Joe Subich, W4TV wrote:
The existing K3 manual seems quite misleading in talking about 8
bands of audio equalization. We now learn that the EQ facility
allows the user to set the relative levels at 8 discrete frequency
POINTS, and that the rest of the frequency response is interpolated
by
Thank you for the clarification, Lyle. I hadn't seen that information
anywhere before.
The existing K3 manual seems quite misleading in talking about 8 bands
of audio equalization. We now learn that the EQ facility allows the user
to set the relative levels at 8 discrete frequency POINTS, and
In the KX3, the gain of the FIR filter at the specified frequency is set
to the requested value, and a linear interpolation is performed from the
next lower specified frequency. At the highest frequency, sertting, all
frequencies higher are set to the requested value.
The K3 operates in a
The existing K3 manual seems quite misleading in talking about 8
bands of audio equalization. We now learn that the EQ facility
allows the user to set the relative levels at 8 discrete frequency
POINTS, and that the rest of the frequency response is interpolated
by joining up the dots.
A new question, probably for Lyle to respond:
How exactly are the EQ bands implemented in DSP, in terms of frequency
response?
Although the controls are presented in histogram form, what do the
stated frequencies actually represent? Is the actual frequency response
composed of overlapping
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