--empyre- soft-skinned space--
hello Diana, good to have you join
I wondered though what happens to flow when screened off (behind the glass, on
other side)?
That was what I tried to ask John regarding his position on converting energy
sources (attenuating
--empyre- soft-skinned space--
Johannes -
I wondered though what happens to flow when screened off (behind the glass,
on other side)? That was what I tried to ask John regarding his position on
converting energy sources (attenuating some, amplifying others) -
--empyre- soft-skinned space--
Ps.
lastly two brief excursions into performance after a visit to the exponential
horn at London's Science Museum. There on the 2nd floor they have the full-size
reconstruction of the giant 27ft long ‘Denman horn’, a large dark tube
--empyre- soft-skinned space--I don't pretend to understand anybody...
best
Smon
On 7 Jul 2014, at 23:13, Johannes Birringer johannes.birrin...@brunel.ac.uk
wrote:
How do you know what the others felt or feared? how to you share (reflect?
articulate) awareness
--empyre- soft-skinned space--
You might be interested in Merlin Donald who argues much the same thing;
even here, however, I'd ask where is the Borg? In ISIS/ISIL? In the US
prison system? Right away class enters - violently - into all of this, and
class media,
--empyre- soft-skinned space--The Borg is everywhere.
We are the Borg. That doesn't fill me with horror, abject or otherwise. More an
existential fatigue. I think you need a certain degree of youthful energy to
feel the sort of intense emotion you are referring to
--empyre- soft-skinned space--
just a little thought from a lurker, so open to being ignored, on the first of
Alan's points: raster/bitmap display (specifically) is the heir to a series of
electronic technologies back through drum-scanned photographs sent by wire for
--empyre- soft-skinned space--
What this might imply for embodiment or subjectivity? Klee's expression in
the Pedagogical Notebooks: 'taking a line for a walk', and Hogarth's in the
Line of Beauty, 'leading the eye a wanton chase' .
Where bitmap maps, vector
--empyre- soft-skinned space--
[cont]
the question of whether the dispositif is us, admittedly, now confuses me, as
I had probably been thinking still in terms of the (artistic framework)
interactive environments we had set up during a live media/performance
--empyre- soft-skinned space--Johannes/Alan
I prefer the term dispositif to apparatus, even though the latter is more
evocative and descriptive, as it has less of a dualistic emphasis. In the
rhetoric around the term 'apparatus' the old 'us and them' narrative is
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