Hello Matthias,
Thanks for the feedback. Comments inline:
> On Jan 2, 2018, at 4:52 AM, Matthias Hunstock wrote:
>
> Am 29.12.2017 um 19:12 schrieb Devin Heitmueller:
>> To support the existing use case where multi-channel audio can be
>> captured (i.e. 7.1)
>
> Just
>> +if (ctx->max_audio_channels > DECKLINK_MAX_AUDIO_CHANNELS) {
>> +av_log(avctx, AV_LOG_WARNING, "Decklink card reported support for
>> more channels than ffmpeg supports\n");
>
> "Decklink" -> "DeckLink", "ffmpeg" -> "FFmpeg". Also, I think it is
> preferable to not state
Am 29.12.2017 um 19:12 schrieb Devin Heitmueller:
> To support the existing use case where multi-channel audio can be
> captured (i.e. 7.1)
Just to be clear, the current use case is NOT to capture multi-channel
audio like 7.1. It's just to capture all of the mono SDI channels into
one
On 12/29/2017 10:12 AM, Devin Heitmueller wrote:
Add support for the ability to capture all audio pairs available
to the capture hardware. Each pair is exposed as a different audio
stream, which matches up with the most common use cases for the
broadcast space (i.e. where there is one stereo
> On Dec 29, 2017, at 4:17 PM, Carl Eugen Hoyos wrote:
>
> 2017-12-29 22:14 GMT+01:00 Devin Heitmueller :
>> Hi Carl,
>>
>>> On Dec 29, 2017, at 3:55 PM, Carl Eugen Hoyos wrote:
>>>
>>> 2017-12-29 19:12 GMT+01:00 Devin
2017-12-29 22:14 GMT+01:00 Devin Heitmueller :
> Hi Carl,
>
>> On Dec 29, 2017, at 3:55 PM, Carl Eugen Hoyos wrote:
>>
>> 2017-12-29 19:12 GMT+01:00 Devin Heitmueller :
>>
>>> +for (int i = 0; i <
Hi Carl,
> On Dec 29, 2017, at 3:55 PM, Carl Eugen Hoyos wrote:
>
> 2017-12-29 19:12 GMT+01:00 Devin Heitmueller :
>
>> +for (int i = 0; i < ctx->max_audio_channels / 2; i++) {
>> +st = avformat_new_stream(avctx, NULL);
>> +
2017-12-29 19:12 GMT+01:00 Devin Heitmueller :
> +for (int i = 0; i < ctx->max_audio_channels / 2; i++) {
> +st = avformat_new_stream(avctx, NULL);
> +if (!st) {
> +av_log(avctx, AV_LOG_ERROR, "Cannot add stream %d\n",
Add support for the ability to capture all audio pairs available
to the capture hardware. Each pair is exposed as a different audio
stream, which matches up with the most common use cases for the
broadcast space (i.e. where there is one stereo pair per audio
language).
To support the existing