Hello Finale - I am having trouble combining three pieces of music (MUS files) into one continuous piece of music. I guess it's a "cut and paste," or "copy and append." operation. But I can't seeem to make it work for 3 separate files. How do I put them together into one score? No problem using
I don't know of any "choral" symphony by Mozart, and I don't on that
collection on LP either, but it might help you to visit http://www.hogwood.org/rlp.htmwhere
you would fnd the Christopher Hogwood's LP recordings catalogue, and you might
compare it with the CD content listing.
Rafael
On 08.03.2006 Kim Patrick Clow wrote:
I am hoping that the collective wisdom of the list can help me. When Christopher Hogwood
recorded his Complete Mozart Symphonies project for Decca, there was a choral
symphony included with the boxed album set. This was an early symphony from the Italian
Here is Chris's reply:
I know nothing of any Choral Symphony from Mozart, and I can't think of
anything that went missing from the LPs other than the Odense symphony, which
surely can never have been by Mozart.
Maybe they could tell you which record they found it on?
Hope this helps,
That's in Simple Entry, not speedy...
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Sent: Friday, March 10, 2006 10:05 PM
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You need to have the CAPS LOCK on
Dean M. Estabrook wrote:
On mac, Just go to File--Print and click the PDF button.
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Sent: Saturday, March 11, 2006 11:35 AM
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Subject: Re: [Finale] PDF FILES
On Mar 10, 2006, at 6:22 PM, Dean M.
Same is true on Mac, just hit the cluster and it will enter a rest...
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Sent: Saturday, March 11, 2006 11:09 AM
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Subject: Re: [Finale] (no subject)
In Windows in Speedy,
This Choral Symphony was not the Odense, that was released on an appendix vinyl album I believe; and wasn't included in the CD set. I can't recall which K number this choral symphony was, but it was a very early one, K 110-119 with an alphabet subscript number I think.
This was a very short
On 13.03.2006 Kim Patrick Clow wrote:
This Choral Symphony was not the Odense, that was released on an appendix
vinyl album I believe; and wasn't included in the CD set. I can't recall which
K number this choral symphony was, but it was a very early one, K 110-119 with
an alphabet
Aha! I found this on the Barenreiter website itself:
In Mozart's day the Italian operatic symphony normally consisted of three rather short orchestral pieces in the order fast - slow - fast. For Ascanio in Alba, however, he characteristically varied the conventional formula. That this was
Bill:
One thing I would warn about WRT attempting to combine multiple Finale
source files into one, based upon my own experience: if your music
involves lyrics, attempting to combine them will likely produce
unexpected results, to the extent that it will probably involve less
time in the
On 13.03.2006 Kim Patrick Clow wrote:
I have no idea why Mr. Hogwood doesn't recall this being in the vinyl edition
of the Symphonies. Neal Zaslaw talked about this in the liner note; and it was
included in the recordings.
I asked him and gave him your quote, perhaps he will shed some light
On 13 Mar 2006 at 13:35, Kim Patrick Clow wrote:
Aha! I found this on the Barenreiter website itself:
In Mozart's day the Italian operatic symphony normally consisted of
three rather short orchestral pieces in the order fast - slow - fast.
For Ascanio in Alba, however, he characteristically
On 13 Mar 2006 at 9:10, Jonathan Smith wrote:
I would use clip files as they are the most accurate method.
I went through all the problems of learning how to assemble multiple
movement files into a single work file a year or so ago, using WinFin
2003. I did quite a bit of experimenting and it
On 13 Mar 2006 at 13:49, Kim Patrick Clow wrote:
I'm sorry my earlier quote wasn't complete
attempt #2 from the Barenreiter site:
In Mozart's day the Italian operatic symphony normally consisted of
three rather short orchestral pieces in the order fast - slow - fast.
For Ascanio in Alba,
Yes, there is a difference, even in the C version of 2006. I went
through this a few weeks ago, and will dig out the email late tonight
when I get home again.
Christopher
On Mar 13, 2006, at 3:22 PM, David W. Fenton wrote:
On 13 Mar 2006 at 9:10, Jonathan Smith wrote:
I would use clip
David Fenton wrote some excellent points.
I don't know Zaslaw's rational for his words, but given his considerable expertise, I am sure he's aware of the Haydn overtures you mentioned. And while I can't recall if Mr. Zaslaw used the wordingchoral symphony, that's why I usedquotes. I think it
On 13 Mar 2006 at 15:43, Kim Patrick Clow wrote:
David Fenton wrote some excellent points.
I don't know Zaslaw's rational for his words, but given his
considerable expertise, I am sure he's aware of the Haydn overtures
you mentioned. . . .
I'm not so sure of that. I know for a fact whose
David Fenton wrote:
These weren't symphonies. They were opera overtures. While those werealso often given the designation sinfonia, the genre conventionswere completely different than the ones Beethoven was operating
within when he wrote the Ninth.
All I think Mr. Zaslaw was saying that there was
On 13 Mar 2006 at 16:01, Kim Patrick Clow wrote:
David Fenton wrote:
These weren't symphonies. They were opera overtures. While those were
also often given the designation sinfonia, the genre conventions
were completely different than the ones Beethoven was operating within
when he wrote
Hi,
I created a score with Finale2006 and FinaleGPO.
When I export every staff individually by using
the solo button and the Save Special - Save as Audio File
function the resulting wave files all have slightly different lengths:
the shortest takes 45sec786ms, the longest 46sec013ms.
When
Hi,
We heard of this before. It's because of Human Playback's variable
interpretation of tempos changes like rits and the like. There is a
random element in how much rit is applied. It has nothing to do with
the soundcard.
I think we determined that you could edit the Human Playback so that
Use the Apply Human Playback Plugin -- this locks in a single
interpretation. Otherwise, timing may vary slightly from take to
take.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 13 Mar 2006, at 7:21 PM, Christopher Smith wrote:
Hi,
We heard of this
Hello Finale;
I have found that when using the "explode music" feature, even though the
articulations are in the right place BEFORE the music is exploded, they come out
funnyin the parts AFTER the chords are exploded.
I was wondering if there is a way forALL articulations of a certain
type
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