[FairfieldLife] Re: Oeuvre d'art pour Shemp

2006-01-15 Thread jim_flanegin
--- In FairfieldLife@yahoogroups.com, shempmcgurk [EMAIL PROTECTED] 
wrote:

 I saw a 20/20 (or Dateline) piece on etch-a-sketch art 
 once...apparently, if you know how to do it, you can somehow turn it 
 over (VERY gently, of course!) remove the bottom, and then 
 somehow freeze (not in terms of temperature) the existing image so 
 that it can be freely moved...
 
 But, yes, I've seen some really wonderful etch-a-sketch drawings and 
 they are a sight to behold!

I once took an etch-a-sketch apart. Very simple device, containing 
fine beads and silver paint or ink. By turning it upside down and 
shaking it, the paint, or ink, fills in the existing image. 

Images are created by moving a two axis pointer, using the dials on 
the case, to 'draw' through the silver color on the screen, leaving a 
line.





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[FairfieldLife] Re: Oeuvre d'art pour Shemp

2006-01-14 Thread Alex Stanley
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:

 Hey Shemp,
 
 I know from past interactions that you appreciate
 some of the artworks of a fellow I know.  I saw a
 *very* rare piece of his tonight that I thought
 you would dig hearing about.
 
 The artist in question is known for the precision
 of his line drawing.  He's reknowned for his comics,
 but his drawing has been compared to some of the
 olde masters, and with reason.  So anyway, what 
 I came across tonight was a leftover from the
 early days of him teaching himself how to draw.
 Early on, he became fascinated with Japanese ink
 painting, and the Zen of it.  It's a very Now
 artform, because the paper that the artist paints
 on is so fragile that the entire painting has to
 be done in one long brushstroke.  If you pause 
 or lift the brush from the paper, you tear it and 
 the whole piece goes in the trashbin.
 
 Anyway, the piece I found that I know you would
 just love is from a period in which this artist
 was trying to draw like this, in one long stroke,
 never lifting his pen from the paper until the
 work was finished.  He still has a few of the
 drawings from that period, but this piece of art
 is not even pen on paper.  
 
 It's done on an Etch-a-sketch.
 
 And it's magnificent.  I really loved it, not only
 because the drawing is lovely, but because it's
 so incredibly fragile.  It could never be transported 
 anywhere, because if you tried to move it very far,
 whatever the mechanism is inside an Etch-a-sketch 
 machine that erases the current painting and creates
 a blank canvas for the next painting would get 
 activated during the move.  
 
 The whole thing reminded me of Tibetan sand mandalas.  
 They're a very ephemeral artform as well.  Six or 
 seven monks work for six or seven months to create 
 this perfect mandala, painted in colored sand.  And 
 then at the end of the process, because the work of 
 art really can't be preserved and was never intended 
 to be preserved in the first place, the monks just 
 sweep all the sand into a sack, offer it to the gods, 
 and start on the next mandala.
 
 This Etch-a-sketch painting is a lot like that.  It
 has managed to survive all this time, but sooner or
 later, it's going to just go away.  One of the cats
 is going to knock it over, or a maid dusting that 
 shelf is going to knock it over, and it'll be history.  
 At that point, the drawing will exist only in the mind 
 of the artist who created it and the people who were 
 fortunate enough to see it before it went away.  
 
 I feel fortunate to be one of the latter.  I'm just 
 passing this story along because I have the weird 
 intuition that you'd appreciate it.
 
 Unc


So, um... no one thought to take a photo of it?





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[FairfieldLife] Re: Oeuvre d'art pour Shemp

2006-01-14 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, Alex Stanley 
[EMAIL PROTECTED] wrote:

 So, um... no one thought to take a photo of it?

That would be cheating.  Sorta like recording
a really good jazz session and thinking you
had actually captured it.  







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[FairfieldLife] Re: Oeuvre d'art pour Shemp

2006-01-14 Thread Alex Stanley
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:

 --- In FairfieldLife@yahoogroups.com, Alex Stanley 
 [EMAIL PROTECTED] wrote:
 
  So, um... no one thought to take a photo of it?
 
 That would be cheating.  Sorta like recording
 a really good jazz session and thinking you
 had actually captured it.

Lotta cheating going on in the world:

http://tinyurl.com/bg9no

But, hey, it *is* kaliyuga, after all.





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[FairfieldLife] Re: Oeuvre d'art pour Shemp

2006-01-14 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, Alex Stanley 
[EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
wrote:
  --- In FairfieldLife@yahoogroups.com, Alex Stanley 
  [EMAIL PROTECTED] wrote:
  
   So, um... no one thought to take a photo of it?
  
  That would be cheating.  Sorta like recording
  a really good jazz session and thinking you
  had actually captured it.
 
 Lotta cheating going on in the world:
 
 http://tinyurl.com/bg9no
 
 But, hey, it *is* kaliyuga, after all.

Pussies.  :-)







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[FairfieldLife] Re: Oeuvre d'art pour Shemp

2006-01-14 Thread shempmcgurk
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
wrote:

 Hey Shemp,
 
 I know from past interactions that you appreciate
 some of the artworks of a fellow I know.  I saw a
 *very* rare piece of his tonight that I thought
 you would dig hearing about.
 
 The artist in question is known for the precision
 of his line drawing.  He's reknowned for his comics,
 but his drawing has been compared to some of the
 olde masters, and with reason.  So anyway, what 
 I came across tonight was a leftover from the
 early days of him teaching himself how to draw.
 Early on, he became fascinated with Japanese ink
 painting, and the Zen of it.  It's a very Now
 artform, because the paper that the artist paints
 on is so fragile that the entire painting has to
 be done in one long brushstroke.  If you pause 
 or lift the brush from the paper, you tear it and 
 the whole piece goes in the trashbin.
 
 Anyway, the piece I found that I know you would
 just love is from a period in which this artist
 was trying to draw like this, in one long stroke,
 never lifting his pen from the paper until the
 work was finished.  He still has a few of the
 drawings from that period, but this piece of art
 is not even pen on paper.  
 
 It's done on an Etch-a-sketch.
 
 And it's magnificent.  I really loved it, not only
 because the drawing is lovely, but because it's
 so incredibly fragile.  It could never be transported 
 anywhere, because if you tried to move it very far,
 whatever the mechanism is inside an Etch-a-sketch 
 machine that erases the current painting and creates
 a blank canvas for the next painting would get 
 activated during the move.  
 
 The whole thing reminded me of Tibetan sand mandalas.  
 They're a very ephemeral artform as well.  Six or 
 seven monks work for six or seven months to create 
 this perfect mandala, painted in colored sand.  And 
 then at the end of the process, because the work of 
 art really can't be preserved and was never intended 
 to be preserved in the first place, the monks just 
 sweep all the sand into a sack, offer it to the gods, 
 and start on the next mandala.
 
 This Etch-a-sketch painting is a lot like that.  It
 has managed to survive all this time, but sooner or
 later, it's going to just go away.  One of the cats
 is going to knock it over, or a maid dusting that 
 shelf is going to knock it over, and it'll be history.  
 At that point, the drawing will exist only in the mind 
 of the artist who created it and the people who were 
 fortunate enough to see it before it went away.  
 
 I feel fortunate to be one of the latter.  I'm just 
 passing this story along because I have the weird 
 intuition that you'd appreciate it.
 
 Unc


I saw a 20/20 (or Dateline) piece on etch-a-sketch art 
once...apparently, if you know how to do it, you can somehow turn it 
over (VERY gently, of course!) remove the bottom, and then 
somehow freeze (not in terms of temperature) the existing image so 
that it can be freely moved...

But, yes, I've seen some really wonderful etch-a-sketch drawings and 
they are a sight to behold!







 Yahoo! Groups Sponsor ~-- 
Join modern day disciples reach the disfigured and poor with hope and healing
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~- 

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[EMAIL PROTECTED]

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[FairfieldLife] Re: Oeuvre d'art pour Shemp

2006-01-14 Thread a_non_moose_ff
--- In FairfieldLife@yahoogroups.com, shempmcgurk [EMAIL PROTECTED]
wrote:

 --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
 wrote:
 
  Hey Shemp,
  
  I know from past interactions that you appreciate
  some of the artworks of a fellow I know.  I saw a
  *very* rare piece of his tonight that I thought
  you would dig hearing about.
  
  The artist in question is known for the precision
  of his line drawing.  He's reknowned for his comics,
  but his drawing has been compared to some of the
  olde masters, and with reason.  So anyway, what 
  I came across tonight was a leftover from the
  early days of him teaching himself how to draw.
  Early on, he became fascinated with Japanese ink
  painting, and the Zen of it.  It's a very Now
  artform, because the paper that the artist paints
  on is so fragile that the entire painting has to
  be done in one long brushstroke.  If you pause 
  or lift the brush from the paper, you tear it and 
  the whole piece goes in the trashbin.
  
  Anyway, the piece I found that I know you would
  just love is from a period in which this artist
  was trying to draw like this, in one long stroke,
  never lifting his pen from the paper until the
  work was finished.  He still has a few of the
  drawings from that period, but this piece of art
  is not even pen on paper.  
  
  It's done on an Etch-a-sketch.
  
  And it's magnificent.  I really loved it, not only
  because the drawing is lovely, but because it's
  so incredibly fragile.  It could never be transported 
  anywhere, because if you tried to move it very far,
  whatever the mechanism is inside an Etch-a-sketch 
  machine that erases the current painting and creates
  a blank canvas for the next painting would get 
  activated during the move.  
  
  The whole thing reminded me of Tibetan sand mandalas.  
  They're a very ephemeral artform as well.  Six or 
  seven monks work for six or seven months to create 
  this perfect mandala, painted in colored sand.  And 
  then at the end of the process, because the work of 
  art really can't be preserved and was never intended 
  to be preserved in the first place, the monks just 
  sweep all the sand into a sack, offer it to the gods, 
  and start on the next mandala.

I saw the sand mandala that was part of a Kalachakra ritual performed
by HHDL in Sarnath. Just before it was destroyed. Symbolizing the
impermanance of relative life. Along with 500,000-1 mil pilgrims from
Nepal and Tibet. It was special. And amazing. 

The devotion of some lay participants still burns in my memory. For
example, a teen girl taking darshan and blessing for her beads from 
each of the 1000 buddha statues in the Sarnarth Museum. While some
jaded readers may see this as rituals tied to tired dogma, if you saw
the devotion on her face, you would be touched.


 





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