Title: Re: [Finale] How long to finish a Finale Project (Baroque Music)
On average, it takes me about four and a half.
JR
On 5/11/06 7:24 PM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
In a message dated 12/05/2006 00:16:08 GMT Daylight Time, [EMAIL PROTECTED] writes:
No, no question is ever
On 12.05.2006 Noel Stoutenburg wrote:
It occurs to me that Arthur never specified his OS. Was 2002 the last version
of Finale to run on some particular MAC OS version?
No. 2k3 was the last one which ran well in OS 9, 2k4 was the last one
which ran at all in OS 9, and the first one two run
It happens that some messages I sent to the list
get this error:
Your message is being returned; it has been enqueued and undeliverable
for7 days to the following recipients: Recipient address: finale@lists.shsu.edu Reason:
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John Roberts wrote:
On average, it takes me about four and a half.
JR
[snip]
That's a perfect answer -- you leave it to the reader to fill in the
units! :-)
4.5 hours, 4.5 days, 4.5 weeks, 4.5 months, 4.5 cases of Jack Daniels,
4.5 Presidential terms.
Good answer!
--
David H. Bailey
Marcello Noia wrote:
It happens that some messages I sent to the list get this error:
Your message is being returned; it has been enqueued and undeliverable for
7 days to the following recipients:
Recipient address: finale@lists.shsu.edu mailto:finale@lists.shsu.edu
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Noel Stoutenburg wrote:
David W. Fenton wrote:
On 11 May 2006 at 19:13, Kim Patrick Clow wrote:
No, no question is ever meaningless or pointless.
If that's true, then, you'll be able to answer this question:
How long is a piece of string?
If Kim can't I can: exactly long enough
At 03:17 AM 5/12/2006, Marcello Noia wrote:
It happens that some messages I sent to the list get this error:
Your message is being returned; it has been enqueued and undeliverable for
7 days to the following recipients:
Recipient address: finale@lists.shsu.edu
Reason: unable to deliver this
On Apr 4, 2006, at 1:25 PM, Andrew Stiller wrote:
Thanks to all who responded to this. The concensus seems to be that my
first idea was best, so that's how I'll go.
I would like to hear how the Shostakovich is set up though...
Whew!
Long time waiting for this answer. The original
On May 11, 2006, at 6:57 PM, John Howell wrote:
In another thread, Johannes wrote in part:
The Solid Barlines style is meant for special situations, I am not
even sure when they would occur, but they are definitely too thick
for normal barlines.
I ran into fat barlines in a band
On 5/12/06 8:31 AM, Christopher Smith [EMAIL PROTECTED]
wrote:
In the Shostakovich 5 I mentioned in a previous message, I noticed in
the score that the barlines at the rehearsal marks were quite thick,
about like Finale's thick barlines. It was remarkable because I had
never seen them before
Title: [Finale] Slurs and Tab
Hello wise list,
Heres something that I dont anticipate finding a fix for, but I wonder if anyone can muse over why this might have happened. Im working on a two volume project of theorbo and theorbino tablature/transcriptions, and everything looked good at first
The answer may be here at SHSU. It's exam time, and all those students
trying to find out if missing all of those Friday classes (Thursday is the
big party night here) has caused them to not pass;-)
Henry Howey
Professor of Music
Sam Houston State University
Box 2208
Huntsville, TX 77341
Many Tchaikovsky works (I recall the 5th symphony particularly) are
notorious for having the rehearsal letters one bar before the phrase
beginings. I don't know if it is a composer preference or a
publisher-editor preference.
Also, thanks for following up on the Shostakovitch 5th 3rd violin
Date: Thu, 11 May 2006 19:16:36 -0700
To: finale
From: Bob Florence [EMAIL PROTECTED]
Subject: OT: protocol
Cc:
Bcc:
X-Attachments:
Hi All:
I have written a composition for an oversized big band. It is titled
Appearing In Clevelandand is a tribute to band leader Stan Kenton.
It is 15 minutes
Apologies, but I seemed to have missed out on some emails - what was the
query re. Shostakovitch 5?
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Raymond Horton
Sent: 12 May 2006 17:27
To: finale@shsu.edu
Subject: Re: [Finale] 3 violin parts
And, how does one goes about getting a copy of this work ( a recording
or whatever) I am a great Kentonian fan - I met him personally and
before that I played many of his music when I was active as a trumpet
player.
gr
Bob Florence wrote:
Date: Thu, 11 May 2006 19:16:36 -0700
To: finale
At 9:31 AM -0700 5/12/06, Bob Florence wrote:
Date: Thu, 11 May 2006 19:16:36 -0700
To: finale
From: Bob Florence [EMAIL PROTECTED]
Subject: OT: protocol
Cc:
Bcc:
X-Attachments:
Hi All:
I have written a composition for an oversized big band. It is
titled Appearing In Clevelandand is a tribute
This was a thread a couple of months ago. I believe someone had a score
with 3 violin parts for a movement or so, and I suggested the
Shostakovitch Fifth as a precedent. I knew the score was three distinct
parts for only the third movement, but was not sure how the violin parts
were handled.
Thought that might be it...for that movement, both the Violin 1 and
Violin 2 parts have a three-staff system showing all parts. No
specification is given about how to divide it - having a 'rear section'
is common, but I've also played it with normal a3 divisi, which produced
a wonderfully-uniform
What is the legal precedent for Fair Use in this case -- quotation
of copyrighted music in an original composition?
I was under the impression that this sort of thing falls clearly
outside the boundaries of fair use -- that even extremely brief
musical quotes need to be cleared with the
Darcy James Argue wrote:
What is the legal precedent for Fair Use in this case -- quotation of
copyrighted music in an original composition?
I was under the impression that this sort of thing falls clearly
outside the boundaries of fair use -- that even extremely brief
musical quotes
To Bob Florence et al:
I think Darcy is right. It may be possible to remain under the radar
for something like this, but if you do get caught, it is not legal
and surely problematic.
Fortunately for those of us who like doing things like this - using
familiar material in new and
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