y.cornell.edu <http://goldsen.library.cornell.edu/>
> Professor of Comparative Literature and English
>
> B-1 West Sibley Hall
> Cornell University
> Ithaca, New York 14853
>
>
>
> ?On 11/5/18, 3:22 PM, "empyre-boun...@lists.artdesign.unsw.edu.au on
> behalf of Kate Brettkelly" behalf o
bviously hidden from
sight but are also invisible in time because few have the opportunity to
see the slowness of the parts that make up the machinations. But of course,
from this high point of view, the racialized aspect of the labor involved
is also not visible.
https://vimeo.com/204825032
--
El
rvival of subjugated histories and
> natural phenomena that have been “paved over” by dominant ideologies? So
> many thoughts!
>
> - Kate
>
> On Thu, 8 Nov 2018 at 15:00, Timothy Conway Murray
> wrote:
>
>> --empyre- soft-skinned space--
&
--empyre- soft-skinned space--Stirling Newberry: "The space also has differing viewpoints, as does every
individual viewer. Art in situ is, too some extent, illusory."
In his essay, "Reality and its Shadow, " Levinas is suspicious of art as
monstrously inhuman because
--empyre- soft-skinned space--I've been thinking about the discussion between Junting, Aviva and Melinda
on the porosity of borders—and Aviva's concern on "what will emerge now
from the chaos," particularly from authoritarian figures with a penchant
for building literal
--empyre- soft-skinned space--Thank you, Cengiz for sharing your op-ed on lean production with Anna
Watkins Fisher. I'm particularly struck by this line: "This crisis is
making visible the fragile social relations that have until now invisibly
underwritten the new
