à 12h Modération : Caroline van Eck (University of Cambridge / King’s College) Chiara Vecchiarelli (ENS/ED 540) L’imaginal, ou de l’image comme fonction de la vie François-René Martin (Beaux-Arts, Paris/École du Louvre) Warburg et Panofsky en France. Reconsidérations vingt ans après. MERCREDI 26 MAI 2021 de 10h à 12h Modération : Mildred Galland-Szymkowiak (CNRS - Thalim/ENS) Matteo Pagan (SNS, Pisa) L’être humain en tant que corps expressif : Helmuth Plessner et Aby Warburg en dialogue. Lara Bonneau (FLÚ-AV, ČR) La Kulturwissenschaft warburgienne : une théorie de l’homme en mouvement. MARDI 1er JUIN 2021, de 10h à 12h Modération : Lara Bonneau (FLÚ-AV ČR) Maria-Filomena Molder (IFILNOVA, Lisboa) La plus ingrate et dangereuse des disciplines ? Carlo Severi (CNRS/EHESS) L’anthropologie d’Aby Warburg : mémoire sociale et agentivité des images En visioconférence Pour obtenir le lien ou s’informer: bonn...@flu.cas.cz <mailto:bonn...@flu.cas.cz>, mildred.gall...@cnrs.fr <mailto:mildred.gall...@cnrs.fr> Coordination : Lara Bonneau (FLÚ-AV ČR), Mildred Galland-Szymkowiak (CNRS-Thalim/ENS) et Carlotta Santini (CNRS-Pays Germaniques/ENS) Informations en ligne <http://www.umr8547.ens.fr/spip.php?article720> Argument : Over the past decades, Aby Warburg has been recognized as a leading figure in art theory. By insisting on the powers of the image, however, the prevailing contemporary reception of Warburg's work tends to forget the fact that his method aspired to develop a historical science of culture (Kulturwissenschaft) and more particularly a science of art (Kunstwissenschaft). The multifocal construction of his method which combines art history, cultural history, biology, psychophysiology, philosophy and anthropology, delineates the boundaries of an aesthetic that should encompass all aspects of sensitive life and be attentive to the emotional-pathetic and perceptive aspect of our being in the world. Stepping aside from those contemporary interpretations that emphasize Warburg's fascination with images and their magical concretions, this workshop aims at reassessing the gnoseological aspect of his work. The investigation of "geographical migrations" of symbols, of cultural transfers during the Renaissance, as well as of historical metamorphoses and formal survivals (Nachleben) from Antiquity to the present day, call upon the use of research tools, deriving from a series of academic disciplines: from the historical-critical method of philology to the aesthetics and theories of form of the late 19th century, as well as the diffusionist theories of anthropology. By seeking to restore the lines of force that structure Warburg's science of art, we will show it was directed towards the ambitious project of forging – through the study of artistic and extra-artistic symbols – an anthropology in the sense given to this word in the 18th century: a "science of man". We will thus pay specific attention to the core of Warburg's cultural anthropology: the idea of Man in his substantial capacity to be "expressive". -- Dominique Lainey UMR 8547 Pays germaniques - Archives Husserl Ecole normale supérieure 45 rue d'Ulm - 75230 Paris Cedex 05 Tél. : 01 44 32 30 09 / Fax : 01 44 32 31 22 email :dominique.lai...@ens.psl.eu -- https://www.vidal-rosset.net/mailing_list_educasupphilo.html
