--empyre- soft-skinned space--
Dear Gregory Lasserre Anais,
thank you very much for the introduction of your artworks. I have two questions:
Johannes Birringer already asked several times what are the extraordinary
characteristics of Plant Art in relation to New Media. During my research on
Artistic Human Plant Interfaces
(http://blog.derhess.de/human-plant-interfaces/) and in particular for the
research on Biosensing with plant
(http://blog.derhess.de/2014/06/14/biosensing-for-human-computer-interactions/),
I receive quite often the critiques that I and the other projects just
use/utilize plants. Some people even argue that plants get harmed during the
interactions. What are your experiences in that context? How do you deal with
the caused emotions by the participants? What is your motivation to to work
with plants as interactive material? and what makes plants for you so
extraordinary for art projects?
My second comprehensive question is more about technical issues. During my
research on biosensing methods, I figured out that the device has to be
callibrate frequently. The signal differences is kinda a problem when you want
to get reliable data for interpreting the signal. Also in real life, I
experienced during a workshop with Leslie Garcia
(http://lessnullvoid.cc/pulsum/) and in a short conversation with Philipp
Schlössler
(http://www.disneyresearch.com/project/botanicus-interacticus-interactive-plant-technology/)
this kinda fundamental problem. The environmental and the plant lifecycle
parameter causes a big noise, which I would provokingly describe as random. How
do you deal with this problem in your installations? Do you would say the plant
is nothing more than a random data generator?
Thank you very much in advance and I am looking forward to your reply.
Best regards
Florian
Am 22.06.2015 um 22:45 schrieb le.quart...@free.fr:
--empyre- soft-skinned space--
Dear member of the list
Natasha Myers have invited us to present our interactive artwork with sonorous
plants on this list.
Also here it is.
We are the artists : Scenocosme : Gregory Lasserre Anais met den Ancxt
In our interactive artwork installation we mix technology and natural element
like plants, water, wood, stone, human body etc..
Here is the link to more information about our best sensitive artworks with
natural element
Akousmaflore : Sensitive and interactive musical plants
http://www.scenocosme.com/akousmaflore_en.htm
Phonofolium : interactive and sonorous tree
http://www.scenocosme.com/phonofolium_e.htm
Matière sensible
Sound Sculpture on wood
http://www.scenocosme.com/matiere_e.htm
Lights contacts, interactive installation with human body
http://www.scenocosme.com/contacts_installation_en.htm
Fluides : interactive installation with water
http://www.scenocosme.com/fluides_e.htm
Kymapetra, mineral interactive installation
http://www.scenocosme.com/kimapetra_en.htm
Akousmaflore : our artwork with interactive musical plants is one of our most
famous one
Since 2007 we have exhibited this installation in several digital art festival
and contemporary art museum in different country.
http://www.scenocosme.com/akousmaflore_en.htm
In fact in this kind of artwork we are quite interested by the influences of
the human body : The electrostatic influences of the body.
We also invite you to look at our PDF publication about our artworks and
artistic approach here
Hybrid and sensory Interactive Artworks / Scenocosme
PDF : http://www.scenocosme.com/PDF/Scenocosme_hybrid_and_sensory_artworks.pdf
Bio + book
PDF : http://www.scenocosme.com/PDF/scenocosme_BOOK_EN.pdf
web : http://www.scenocosme.com/index_e.htm
wikipedia :
https://en.wikipedia.org/wiki/Gr%C3%A9gory_Lasserre_%26_Ana%C3%AFs_met_den_Ancxt
Thanks for your attention
Best regards
Scenocosme : Grégory Lasserre Anaïs met den Ancxt
--
mail : scenoco...@gmail.com
web : http://www.scenocosme.com/index_e.htm
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