- Original Message -
From: Arthur Entlich [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, June 11, 2001 2:06 PM
Subject: Re: filmscanners: Scanning 101...A basic question...
Marvin Demuth wrote:
I have read the recent debates over working with raw files and those
produced
Robert writes ...
In performing the scan, of negatives, to produce the
raw scan aren't scanners/software varying the
color channel exposure to remove the negative mask?
Even if this exposure variation is based on some
sort of measurement of the film done by the scanner,
it represents
I have read the recent debates over working with raw files and those
produced via profiles and I am confused.
In working with scanning color negatives, if you choose to work with the
raw file that is supposed to have all the information in pure form, what is
your starting point for getting an
In working with scanning color negatives, if you choose to work with the
raw file that is supposed to have all the information in pure
form, what is
your starting point for getting an acceptable image on your
monitor as your
starting point for your adjustments?
First, I set the setpoints
Marvin Demuth wrote:
I have read the recent debates over working with raw files and those
produced via profiles and I am confused.
In working with scanning color negatives, if you choose to work with the
raw file that is supposed to have all the information in pure form, what
is your
