I am very sorry - Outlook Web App sent the email when I tried to copy paste
the command - also it won't let me bottom post! i promise that future emails
will be in the correct format.
This is the command I used to do a one second test where the intention is to
merge two mono audio tracks into
Hi,
I have a video file that has two 24-bit PCM audio tracks which should just be
one paired stereo track.
After looking at the wiki, it seems that this is the best command?
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25 fps=0.0 q=-0.0 Lsize=N/A time=00:00:01.00 bitrate=N/A speed= 84x
video:13kB audio:0kB subtitle:0kB other streams:0kB global headers:0kB muxing
overhead: unknown
Best,
Kieran O'Leary
Irish Film Institute
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It appears that this is ticket 7712: https://trac.ffmpeg.org/ticket/7712 and it
was introduced here:
https://github.com/FFmpeg/FFmpeg/commit/301cee61fa61c55b1c178ebfbc590872e8b033e6
as an attempt to fix an existing bug: https://trac.ffmpeg.org/ticket/4184
Best,
Kieran.
___
p.s
ffplay from git master performs the same way.
$ ./ffplay
'/Volumes/kieran_tests/zip_sip_outputs/aaa0013/2a215d97-39a7-4bf4-9ca6-46cd7fd766d8/objects/Card
5/BPAV/CLPR/432_4407_01/432_4407_01.MP4'
ffplay version N-92900-gaf5b6b45b4 Copyright (c) 2003-2019 the FFmpeg developers
built with App
Hi,
So on OSX El Capitan - VLC 3.4, ffplay 4.1, mpv 0.29.1 will play back 16-bit
twos within MP4. Quicktime player will not play back the file. VLC throws up an
unsupported codec warning but it still plays it back.
$ ffplay
'/Volumes/kieran_tests/zip_sip_outputs/aaa0013/2a215d97-39a7-4bf4-9ca6
0.0kbits/MD5=123fb3ff58ca94c842453b518aeb6a9a
frame= 14 fps=6.6 q=-0.0 Lsize= 0kB time=00:00:00.77 bitrate=
0.4kbits/s dup=0 drop=3 speed=0.364x
video:680400kB audio:0kB subtitle:0kB other streams:0kB global headers:0kB
muxing overhead: unknown
Best,
Kieran O'Leary
Irish Film I
When creating MOV files, setting the -color_range option does not seem to have
any effect. What am I doing wrong? Could it have anything to do with the
removal of the yuvj pixel formats?
Is setting this metadata even possible in the MOV container, or is it something
that is expected to be flagge
Hi,
I remember that older versions of ffmpeg would detect a pix_fmt of xyz12le when
a jpeg2000/MXF file from a DCP was passed as input. Now I see a value of:
rgb48le(12 bpc, progressive)
Was this intentional, and if so, why did the behaviour change? I tried looking
at the commit history for jp
Here is a sample -
https://wetransfer.com/downloads/99e7bddc04e6faee2e001ad2ebed4a3c20181119152241/ce77f8
This was exported from Resolve 14 using the AVID 1:1 10-bit RGB 1080p setting.
Apologies for the delay,
Kieran O'Leary
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Hi,
Just in terms of the issue:
That error message was introduced in December 2006 here:
https://github.com/FFmpeg/FFmpeg/commit/38a7834bbb24ef62466b076715e0add60e1d6962
in order to fix this issue with 5k encodes:
https://trac.ffmpeg.org/ticket/6005
which refers to a max packet size of 2147483
Hi,
I can't get ffmpeg to produce an interlaced file using setfield or field_order.
I don't know too much about the format, but it looks like the OpenDML spec
mentions that there is a flag that sets the number of fields per frame. IIs
there any way to set interlaced metadata within AVI?
Using
ea/MediaInfoLib/blob/080212c30baea3f85602eaf61aa8feaedb983971/Source/MediaInfo/Multiple/File_Mpeg4_Elements.cpp#L2682
It looks like what ffmpeg calls media_type is mapped to ContentType in
Mediainfo. i can't find any information about either element inthe QuickTime
specification, though.
Best,
Kieran O
Hi,
I noticed recently that Vittorio Giovara added SMPTE 431/432 support to the
colorspace video filter. I often create h264/prores copies of XYZ Digital
Cinema Packages via ffmpeg in a film archive. However the colours do not always
look correct. By this I mean they do not look the same as whe
Hi,
Thank you so much for adding rgb48le support. It will be of great use and
importance to audiovisual archives.
When I transcode an rgb48le TIFF to FFV1, the resulting ffv1 file is listed as
having a pixel format of gbr16le when I decode it. I can specify a pix_fmt of
rgb48le, but it would b
Hello,
I want to transcode a DCP to ProRes or x264 while transforming to bt709. I am
experimenting with the colorspace filter, as I've found that most DCPS that
I've converted have low contrast and washed out colours. As some DCP players
(EasyDCP) allow XYZ -> bt709 transforms, I wanted to see
Carl Eugen writes:
> Sounds like a performance issue that has nothing to do
with mkv vs mov.
Do you mean my system specs? 1080p FFV1.mkv plays back with just a little
stuttering on a core i5 3570k in VLC, but FFV1.mov just doesn't display video
at all, I only get audio on any PC I've tried an
Carl Eugen writes:
>Please elaborate, this does not sound like a known
issue to me.
It's more of an issue with VLC. It plays back SD ffv1.mov just fine, but it
only plays back audio for HD content. I've never had any issues with .mkv. I've
only ever used ffv1 with 10 bit content.
Anyhow this
Hi Carl,
As the file is a tape ingest, I was hoping to preserve the timecode if I could.
The reason that I wanted to use MKV was that FFV1 doesn't work well for me in
non SD resolutions in a .mov container. Keeping HD in v210.mov is just too
large a file.
Thanks,
Kieran.
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This email h
I have a 1080p24 v210.mov file with 2 audio tracks and a data track, which I'm
assuming is the timecode. I want to just transcode the video track to ffv1, and
copy over everything else into a matroska wrapper.
Is there an easier way to do this, and is it possible to carry over timecode to
matro
Hello,
I am hoping to change the Display Aspect Ratio of a series of files (using
-aspect 4:3 -c copy) but make framemd5s (or regular md5s of the decoded stream)
before and after the aspect ratio change.
I did a test with a h264 transcode, purely to produce a file that would have a
different d
P.S,
Sincere apologies for my mailer settings. Will try to rectify.
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On Tue, Aug 04, 2015 at 10:21:30 -0400, Dave Rice wrote:
>You could try:
>ffmpeg -i uncommented.mov -map 0 -c copy -metadata comment="your comments
>here" commented.mov
Thanks Dave. I tried it without the mapping and it worked perfectly. It even
showed up in mediainfo. Are there some instances
Hello,
Is there any way to add custom embedded metadata to a quicktime file via
ffmpeg? In particular, I am hoping to embed a unique ID into each file in our
collection, which would preferably show up in mediainfo/exiftool/ffprobe. I
know very little about this stuff, but I know that some AV/im
Mr. Nice wrote:
> How I can know FFV1 is version 1.3?
Use the "-level 3" switch. More info here:
https://trac.ffmpeg.org/wiki/Encode/FFV1
If you're feeling paranoid about whether your encode was lossless or not, run
framemd5s of both files. More info here
https://trac.ffmpeg.org/wiki/framemd5
Carl Eugen Hoyos writes:
>This should be -framerate 24
Is this because I'm using an image sequence? I don't see much info re
-framerate in the ffmpeg documentation. What's the main difference between
-framerate and -r?
>> -r 24
>Remove this one unless there is a (specific) reason.
Do you mea
Putting the crop filter before the resize in the filter chain produced the
desired effect. Any other feedback on my command line would be greatly
appreciated. I can't get inline quoting to work on outlook web app (which I
have to use today) so I didn't do any quotes. Sorry if this makes things
Hello,
I am working with a 2k full aperture 16mm DPX scan. It has approx 32 pixels of
the black perforation area of the film on the top and bottom. I am hoping to
transcode everything to 720/576 v210 as I'm working on a DVD project (I'm going
to do a lot of work in a NLE after I transcode). I a
> It looks to me both files are 8bit only. The first one with extra stuff
> added at begining.
___
That scares me! The bitrate looks close to v210 (220Mbps vs 213Mbps), but it's
actually 8-bit video?
___
f
> Please also provide the mov file.
Carl Eugen
___
This is three frames of colour bars, ingested as avid 1:1 10 bit.mxf, exported
same as source.mov.
https://dl.dropboxusercontent.com/u/3740512/samesource01.mov
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-Original Message-
From: ffmpeg-user [mailto:ffmpeg-user-boun...@ffmpeg.org] On Behalf Of Paul B
Mahol
Sent: 10 July 2015 15:23
To: FFmpeg user questions
Subject: Re: [FFmpeg-user] Framemd5 filter error for atomised Avid 1:10 bit.mxf
On 7/10/15, Kieran O'Leary wrote:
>
>
> framemd5 won't help you determine 'how much' visual difference there is
> between an exported file and a reference file. Depending on how you run it,
> framemd5 would only confirm if the two files decode to the same raw frame or
> different ones, it's a yes/no answer and not a 'how much'. I
From: ffmpeg-user [ffmpeg-user-boun...@ffmpeg.org] on behalf of Paul B Mahol
[one...@gmail.com]
Sent: 10 July 2015 12:09
To: FFmpeg user questions
Subject: Re: [FFmpeg-user] Framemd5 filter error for atomised Avid 1:10 bit.mxf
Can you provide link to fil
From: ffmpeg-user [ffmpeg-user-boun...@ffmpeg.org] on behalf of Paul B Mahol
[one...@gmail.com]
Sent: 10 July 2015 12:09
To: FFmpeg user questions
Subject: Re: [FFmpeg-user] Framemd5 filter error for atomised Avid 1:10 bit.mxf
Can you provide link to f
Hello,
I am trying to get a framemd5 output from an atomised Avid 1:1 10bit.mxf. I'm
using Media Composer 8.1.0. Ignore the mention of v210 in the filename, I was
just hoping to run some tests (I was wondering how much lossy degradation
occurs when capturing using Avid 1:1 10 bit and then expor
Hello,
I have been playing around with the bit plane filter in QCTools. More info
here:
http://htmlpreview.github.io/?https://github.com/bavc/qctools/blob/master/Source/Resource/Help/Playback%20Filters/Playback%20Filters.html
>From what I understand, QCtools is using ffmpeg to generate all thes
Hello,
It refers to the Group Of Pictures structure.
http://en.wikipedia.org/wiki/Group_of_pictures
Best,
Kieran.
From: ffmpeg-user-boun...@ffmpeg.org [ffmpeg-user-boun...@ffmpeg.org] on behalf
of Parag Goyal IMD, Applied Chemistry, IT-BHU, Varanasi (
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