--empyre- soft-skinned space--Dear all,
Usually I don’t write in Empyre, but in this case I want to contribute with
some thoughts on digital objects as it is central to my ongoing research.
Regarding the work of Goodman, I agree that his approach on how the coding
--empyre- soft-skinned space--Hello Quinn, all
Thanks for a superb subject for harvesting autumn musings (or spring
shoots, for the half of the planet's population living down under...).
Quinn, your digital example - discretised digits - is on a superficial
reading
--empyre- soft-skinned space--
Dear Sally Jane, et al
At the risk of responding so quickly, turning a cocktail party into a hushed
dialog over in the corner of the room, I simply can’t contain myself!
It is like you have read my mind! Although I have only read
--empyre- soft-skinned space--excellent - who's serving the cocktails anyway? I'm intrigued by your
notion of ubiquitous cryptography: digital objects so tightly wrapped
we’ve excluded, perhaps, even the trace of the voice - am wondering where
theories of the voice
--empyre- soft-skinned space--Dear all,
Although with less of a philosophical lens, and at the risk of separating into
another corner of the party - I thought I would post some initial thoughts on
the last few posts, and raise a few questions that have occupied my
--empyre- soft-skinned space--Hello All,
In keeping with Hannah’s line of thought from an in the wild, on the
ground” approach I have been considering the questions posed by our
moderators from the archival perspective, based in a practice of media art
preservation.
--empyre- soft-skinned space--Hello, all,
As someone else who is joining this discussion from the archivist's
perspective, I'm glad to see Kristie's comments (and points for the Duranti
and Thibodeau references).
What they call reproducibility I would refer to as
--empyre- soft-skinned space--As a footnote to this engaging discussion, regarding terminology, I
introduced electracy a couple of decades back to continue this useful
identification of technologies of communication with apparatus theory:
orality, literacy, electracy.
--empyre- soft-skinned space--
Whenever discussing digital objects to undergraduates I find that it is
helpful to relate the well-worn etymology of digital: that it is about the
finger, or more specifically, the width of the finger which came to mean the
gaps
--empyre- soft-skinned space--For my contribution to the week of PRACTICE, I offer the following question
concerning the electrification of digital objects:
Whenever discussing digital objects to undergraduates I find that it is
helpful to relate the well-worn
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