On Apr 28, 2007, at 9:34 PM, Darcy James Argue wrote:
But of course, using the Horiztonal Offset in the expression
definition, you CAN specify an absolute offset from beat position.
That's just one of the many benefits of the Fin2004+ expressions.
And, as you point out, there's just no
Mark,
At the risk of appalling you further, I'm curious how many
expressions you keep on your expression list. My basic template
has 12, of which two I never use anymore and could probably
delete. I get the impression that I'm in a minority here and most
people keep a longer list.
On Apr 28, 2007, at 11:50 PM, Darcy James Argue wrote:
Like most people, I have more than 12 dynamic expressions alone.
Finale's template comes with 17 ( through , various fp's
and sfz's, and a sub. p.). Since you do vocal music, you'd want a
second set of dynamics set to
If any of the expressions are defined for playback, it's because they
came that way in the MM template. I usually don't need to define
anything for playback, because Human Playback interprets most of them
(e.g., pizz., arco, mute) automatically.
With every new version, I always look at the
anyone have experience dealing with mime attachments? a colleague
(on mail) has some filters set up to auto-forward certain messages to
me (eudora). i have been receiving the headers inline and the body
of the messages as mime attachments but need the entire message
(especially the body)
On 29.04.2007 Mark D Lew wrote:
In my typical work I enter about five or six expressions per page.
Ok, in that case I think you might as well stick with what you have.
JFYI: I sometimes enter music with around 100 expressions per page.
Johannes
--
http://www.musikmanufaktur.com
On Apr 29, 2007, at 3:38 AM, Mark D Lew wrote:
As for Finale's templates, I don't think I've looked at a MakeMusic/
Coda-provided template since Finale 97.
Now I can say with confidence that you are truly missing out. I know
you can't use these default files out of the box (I can't
On Apr 29, 2007, at 5:49 AM, shirling neueweise wrote:
anyone have experience dealing with mime attachments? a colleague
(on mail) has some filters set up to auto-forward certain messages
to me (eudora). i have been receiving the headers inline and the
body of the messages as mime
At 12:34 AM 4/29/2007, Darcy James Argue wrote:
And, as you point out, there's just no way selecting expressions from
the list can ever be remotely as efficient as working with metatools
Personally, I feel sorry for Mac users who don't have the benefit of
TGTools Expression Browser, which
In my typical work I enter about five or six expressions per page.
Ok, in that case I think you might as well stick with what you have.
hm... quite possibly right. i have 230 expressions in my template
(and several i have been meaning to add for some time now!), have
worked on scores
You can tap the esp key twice to bring up the arrow tool if you are using
windows.
George Ports
- Original Message -
From: Jim Fischer [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Saturday, April 28, 2007 2:48 PM
Subject: [Finale] Is there a key command to select the Arrow tool in
Thanks for the input. What with one thing and another, I didn't do the 2007
upgrade. I got the impression from a friend that it wasn't different from
2006, but I haven't done the experimentation with the specifics I know
about. Now you mention it, I seem to remember whole rests being a problem. I
On 29-Apr-07, at 10:48 AM, John Roberts wrote:
Thanks for the input. What with one thing and another, I didn't do
the 2007
upgrade. I got the impression from a friend that it wasn't
different from
2006, but I haven't done the experimentation with the specifics I know
about.
Well, the two
On 29.04.2007 Aaron Sherber wrote:
Personally, I feel sorry for Mac users who don't have the benefit of TGTools
Expression Browser, which alphabetizes text expressions and can also group by
font characteristics.
They all can have the benefit of the TGTools Expression sorting, which I
guess
This is probably gonna start a religious war, but I would like to read
the members' opinions about hyphenating text underlay. Is there any
consensus about whether one should hyphenate according to the dictionary
as opposed to how one sings the word?
For example, light-ing vs. ligh-ting
I
On Apr 29, 2007, at 11:32 AM, Robert Patterson wrote:
This is probably gonna start a religious war, but I would like to
read the members' opinions about hyphenating text underlay. Is
there any consensus about whether one should hyphenate according to
the dictionary as opposed to how one
On Apr 29, 2007, at 3:54 AM, Johannes Gebauer wrote:
JFYI: I sometimes enter music with around 100 expressions per page.
That explains a lot. Others do, too?
mdl
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On Apr 29, 2007, at 8:32 AM, Robert Patterson wrote:
This is probably gonna start a religious war, but I would like to
read the members' opinions about hyphenating text underlay. Is
there any consensus about whether one should hyphenate according to
the dictionary as opposed to how one
Yes. In short, I use QuicKeys extensively with Finale. As the arrow key is
probably selected more than anything, at least in my work, I have assigned F1
to this command. Easy to do and just a tap away.
e.g. F1 Selection Tool, F2 Simple Entry, F3 Speedy Entry, F4 Mass Edit, etc.
(you get the
At 11:26 AM 4/29/2007, Johannes Gebauer wrote:
On 29.04.2007 Aaron Sherber wrote:
Personally, I feel sorry for Mac users who don't have the benefit of
TGTools Expression Browser, which alphabetizes text expressions and
can also group by font characteristics.
They all can have the benefit of the
I should have added that my instictive preference is for dictionary
hyphenation, but I want to confirm that instinct. So far I haven't read
any disagreement.
--
Robert Patterson
http://RobertGPatterson.com
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On Apr 29, 2007, at 1:04 PM, Aryeh Har-Even wrote:
Yes. In short, I use QuicKeys extensively with Finale. As the
arrow key is probably selected more than anything, at least in my
work, I have assigned F1 to this command. Easy to do and just a tap
away.
e.g. F1 Selection Tool, F2 Simple
Christopher Smith wrote:
On Apr 29, 2007, at 3:39 PM, Andrew Stiller wrote:
On Apr 29, 2007, at 1:36 PM, Robert Patterson wrote:
I should have added that my instictive preference is for dictionary
hyphenation, but I want to confirm that instinct. So far I haven't
read any disagreement.
On Apr 29, 2007, at 3:54 AM, Johannes Gebauer wrote:
JFYI: I sometimes enter music with around 100 expressions per page.
That explains a lot. Others do, too?
mdl
Ditto. Not hard to do when you're working with a large orchestral score.
Lee Actor
Composer-in-Residence and Assistant
On 29 Apr 2007 at 7:25, Christopher Smith wrote:
I use Mail as well, and there is one of my colleagues on Pegasus that
sends me emails with the same problem. I haven't found a solution,
but at least you know that it isn't an isolated problem. It is only
the Mac users that can't read his
On Apr 29, 2007, at 3:49 PM, Andrew Stiller wrote:
On Apr 28, 2007, at 3:40 AM, Mark D Lew wrote:
I can't figure out how to use a metatool for an expression and
not have it show up on every staff. I don't see a place to define
that. What am I missing?
I can't believe that for all
On Apr 29, 2007, at 3:56 PM, dhbailey wrote:
I wouldn't hyphenate fi- re for the same reason that I wouldn't
hyphenate against dictionary hyphenation in general. I would trust
that the person in charge of the music would understand that if the
word isn't broken into two syllables, the
A Mac user tells me this PDF:
http://www.dfenton.com/Collegium/Scores/Gibbons-LordGrantGrace.pdf
shows up with weird characters. Generally, I've had no troubles
getting PDFs to her via my website, but this has happened once
before. She said it was some problem with the rests of something
David,
This shows up alright on my Mac. It looks fine to me except perhaps
for placement of floating rests having to do with multiple vocal
parts. I have to assume they are placed where they were put by the
composer.
Chuck
On Apr 29, 2007, at 7:59 PM, David W. Fenton wrote:
A Mac
In a message dated 4/29/07 10:01:55 PM, [EMAIL PROTECTED] writes:
Are Mac users seeing proper noteheads/rests?
It displays properly here.
**
See what's
free at http://www.aol.com.
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On 29 Apr 2007 at 20:13, Chuck Israels wrote:
This shows up alright on my Mac. It looks fine to me except perhaps
for placement of floating rests having to do with multiple vocal
parts. I have to assume they are placed where they were put by the
composer.
No, Orlando Gibbons was dead
Looks fine to me, David.
I'm using Adobe Reader 7.05 with system version 10.4.9 on a G5.
On Apr 29, 2007, at 10:59 PM, David W. Fenton wrote:
A Mac user tells me this PDF:
http://www.dfenton.com/Collegium/Scores/Gibbons-LordGrantGrace.pdf
shows up with weird characters. Generally, I've had
At 10:32 AM -0500 4/29/07, Robert Patterson wrote:
This is probably gonna start a religious war, but I would like to
read the members' opinions about hyphenating text underlay. Is there
any consensus about whether one should hyphenate according to the
dictionary as opposed to how one sings the
You can't be totally rigid, though. A prominent exception is
words in -ire (as fire, tire, mire) that are very frequently
pronounced in two syllables (esp. in poetry) but which you
will never see hypenated in any dictionary.
Not to mention the large number of diphthongs (think long a, i, o)
One really great assignments we had at NEC was to transcribe vocal
and instrumental versions of the same song, including the
accompaniment. The goal here was, in fact, to make the vocal
transcription as exact as possible -- not as something you'd ever
give to a singer, but as a written
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