Re: [-empyre-] OSW: open source writing in the network

2012-01-12 Thread adam
hi, A happy new year to all :) On 01/11/2012 10:44 AM, tterranova wrote: I'm not saying that I agree with all these different perspectives, but my questions to the list would be: in which ways do open practices of publishing, writing and reading interact with the general attention economy of

Re: [-empyre-] OSW: open source writing in the network

2012-01-12 Thread Dmytri Kleiner
Hey Tiziana, Simon and the others. First of all thanks for having me here. This conversation touches of a few of the central premises of my work, I'll avoid discussing topics like the production of subjectivity, etc, as I'm out of my depth on the more humanistic/philosophical dimensions of

Re: [-empyre-] OSW: open source writing in the network

2012-01-12 Thread Simon Biggs
I'm an academic and an artist and totally champion the open book. Knowledge is made best when it is made shared. I'm not sure what you mean by texture Adam, but the open source ethic certainly gives life a different texture than a capitalist model. best Simon On 12 Jan 2012, at 13:42, adam

Re: [-empyre-] OSW: open source writing in the network

2012-01-12 Thread Simon Biggs
Perhaps we are confusing authorship and publishing (Dmytri's distinction between production and consumer good could also be understood as a similar distinction). OS software is as much about writing software as distributing it, with people having the right to re-write, re-purpose or add to

Re: [-empyre-] OSW: open source writing in the network

2012-01-12 Thread Dmytri Kleiner
On 12.01.2012 17:26, adam wrote: Well I think the open source ethic is well aligned with capitalism. There is no disconnect there. Yet, software has different economics than cultural works. Open Source developers are paid by organisations that employ such software in production, and thus

Re: [-empyre-] OSW: open source writing in the network

2012-01-12 Thread Dmytri Kleiner
Definitely Simon. But as mentioned, this is only a tiny fringe. A small percentage of the total number of cultural workers, who are are currently working for the capitalist cultural industry. Thus, within Capitalism, our social capacity for the production of open works will always be tiny