> Chalkboard is installed as part of Panther. It shows up as Windows
TrueType font but it is "native" to the OS.
Ah yes, but do any of the other "Windows TrueType fonts" work for you?
Not for me ... it's not the one font, it's the set.
I agree that it's the set.Those fonts don't work for me
> Chalkboard is installed as part of Panther. It shows up as Windows
> TrueType font but it is "native" to the OS.
Ah yes, but do any of the other "Windows TrueType fonts" work for you?
Not for me ... it's not the one font, it's the set.
Simon Troup
Digital Music Art
-
F
I get exactly the same problem as Kim in Finale 2005a, by the way.
The font does not show up correctly in Finale, although it works
fine in other OS X applications. Haven't tried it in earlier
versions of Finale.
Chalkboard works fine in Finale 2005 but not 2005a. (Macintosh) So
I think that
Darcy James Argue / 04.12.20 / 0:08AM wrote:
>Well, I certainly don't remember installing it on my system, but lo,
>there it is. But then it's listed as a "Windows True Type Font," which
>is odd. Maybe it's installed as part of Microsoft Office? (That might
>explain a few things... )
Nope,
On 19 Dec 2004, at 09:59 PM, Eric Dannewitz wrote:
Isn't the font included in OS X? Maybe try reinstalling the font? Or
using Font Book and disabling it and then reinstalling it?
Well, I certainly don't remember installing it on my system, but lo,
there it is. But then it's listed as a "Windows
Isn't the font included in OS X? Maybe try reinstalling the font? Or
using Font Book and disabling it and then reinstalling it?
Simon Troup wrote:
Chalkboard for all my text expressions and most of my headers. It
worked fine in everything up to and including Finale 2005. Since
updating to 2005a,
> Chalkboard for all my text expressions and most of my headers. It
> worked fine in everything up to and including Finale 2005. Since
> updating to 2005a, Chalkboard no longer comes out looking like the
> font. It's still listed in the fonts, but appears on the screen and
> in printout like some g
Probably not. It looked like a lot late at night, especially after I had
added all the articulations.
Crystal Premo
[EMAIL PROTECTED]
From: "d. collins" <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: [Finale] Double flats
Date: Sun, 19 Dec 2004 21:04:38 +01
I did
Crystal Premo
[EMAIL PROTECTED]
From: Don Hart <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Fwd: [Finale] Double flats
Date: Sun, 19 Dec 2004 14:10:02 -0600
Hey all,
I sent this reply last night and I received it through the list. Did any
one else get it
Richard Yates écrit:
>Yes, use the Custom Line Tool. Set line thickness to 0. Put text in the
>'Center Full' option. Select and Ctrl-click in the score. Drag to tilt.
>Hey, this is brilliant! I had no idea one could put text instead of the
>line. Thanks, Richard. And thanks to Owain for asking!
>
Brilliant! Thanks.
Richard Yates wrote:
Is there any way to create vertical text (ie running bottom-to-top)?
I'm wanting it for a 'completion date' after a final barline.
Yes, use the Custom Line Tool. Set line thickness to 0. Put text in the
'Center Full' option. Select and Ctrl-click in the sc
Sorry my bad. I was thinking of MassEdit > Retranscribe. You're right.
Mike
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
> Of Darcy James Argue
> Sent: Sunday, December 19, 2004 9:26 PM
> To: [EMAIL PROTECTED]
> Subject: Re: [Finale] Double flats
>
Uh, what? No it doesn't! I use Mass Edit -> Respell Notes all the
time and I've never seen the behavior you describe.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 19 Dec 2004, at 03:21 PM, Mike Cholewa wrote:
You may also try TGTools > Music > Respell Notes as the Mass Edit Tool
function wil
You may also try TGTools > Music > Respell Notes as the Mass Edit Tool
function will remove any articulation or text applied to the music.
Mike
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
> Of Christopher Smith
> Sent: Sunday, December 19, 2004 9:05 P
Hey all,
I sent this reply last night and I received it through the list. Did any one else get it?
Don
Begin forwarded message:
From: Don Hart <[EMAIL PROTECTED]>
Date: December 18, 2004 9:06:54 PM CST
To: [EMAIL PROTECTED]
Subject: Re: [Finale] Double flats
Crystal,
I've never had to do thi
Mass Edit menu, Respell Notes will change all enharmonics to whatever
you have selected in the Enharmonic Spelling menu item under Options.
Christopher
On Dec 19, 2004, at 2:48 PM, Crystal Premo wrote:
I intend to supply the client with the song in C, with all the double
flats, and with the doub
I don't know the piece, but if the original key was B, then there are
probably many places where the original engraver "cheated" to spell
things with flats and naturals rather than double sharps, like if the
piece happens to go to D# major he might have spelled things as Eb
instead. This means
I intend to supply the client with the song in C, with all the double flats,
and with the double flats changed. In this way, she will have the best of
both worlds.
People who ask me for transpositions are very frequently not the most
skilled singers and are participating in musical theatre on
To Owan, who asked:
Is there any way to create vertical text (ie running bottom-to-top)?
I'm wanting it for a 'completion date' after a final barline.
Richard replied
Yes, use the Custom Line Tool. Set line thickness to 0. Put text in the
'Center Full' option. Select and Ctrl-click in the score.
Exactly. This woman is probably going to an audition where the pianist may
simply be playing what is on the page, without much thought given to
anything else. Double flats may be much more confusing than the other
considerations of key.
And like you say, let's give her what she wants.
Crystal
And this is why I am not arguing with the client.
Someone who takes this music to an audition (not a good audition piece in my
opinion, but in this context I am not being asked), the pianist may not be
up to snuff, and double flats will cause stumbling. So why not just change
the double flats a
This has always been my objection, but some people think they know more than
everyone else.
The original key is B.
Crystal Premo
[EMAIL PROTECTED]
From: "d. collins" <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: [Finale] Double flats
Date: Sun, 19 Dec 2004
At the risk of seeming too persistent, I'm going to re-post this
question, since I didn't receive any answers or response. Can you guys
help me out here?
=
Here's another update phenomenon. Maybe one of you font guys can solve
this one.
In my last few months of Finale files, I have exclu
At 7:49 AM -0500 12/19/04, dhbailey wrote:
d. collins wrote:
Crystal Premo écrit:
I have a client who has had me transpose The
Music That Makes Me Dance up a half step, and
now wants to see all of the double flats
eliminated. I can understand this, but is
there an easy way to achieve this?
Th
> Is there any way to create vertical text (ie running bottom-to-top)?
> I'm wanting it for a 'completion date' after a final barline.
Yes, use the Custom Line Tool. Set line thickness to 0. Put text in the
'Center Full' option. Select and Ctrl-click in the score. Drag to tilt.
Richard Yates
_
Is there any way to create vertical text (ie running bottom-to-top)?
I'm wanting it for a 'completion date' after a final barline.
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
d. collins / 04.12.19 / 8:06AM wrote:
>Well, I'm also a performer, and I find an F double sharp "easier" to read
>than a G natural if I'm in G sharp major or minor.
When I saw the original post, I was under the impression it was not like
that. Say an approach note to D being E flat key in D by
d. collins wrote:
Crystal Premo écrit:
I have a client who has had me transpose The Music That Makes Me Dance
up a half step, and now wants to see all of the double flats
eliminated. I can understand this, but is there an easy way to
achieve this?
There probably is, but then the music will we
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