On Dec 2, 2006, at 9:52 AM, dhbailey wrote:
If you don't understand the clef, then set the viola staff to be
either treble or bass clef and enter the music in a manner you do
understand and then when it's all entered go back and change the clef
to the alto clef.
This is sound advice, except
At 08:39 PM 12/3/06 -0800, Bruce E. Clausen wrote:
>I took a few minutes to visit the ISMN website (www.ismn-international.org)
>and found that it is relatively inexpensive to obtain an ISMN (although they
>have to be ordered in bulk). If having such a number does indeed increase
>one's likelih
I took a few minutes to visit the ISMN website (www.ismn-international.org)
and found that it is relatively inexpensive to obtain an ISMN (although they
have to be ordered in bulk). If having such a number does indeed increase
one's likelihood of distribution it should make sense to get one. H
Interesting- I'm in "Simple- never tried Speedy" mode! (apart from asking
for diatonic accidentals!)
Cheers K in OZ
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED] / 2006/12/03 / 04:31 AM wrote:
>However, when I use Finale I am forced to use the "show in concert pitch"
>option because when I enter a note for a transposed instrument, let's say a
>written F for horn (sounding Bb) the note that Finale plays isn't the
>real note, the Bb, b
Michael Good / 2006/12/01 / 01:57 PM wrote:
>Make sure you have a real font that's really installed on your
>computer selected at the top of the box. You'll get an empty list like
>you describe if the font isn't available, or is somehow misinstalled.
As I said, I am on native Windows 2000 Japanes
John Howell wrote:
On 12/3/06, Eric Fiedler <[EMAIL PROTECTED]> wrote:
In principal, all publishers print "on demand",
"on demand", the difference being the size and frequency of the print
runs. Our print runs average between 300 and 400 copies, which, while
certainly not in the same league wi
On 12/3/06, Eric Fiedler <[EMAIL PROTECTED]> wrote:
In principal, all publishers print "on demand",
"on demand", the difference being the size and frequency of the print
runs. Our print runs average between 300 and 400 copies, which, while
certainly not in the same league with the big boys, can'
At 7:15 PM + 12/3/06, Will Denayer wrote:
Hi John, I am only curious, what are chortons and kammertons?
Sorry, don't know it. Best, Will
Chorton is "choir pitch." Kammerton is "chamber pitch." This is
just one little complication in trying to pin down baroque performing
pitches. There
On 12/3/06, Eric Fiedler <[EMAIL PROTECTED]> wrote:
Do try to exercise a little restraint when talking about matters
you're maybe not quite sure about.
I will, if you will.
In principal, all publishers print "on demand",
"on demand", the difference being the size and frequency of the print
r
Kim,
Do try to exercise a little restraint when talking about matters
you're maybe not quite sure about. In principal, all publishers print
"on demand", the difference being the size and frequency of the print
runs. Our print runs average between 300 and 400 copies, which, while
certainly
On 12/3/06, Will Denayer <[EMAIL PROTECTED]> wrote:
Hi John, I am only curious, what are chortons and kammertons?
Sorry, don't know it. Best, Will
http://idrs.colorado.edu/Publications/DR/DR9.1/DR9.1.Bukoff.html
--
Kim Patrick Clow
"There's really only two types of music: good and bad." ~ Ross
Bach, for example, never wrote transposing
instrumental parts, but did use different clefs for high, medium and
low instruments.
(Yes, i know about his brass parts, and about chorton and kammerton,
but please don't complicate things at this point!)
Hi John, I am only curious, what are chorton
Andrew Stiller <[EMAIL PROTECTED]> wrote:
Never--especially in caps--is too strong a word. I am a music
publisher, and print on demand; and libraries do, in fact, occasionally
(several times a year) order directly from my website or from my
printed catalog. I encourage them to do this by offering
On Dec 3, 2006, at 11:00 AM, Kim Patrick Clow wrote:
libraries will NEVER order material from a
publisher's website. They rely completely on music distributors for
catalogues and updates on new materials stocked.
Never--especially in caps--is too strong a word. I am a music
publisher, and
I stand corrected about the Garri Editions and Eric Fielder's Telemann
cantata cycle editions (these are self published music editions and
are published in the non traditional method-- a.k.a. "print on
demand". The music library at Columbia told me that those editions do
have ISMNs, so they are "i
[EMAIL PROTECTED] wrote:
I prefer to work with the instruments in written pitch, especially when
writing for brass - being a horn player I know what the different ranges sound
like. When I write on paper I write the instruments as they will be written in
the parts.
However, when I use Fin
On 03.12.2006 Cecil Rigby wrote:
I want the last beat of a measure on the next system. Using the measure tool I
select the split option and then click on the box I created at the obvious
place over the measure. Then I use the mass mover tool and hit the down arrow,
et voila- the last beat mo
Hi all-
through the years I've never had to use the feature before & I'm wondering if
I'm missing something or if there's a known bug.
FinWin06b...
I want the last beat of a measure on the next system. Using the measure tool I
select the split option and then click on the box I created at t
I prefer to work with the instruments in written pitch, especially when
writing for brass - being a horn player I know what the different ranges sound
like. When I write on paper I write the instruments as they will be written
in
the parts.
However, when I use Finale I am forced to use th
On 01.12.2006 Andrew Stiller wrote:
There is such a thing as an ISMN (International Standard Music Number) that is
supposed to be used on printed music in place of the ISBN--but it never caught
on and I don't think I've ever seen a volume that carried one.
Not true. Any recent Bärenreiter vol
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