[FairfieldLife] Question for Cardemeister

2011-07-09 Thread Rick Archer
What was that verse that Maharishi use to always quote, something like:

 

Taking recourse to my Self, I create again and again.

 

Sanskrit, English, and source please



Re: [FairfieldLife] Question for Cardemeister

2011-07-09 Thread Vaj

On Jul 9, 2011, at 12:08 PM, Rick Archer wrote:

 What was that verse that Maharishi use to always quote, something like:
  
 Taking recourse to my Self, I create again and again.
  
 Sanskrit, English, and source please


It's from the Bhagavad-gita 9:8

prakritim svam avastabhya
visrijami punah punah

The full verse is:

prakritim svam avastabhya
visrijami punah punah
bhuta-gramam imam krtsnam
avasam prakriter vasat

His typical translation of 'prakritim svam avastabhya
visrijami punah punah' was:

Curving back on my own nature I create, again and again.

The full translation of the entire verse is:

Curving back on my own nature I create, again and again,
all this multitude of beings under the regime of Nature.

RE: [FairfieldLife] Question for Cardemeister

2011-07-09 Thread Rick Archer
Thanks guys.

 

From: FairfieldLife@yahoogroups.com [mailto:FairfieldLife@yahoogroups.com]
On Behalf Of Vaj
Sent: Saturday, July 09, 2011 11:38 AM
To: FairfieldLife@yahoogroups.com
Subject: Re: [FairfieldLife] Question for Cardemeister

 

  

 

On Jul 9, 2011, at 12:08 PM, Rick Archer wrote:





What was that verse that Maharishi use to always quote, something like:

 

Taking recourse to my Self, I create again and again.

 

Sanskrit, English, and source please

 

 

It's from the Bhagavad-gita 9:8

 

prakritim svam avastabhya
visrijami punah punah

The full verse is:

 

prakritim svam avastabhya
visrijami punah punah
bhuta-gramam imam krtsnam
avasam prakriter vasat

 

His typical translation of 'prakritim svam avastabhya

visrijami punah punah' was:

 

Curving back on my own nature I create, again and again.

 

The full translation of the entire verse is:

 

Curving back on my own nature I create, again and again,

all this multitude of beings under the regime of Nature.





[FairfieldLife] Question for Cardemeister

2007-10-30 Thread Rick Archer
A friend wants to know:

 

Do you have a copy of the 10th Mandala? I'm looking for a hymn that
describes creation there, how from nothing came something that one
unbreathed upon breathed of his own strength or something like that. Is
there anyway you could help me locate that hymn?


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Re: [FairfieldLife] Question for Cardemeister

2007-10-30 Thread Vaj


On Oct 30, 2007, at 6:07 PM, Rick Archer wrote:


A friend wants to know:



Do you have a copy of the 10th Mandala? I'm looking for a hymn that  
describes creation there, how from nothing came something that one  
unbreathed upon breathed of his own strength or something like  
that. Is there anyway you could help me locate that hymn?


I apologize for interjecting your direct question, but this is a  
favorite of mine. Years ago, I corresponded briefly with Jean Le Mee,  
then a prof. at Cooper Union in NYC. It's one of those verses, esp. in  
the original Sanskrit, that you could read every day, for a lifetime.  
Here's what he says--and what inspired me to call him in the first  
place, his translation of the Nasadiya Sukta, the Hymn of Creation,  
the connection between later advaita vedanta and an imagined Vedic  
pedigree (RV X.129):



Perhaps no other Vedic hymn equals in depth and majesty this famous  
Hymn of Creation known to tradition as the Nasadiya Sukta, from its  
opening words. Its seer, Prajäpati Parameshthin, Supreme Lord of  
Creatures, chants in the triplepraise meter his knowledge and his  
wonder as he recalls his vision and in these seven immortal mantras  
seven like the days of creation plants the seeds of Vedic metaphysics  
and mathematics. For this hymn, besides being a cosmogony, is also a  
beautiful meditation on the properties of numbers from one to nine and  
zero. As the Vedanta philosophy was to develop it later in great  
detail, and as other traditions also record, the process of creation  
can be seen as ninefold, each step, each state of consciousness, being  
characterized by the properties of a particular number. Thus, creation  
begins in the Absolute, the one without a second, where neither  
nonbeing nor being was as yet. Then duality creeps in, darkness  
conceals darkness. And so it all begins. In the fifth stanza is a  
brilliant example of the mathematical and structural symbolism alluded  
to in the introduction. The vertical and crosswise directions  
indicated give in words the substance of a sutra yielding a general  
and elegant method of multiplication and division while keeping the  
orders separate the very mechanism of creation itself. It reveals the  
inner properties of five, the number for man, but also for the  
manifestation of creation in the major traditions. Was it not on the  
fifth day that, according to Genesis, God created great whales ...  
and blessed them, saying, Be fruitful, and multiply. . .? Pure  
coincidence? Hardly, when we know with what care the Vedic poets con
structed their hymns. And then, what of this other coincidence that we  
find with Dante's Paradiso In virtually the same words as Prajapati  
Parameshthin, the Prince of Poets sings:


Order was created and together with it Were woven the substances;  
Those formed the summit of the world In which pure act was produced.  
Pure potency held the lowest place, In the midst, potency twisted such  
a mighty bond With act, as shall never be severed.


That line, that ray of glory that the wise stretched between the Will  
on high and the Potency beneath, that mighty bond, scales all the  
states of being, uniting in its reach the whole creation.


Yet, from where does it all spring? Who truly knows?

Jean Le Mée Hymns From the Rig-Veda.

If you guys like I can post the translation. It's quite beautiful. The  
earlier work I understand, has been re-issued.


-Vaj





Re: [FairfieldLife] Question for Cardemeister

2007-10-30 Thread Angela Mailander
If you guys find this hymn, please let me know.  It's my favorite, and the 
pages where it should be are missing from my copy of the tenth mandala.  a

Vaj [EMAIL PROTECTED] wrote:   

On Oct 30, 2007, at 6:07 PM, Rick Archer wrote:

A friend wants to know:
 
Do you have a copy of the 10th Mandala? I'm looking for a hymn that describes 
creation there, how from nothing came something that one unbreathed upon 
breathed of his own strength or something like that. Is there anyway you could 
help me locate that hymn?

I apologize for interjecting your direct question, but this is a favorite of 
mine. Years ago, I corresponded briefly with Jean Le Mee, then a prof. at 
Cooper Union in NYC. It's one of those verses, esp. in the original Sanskrit, 
that you could read every day, for a lifetime. Here's what he says--and what 
inspired me to call him in the first place, his translation of the Nasadiya 
Sukta, the Hymn of Creation, the connection between later advaita vedanta and 
an imagined Vedic pedigree (RV X.129):


Perhaps no other Vedic hymn equals in depth and majesty this famous Hymn of 
Creation known to tradition as the Nasadiya Sukta, from its opening words. Its 
seer, Prajäpati Parameshthin, Supreme Lord of Creatures, chants in the 
triplepraise meter his knowledge and his wonder as he recalls his vision and 
in these seven immortal mantras seven like the days of creation plants the 
seeds of Vedic metaphysics and mathematics. For this hymn, besides being a 
cosmogony, is also a beautiful meditation on the properties of numbers from one 
to nine and zero. As the Vedanta philosophy was to develop it later in great 
detail, and as other traditions also record, the process of creation can be 
seen as ninefold, each step, each state of consciousness, being characterized 
by the properties of a particular number. Thus, creation begins in the 
Absolute, the one without a second, where neither nonbeing nor being was as 
yet. Then duality creeps in, darkness conceals darkness. And so it all
 begins. In the fifth stanza is a brilliant example of the mathematical and 
structural symbolism alluded to in the introduction. The vertical and crosswise 
directions indicated give in words the substance of a sutra yielding a general 
and elegant method of multiplication and division while keeping the orders 
separate the very mechanism of creation itself. It reveals the inner properties 
of five, the number for man, but also for the manifestation of creation in the 
major traditions. Was it not on the fifth day that, according to Genesis, God 
created great whales ... and blessed them, saying, Be fruitful, and multiply. . 
.? Pure coincidence? Hardly, when we know with what care the Vedic poets con
structed their hymns. And then, what of this other coincidence that we find 
with Dante's Paradiso In virtually the same words as Prajapati Parameshthin, 
the Prince of Poets sings:


Order was created and together with it Were woven the substances; Those formed 
the summit of the world In which pure act was produced. Pure potency held the 
lowest place, In the midst, potency twisted such a mighty bond With act, as 
shall never be severed.


That line, that ray of glory that the wise stretched between the Will on high 
and the Potency beneath, that mighty bond, scales all the states of being, 
uniting in its reach the whole creation.


Yet, from where does it all spring? Who truly knows?


Jean Le Mée Hymns From the Rig-Veda.


If you guys like I can post the translation. It's quite beautiful. The earlier 
work I understand, has been re-issued.


-Vaj

 


 


 
   

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[FairfieldLife] Question for Cardemeister

2007-10-30 Thread tomandcindytraynoratfairfieldlis
Angela writes:
If you guys find this hymn, please let me know.  It's my favorite, and
the pages where it should be are missing from my copy of the tenth
mandala.  a

TomT;
Revelations has a ton of copies if you wish to update yours. Or on the
other hadn stop in get a cup of coffee and read what you want when you
want to at no additional cost.