heny.edu/alic/
Co-chair of Exhibitions & Events - New Media Caucus
www.newmediacaucus.org
Reference letters require three weeks of lead time.
From: Sophia Brueckner
Sent: Tuesday, May 12, 2020 10:50 AM
To: Ben Grosser
Cc: Byron Rich; empyre@lists.artdesign.unsw.edu.au
Subject: Re: [-empyre-]
--empyre- soft-skinned space--Byron asked “As someone really invested, aware, and working in the
discourse of social media and its proliferation of policy and culture, are
you hopeful at all?”
Ben said: “As Geert Lovink said recently, artists have a ‘special
--empyre- soft-skinned space--On Sun, May 10, 2020 at 10:10 AM Byron Rich wrote:
> As we start to wind down week one, I’m really interested in your
> perspective on the future. As noted in the opening thoughts earlier this
> week, Margaret Atwood doesn’t like it when
rsday, May 7, 2020 8:03 AM
To: empyre@lists.artdesign.unsw.edu.au
Subject: Re: [-empyre-] Introduction
Byron wrote: Do you ever worry that you’re doing the research of finding
conceptual holes for the corporations whose platform you are critiquing? I
mean, is there ever a concern that they u
gt;
> www.sites.allegheny.edu/alic/
>
> Co-chair of Exhibitions & Events - New Media Caucus
> www.newmediacaucus.org
>
> Reference letters require three weeks of lead time.
>
>
>
> From: Roya Ebtehaj
> Sent: Wednesday, May 6, 2020 9:09 PM
> To: Byron Rich
> Cc:
Ebtehaj
Sent: Wednesday, May 6, 2020 9:09 PM
To: Byron Rich
Cc: empyre@lists.artdesign.unsw.edu.au
Subject: Re: [-empyre-] Introduction
I don’t see any way that tech giants and social media platforms can
really benefit from the commentary and critique that I am engaged in.
My work is about how social
--empyre- soft-skinned space--Byron wrote: Do you ever worry that you’re doing the research of finding
conceptual holes for the corporations whose platform you are critiquing? I
mean, is there ever a concern that they use your work to actually close
loopholes, or more
--empyre- soft-skinned space--Byron wrote: *Do you ever worry that you’re doing the research of finding
conceptual holes for the corporations whose platform you are critiquing? I
mean, is there ever a concern that they use your work to actually close
loopholes, or more
--empyre- soft-skinned space--
I don’t see any way that tech giants and social media platforms can
really benefit from the commentary and critique that I am engaged in.
My work is about how social media shapes popular culture and
appearances, and I can’t imagine that
--empyre- soft-skinned space--I’m pasting Ben and Sophia’s intros to their work into this thread.
Thank you all for your thoughtful intros to your work.
I guess to start I thought I’d talk about why I’ve been drawn to your work
individually.
In 2007 I was in
transmission.
From: empyre-boun...@lists.artdesign.unsw.edu.au
on behalf of Aviva Rahmani
Sent: 08 June 2018 22:41
To: soft_skinned_space
Subject: Re: [-empyre-] Introduction
--empyre- soft-skinned space--
I am very interested
--empyre- soft-skinned space--
in response to Aviva's
Is anyone trying to sonify actual mycelium?
yes, one of our long time sonic collaborator Martin Howse started a
project called Radio Mycelium and has been conducting workshops since 2011,
"Radio Mycelium
--empyre- soft-skinned space--
I am very interested in this thread because I'm very interested in literal
mycelium. My project, The Blued Trees Symphony, which Kathy participated in in
2015, is seeking Earth rights protection for forest ecosystems. The
communicative
--empyre- soft-skinned space--Reading about Mai-ling’s architectural design work in the Liverpool
Biennial suddenly reminds me of some superb and whimsical mycelium
furniture by DEZEEN - by chance encountered at the London Design Week show
at Somerset House last
--empyre- soft-skinned space--
Greetings everyone. I’m pretty happy to be a part of the conversation.
I’ll start with a bit about what I do.
I’m really most into designing absurd solutions to ecological and social
problems. I like pushing back against the idea of
--empyre- soft-skinned space--Thanks so much, Alana, for getting our 2nd week conversation moving.
I was sad to miss the performance of the Ghillie Suit last summer, but remember
seeing remarkable images. I love the haunting, looming, lurking and uncanny
effect of
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