--empyre- soft-skinned space--Johannes:
I read your second message where you mentioned your first message that, for
some reason (perhaps time zone issues) appeared far down on my list of
emails. So, sorry if it seemed I was not responsive.
First, let me say that
--empyre- soft-skinned space--
dear all
ah, sort of from the outside in, then.
I recall trying to suggest that immobility (not lack of expression) of course
does not exist, that we hear sound moving (as we move), and that what
interested me in asking was the
--empyre- soft-skinned space--
thanks to Nina, Marcus and Douglas for these very fascinating thoughts
opening the second week,
and it struck me, listening to (well, reading) Douglas trying to stay away
from the body examining Lucier's Music for Solo Performer, that I
--empyre- soft-skinned space--
I'm intrigued too by the role of Lucier in Douglas' book -- and how Lucier
thinks about matters of body and psyche in relation to his work. Did you get a
sense of this at all when you were studying with him, Douglas?
I was lucky enough
