Dear Terry,
As a regular reader and contributor to this list, I wish to thank you
for providing this very useful, helpful, and concisely written
information.
Terry Carroll wrote:
In the US, as in most countries, you get a copyright in the work as soon
as you create the work; technically
On Mon, 23 Jul 2001, LAURIE SOLOMON wrote:
There was one sentence that had me wondering: So, for example, if you're an
Australian trying to assert a copyright against an infringer in the UK, you
go by UK rules; a US registration will probably not help you, unless the UK
has some odd
On Mon, 23 Jul 2001 19:19:34 -0700 (PDT) Terry Carroll ([EMAIL PROTECTED])
wrote:
I hope I didn't stir up more questions than I answered,
and I apologize to Tony if this was a little too far off-topic.
Terry, thanks for an authoritative overview.
End of thread now please, folks. If you
]
Subject: filmscanners: OT: Copyright Registration
Date: Mon, 23 Jul 2001 19:19:34 -0700 (PDT)
There were a number of messages on this lately, and I apologize if posting
a response is beating the proverbial dead horse, but I will try to bunch
up what would have been multiple replies into this single
In [EMAIL PROTECTED], Terry
Carroll wrote:
That's my point; it doesn't at all. Someone earlier had suggested that a
US copyright registration would assist in the enforcement in other
countries. As far as I'maware, it does not. Now, there's nothing that
would prevent any country from
PROTECTED]]On Behalf Of Terry Carroll
Sent: Monday, July 23, 2001 9:20 PM
To: [EMAIL PROTECTED]
Subject: filmscanners: OT: Copyright Registration
There were a number of messages on this lately, and I apologize if posting
a response is beating the proverbial dead horse, but I will try to bunch
up what
