Hi Sean
I am aware of the examples you give but that was not the sort of thing I
meant when suggesting some form of data analysis of a text. I was thinking
more about how you could mash-up discourse analysis, corpus linguistics and
reader reception theory, on the one hand, and empirical
Hi, Tom,
Your suggest that animation has migrated from image development to
movement is fascinating.I'm wondering how you would distinguish
animation from cinema or even video in this regard. Is there a
fundamental difference if we think of movement as the 'thing'?
And could you say more
Dear empyre,
Our discussion this month is on animation and from my perspective
animation is a very broad and all encompassing medium and includes not
only high corporate production (disney, pixar) but also independent
artistic production. That said what fascinates me is that there seem to
be
Tim,
The differences between cinema and animation are really interesting, and
historically they develop out of different sets of techniques that today are
coming together in novel ways. I am thinking primarily of cel animation here
but the techniques do apply to animation more broadly.
With
Having seen Lev Manovich's presentation at DAC, I am dazzled by the
strong potential of cultural analytics. I have been doing the
pauper's version of this for years, telling some of my more dedicated
visual culture students: head to the library, grab a stack of bound
periodicals (or one of the
I just had a chance to look at Patrick Crogan's excellent article THE
NINTENDO Wii, VIRTUALISATION AND GESTURAL ANALOGICS:
http://culturemachine.net/index.php/cm/article/view/374/397
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Simon Biggs wrote:
Hi Sean
I am aware of the examples you give – but that was not the sort of
thing I meant when suggesting some form of data analysis of a text. I
was thinking more about how you could mash-up discourse analysis,
corpus linguistics and reader reception theory, on the one
Davin,
Paul Ward will be our guest on empyre in a couple of weeks. Thanks so
much for citing his work.
Renate
This is a great discussion. And there are lots of interesting twists
and turns, so forgive me for ignoring a whole bunch of other things to
that I can focus on one:
Simon Biggs
